Comment - No image

TonyCooperTonyCooper Registered Users Posts: 2,276 Major grins
edited April 16, 2012 in Street and Documentary
Monday night was competition night at my camera club. The
there was no mandate; it was "Open" night.

One person (not me) submitted a black and white photo of a
man sprawled on a park bench. The subject was interesting,
the composition very good, and the processing strong blacks
and whites.

The score was 64 (out of 100) and the lowest of the b&w
submissions. The judge that critiqued the photo said "It's
just a man sitting on a bench".

The judge is a locally renowned nature photographer whose
photos - mostly birds - have appeared in magazines and
on magazine covers.

"Street" gets no respect at my camera club.
Tony Cooper - Orlando, Florida
http://tonycooper.smugmug.com/

Comments

  • lensmolelensmole Registered Users Posts: 1,548 Major grins
    edited April 11, 2012
    Why do you suppose street doesn't get any respect at your camera club ?
  • toragstorags Registered Users Posts: 4,615 Major grins
    edited April 11, 2012
    Judging from Tony's post about the judge being a bird man, they care a lot about the quality of the photo & they are color folks, so all other things being equal b&w would come in second.

    The surprising comment to me was, "just a man doing nothing"; when birdsters take scads of shots of birds, just doing nothing....

    Go figure
    Rags
  • TonyCooperTonyCooper Registered Users Posts: 2,276 Major grins
    edited April 11, 2012
    lensmole wrote: »
    Why do you suppose street doesn't get any respect at your camera club ?

    There are over 500 members of the club but only a couple of hundred
    are active. Competition night brings in about 100 images.

    There are three judges each month; two members that are pros or
    very proficient amateurs and an outsider that is employed in the
    field or a photography teacher from one of the local colleges.

    Many of the member judges have written books, teach courses, make
    a supplemental living from stock photography (two full-time at this),
    are professional wedding and portrait photographers, or are
    dedicated wildlife or landscape photographers. Some specialize in travel
    photography and run teaching tours for groups for a fee.

    Judges tend to rate what they know better than a genre they
    are not familiar with. I understand that, and I'm not unhappy
    with the judging. I've won best-in-show twice, but not for
    images I'd put up in this forum.

    Most of the winners are superb photographs, but not of subjects
    that interest me. I do like the competitions because the critiques
    help me understand what other people see in a photograph.
    Tony Cooper - Orlando, Florida
    http://tonycooper.smugmug.com/
  • damonffdamonff Registered Users Posts: 1,894 Major grins
    edited April 11, 2012
    Let's see the photo Tony!
  • toragstorags Registered Users Posts: 4,615 Major grins
    edited April 11, 2012
    TonyCooper wrote: »
    There are over 500 members of the club but only a couple of hundred
    are active. Competition night brings in about 100 images.

    There are three judges each month; two members that are pros or
    very proficient amateurs and an outsider that is employed in the
    field or a photography teacher from one of the local colleges.

    Many of the member judges have written books, teach courses, make
    a supplemental living from stock photography (two full-time at this),
    are professional wedding and portrait photographers, or are
    dedicated wildlife or landscape photographers. Some specialize in travel
    photography and run teaching tours for groups for a fee.

    Judges tend to rate what they know better than a genre they
    are not familiar with. I understand that, and I'm not unhappy
    with the judging. I've won best-in-show twice, but not for
    images I'd put up in this forum.

    Most of the winners are superb photographs, but not of subjects
    that interest me. I do like the competitions because the critiques
    help me understand what other people see in a photograph.

    Healthy attitude...
    Rags
  • lizzard_nyclizzard_nyc Registered Users Posts: 4,056 Major grins
    edited April 12, 2012
    torags wrote: »
    Healthy attitude...


    Indeed.

    I think "street/PJ" is an odd little group. I don't think many people get us.
    If you can continue to learn from going to the camera club, then by all means, but I would continue to expect this kind of attitude towards street.

    I kind of take a little pride in it :)
    Liz A.
    _________
  • bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited April 12, 2012
    TonyCooper wrote: »
    Monday night was competition night at my camera club. The
    there was no mandate; it was "Open" night.

    One person (not me) submitted a black and white photo of a
    man sprawled on a park bench. The subject was interesting,
    the composition very good, and the processing strong blacks
    and whites.

    The score was 64 (out of 100) and the lowest of the b&w
    submissions. The judge that critiqued the photo said "It's
    just a man sitting on a bench".

    The judge is a locally renowned nature photographer whose
    photos - mostly birds - have appeared in magazines and
    on magazine covers.

    "Street" gets no respect at my camera club.

    "Camera Clubs" get no respect at my camera club. rolleyes1.gif Seriously, points? Nature photographer judging urban street photography? I think the problem you're describing is typical of almost all camera clubs, Tony.
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
  • TonyCooperTonyCooper Registered Users Posts: 2,276 Major grins
    edited April 12, 2012
    bdcolen wrote: »
    "Camera Clubs" get no respect at my camera club. rolleyes1.gif Seriously, points? Nature photographer judging urban street photography? I think the problem you're describing is typical of almost all camera clubs, Tony.

    To be fair, I provided an anecdote about one entry in one
    month's judging. It's rare for anyone to submit this type of
    image.

    I submit images each month, but I photograph many subjects
    that are not "street" or close to it. While I like "street",
    Orlando is not a fertile ground for this genre and I don't want
    to be restricted to any single type of subject.

    I have learned a great deal from the competition night critiques.
    I see elements in photographs that I would not notice if not for
    the comments in these critiques.

    There are comments in this group about composition, contrast,
    focal points in an image, and rendering in post that apply equally
    to a photograph of a snow owl or a hibiscus blossom.

    You and a couple of other people frequently comment on the
    advantage of reading books about and by street photographers.
    That's just learning from outside sources about how to improve.
    A verbal critique at a camera club is learning from an outside
    source based on how that source sees your image.

    Only the subject matter changes. The judges may not respect
    the subject matter that is the focus of this group, but they do
    respect and inform about the basic elements of a good photo.
    Tony Cooper - Orlando, Florida
    http://tonycooper.smugmug.com/
  • bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited April 12, 2012
    TonyCooper wrote: »
    To be fair, I provided an anecdote about one entry in one
    month's judging. It's rare for anyone to submit this type of
    image.

    I submit images each month, but I photograph many subjects
    that are not "street" or close to it. While I like "street",
    Orlando is not a fertile ground for this genre and I don't want
    to be restricted to any single type of subject.

    I have learned a great deal from the competition night critiques.
    I see elements in photographs that I would not notice if not for
    the comments in these critiques.

    There are comments in this group about composition, contrast,
    focal points in an image, and rendering in post that apply equally
    to a photograph of a snow owl or a hibiscus blossom.

    You and a couple of other people frequently comment on the
    advantage of reading books about and by street photographers.
    That's just learning from outside sources about how to improve.
    A verbal critique at a camera club is learning from an outside
    source based on how that source sees your image.

    Only the subject matter changes. The judges may not respect
    the subject matter that is the focus of this group, but they do
    respect and inform about the basic elements of a good photo.

    Makes sense.
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
  • puzzledpaulpuzzledpaul Registered Users Posts: 1,621 Major grins
    edited April 12, 2012
    torags wrote: »
    ...when birdsters take scads of shots of birds, just doing nothing....

    Go figure

    They're probably waiting for something exciting / dramatic / different etc to happen and checking that the gear's working ok :)

    pp
  • RSLRSL Registered Users Posts: 839 Major grins
    edited April 13, 2012
    Tony, was it actually, as the judge said, "just a man sitting on a bench?" You said " The subject was interesting, the composition very good, and the processing strong blacks and whites." But you didn't tell us what there was about the picture that made it good. Why was the subject interesting? I think we've all seen hundreds of pictures of a guy sitting, sprawled, or lying on a bench; usually a hobo. But from what you said, I'd assume there was some particular thing about this picture that made it stand out. What was it?
  • TonyCooperTonyCooper Registered Users Posts: 2,276 Major grins
    edited April 13, 2012
    RSL wrote: »
    Tony, was it actually, as the judge said, "just a man sitting on a bench?" You said " The subject was interesting, the composition very good, and the processing strong blacks and whites." But you didn't tell us what there was about the picture that made it good. Why was the subject interesting? I think we've all seen hundreds of pictures of a guy sitting, sprawled, or lying on a bench; usually a hobo. But from what you said, I'd assume there was some particular thing about this picture that made it stand out. What was it?

    Keeping in mind that about a 100 images were shown that night, and
    I saw each image for only a very brief amount of time, I have to say
    that I really can't give you a good reason for liking this particular
    image.

    The images are projected on a large screen, one judge comments on
    each image, and the next image pops up for the next judge to comment
    on. The judges have seen the images on their own computers prior to
    the meeting. They each assign a numerical grade, and the total grade is the
    sum of the three judges. Sometimes the judges refer to notes they've
    taken earlier. Sometimes a judge comments that the image looks
    different on the big screen than they saw at home.

    In this case, it was a man (not a hobo) sitting on a park bench
    backed up to a curved brick wall. It just struck me as good.
    I didn't have a chance to analyze why it was good. Gut said
    good.

    It might not have earned raves in this group, but this group has
    biases and expectations. This group has time to take in more
    than a few second's view of an image.
    Tony Cooper - Orlando, Florida
    http://tonycooper.smugmug.com/
  • toragstorags Registered Users Posts: 4,615 Major grins
    edited April 13, 2012
    Sounds like it was a contextual image: urban landscape - structurally the same as a mountain landscape.

    Sounds like a fair group, you happen to be a minority.. :D

    You're not going to start demonstrating are you????
    Rags
  • moose135moose135 Registered Users Posts: 1,413 Major grins
    edited April 13, 2012
    bdcolen wrote: »
    I think the problem you're describing is typical of almost all camera clubs, Tony.
    In one camera club I belong to - that has outside judges for our competions - I was talking with the president once, and he said "Unless it's buds, bugs, or beasts, most judges don't care for it". The few times I entered with some of my aviation photography, I found this to be true.
  • HarrybHarryb Registered Users, Retired Mod Posts: 22,708 Major grins
    edited April 13, 2012
    That sounds like Florida. While I was living in NYC I did street photography mainly. NYC was great for that because NYers don't expect to have any privacy. NYers try very hard not to make eye contact with strangers. Its great working conditions for a street shooter.

    In Florida they do expect not to have their privacy invaded and they are not comfortable with a stranger taking their picture. Plus many are carrying guns. Not an ideal situation for a street shooter. This carries over to their viewing of images. They like landscapes. sunrises and sunsets, and nature images.
    Harry
    http://behret.smugmug.com/ NANPA member
    How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
  • RSLRSL Registered Users Posts: 839 Major grins
    edited April 13, 2012
    Very true, Harry, but there are exceptions. St. Augustine is a street-shooter's paradise. Everybody there is carrying a camera, so nobody pays any attention when you raise your own and click.
  • TonyCooperTonyCooper Registered Users Posts: 2,276 Major grins
    edited April 13, 2012
    Harryb wrote: »
    That sounds like Florida. While I was living in NYC I did street photography mainly. NYC was great for that because NYers don't expect to have any privacy. NYers try very hard not to make eye contact with strangers. Its great working conditions for a street shooter.

    In Florida they do expect not to have their privacy invaded and they are not comfortable with a stranger taking their picture. Plus many are carrying guns. Not an ideal situation for a street shooter. This carries over to their viewing of images. They like landscapes. sunrises and sunsets, and nature images.

    Many of the Orlando Camera Club members are to be found over in your
    area on weekends. Subjects shot in the Viera Wetlands are often
    submissions in the competitions.
    Tony Cooper - Orlando, Florida
    http://tonycooper.smugmug.com/
  • HarrybHarryb Registered Users, Retired Mod Posts: 22,708 Major grins
    edited April 13, 2012
    RSL wrote: »
    Very true, Harry, but there are exceptions. St. Augustine is a street-shooter's paradise. Everybody there is carrying a camera, so nobody pays any attention when you raise your own and click.

    There are always exceptions and yes St Augustine is a paradise. I'll be spending 3 days there next week.
    Harry
    http://behret.smugmug.com/ NANPA member
    How many photographers does it take to change a light bulb? 50. One to change the bulb, and forty-nine to say, "I could have done that better!"
  • QarikQarik Registered Users Posts: 4,959 Major grins
    edited April 16, 2012
    pics or it didn't happen
    D700, D600
    14-24 24-70 70-200mm (vr2)
    85 and 50 1.4
    45 PC and sb910 x2
    http://www.danielkimphotography.com
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