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What about the light kit shown here?

dragon300zxdragon300zx Registered Users Posts: 2,575 Major grins
edited April 29, 2004 in Accessories

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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited April 26, 2004
    ear.gif
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    geckogecko Registered Users Posts: 22 Big grins
    edited April 26, 2004
    those are all pretty weak strobes

    even if it is three
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited April 27, 2004
    Ah. Thanks. The language of the copy does seem to be aimed at amateurs. And it makes sense that the costliest items are where they cut corners.
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    patch29patch29 Registered Users, Retired Mod Posts: 2,928 Major grins
    edited April 27, 2004
    It does not look as though they are very controllable either, power or accessories.

    A lot of today's DSLR's (probably some P&S too) have very sophisticated TTL systems that work very well if you know how to set them up. My Canon's can operate several 550EX flash units wirelessly, vary the power ratios and you can use an umbrella/reflector/small softbox to soften the light very easily. They are a very good solution for a simple portable lighting kit.
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited April 27, 2004
    Cool. But them 550EX's be expensive. mwink.gif
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    patch29patch29 Registered Users, Retired Mod Posts: 2,928 Major grins
    edited April 27, 2004
    wxwax wrote:
    Cool. But them 550EX's be expensive. mwink.gif

    but portable, controllable and lightweight. If you already have one all you need is a second one. Not super expensive when you compare it to professional strobe equipment, not as versatile either, but usually a lot less expensive.
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    lynnmalynnma Registered Users, Retired Mod Posts: 5,207 Major grins
    edited April 27, 2004
    patch29 wrote:
    but portable, controllable and lightweight. If you already have one all you need is a second one. Not super expensive when you compare it to professional strobe equipment, not as versatile either, but usually a lot less expensive.
    I'm going to attempt to figure out how to correctly use my built in flash and think about purchasing another flash unit.. I'm feeling like I'm never going to learn all I need to learn without a class of some kind....I'm floundering around like a fish out of water.. (no pun intended Fish if you read this)
    Lynnyma
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    geckogecko Registered Users Posts: 22 Big grins
    edited April 27, 2004
    one word for you calamet

    finest strobes for the portrait photographer
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    patch29patch29 Registered Users, Retired Mod Posts: 2,928 Major grins
    edited April 27, 2004
    lynnma wrote:
    I'm going to attempt to figure out how to correctly use my built in flash and think about purchasing another flash unit.. I'm feeling like I'm never going to learn all I need to learn without a class of some kind....I'm floundering around like a fish out of water.. (no pun intended Fish if you read this)
    Lynnyma

    A separate flash unit will be a lot better than just the on camera flash (Even a simple Canon Speedlite). Even if you just bounce with a Sto-fen or Lumiquest or put it on a bracket the light will start to get much better.
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    patch29patch29 Registered Users, Retired Mod Posts: 2,928 Major grins
    edited April 27, 2004
    gecko wrote:
    one word for you calamet

    finest strobes for the portrait photographer

    Calumet makes some very nice lights for the price. They also offer a wide selection of other brands. I have used most of them and they all have their pros and cons. When I finally bought a set I went with Pro-foto. They are awesome. Now I find I can usually get by with 3 Canon 550EX speedlites and get what I need. Not the easiest to use or as nice as the Pro-foto's but they get the job done. I only feel guilty that the Pro-foto's are sitting around collecting dust. :cry


    http://www.profoto.com/
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    lynnmalynnma Registered Users, Retired Mod Posts: 5,207 Major grins
    edited April 27, 2004
    patch29 wrote:
    A separate flash unit will be a lot better than just the on camera flash (Even a simple Canon Speedlite). Even if you just bounce with a Sto-fen or Lumiquest or put it on a bracket the light will start to get much better.
    Yes.. thanks Patch, I think thats the way to go for now...seeing as I'm not opening my own studio any time soonrolleyes1.gif .. now I have to go on line and find out what a Sto-fen or Lumiquest is.....
    Thanks
    Lynn
    found 'em... now gotta figure out how to use 'em BUT where there's a will there's a way.
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    tmlphototmlphoto Registered Users Posts: 1,444 Major grins
    edited April 28, 2004
    lynnma wrote:
    Yes.. thanks Patch, I think thats the way to go for now...seeing as I'm not opening my own studio any time soonrolleyes1.gif .. now I have to go on line and find out what a Sto-fen or Lumiquest is.....
    Thanks
    Lynn
    found 'em... now gotta figure out how to use 'em BUT where there's a will there's a way.
    I'm certainly no expert, but I have been reading about studio lighting lately. Several sources have suggested a single mono-light and a reflector as a simple, relatively inexpensive way to get into studio type lighting. These lights are not too heavy and are very versatile. I suppose an umbrella or soft box would be helpful as well. The book, "Basic Studio Lighting" by Tony L. Corbell is a really basic, well written text about the subject. I picked it up at amazon.com.
    I hope this helps.
    Thomas :D

    TML Photography
    tmlphoto.com
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    lynnmalynnma Registered Users, Retired Mod Posts: 5,207 Major grins
    edited April 28, 2004
    tmlphoto wrote:
    I'm certainly no expert, but I have been reading about studio lighting lately. Several sources have suggested a single mono-light and a reflector as a simple, relatively inexpensive way to get into studio type lighting. These lights are not too heavy and are very versatile. I suppose an umbrella or soft box would be helpful as well. The book, "Basic Studio Lighting" by Tony L. Corbell is a really basic, well written text about the subject. I picked it up at amazon.com.
    I hope this helps.
    Yes it does help a lot, thanks Thomas I'll go to amazon right now...
    Lynn
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    geckogecko Registered Users Posts: 22 Big grins
    edited April 28, 2004
    actually thats perfectly true, thats really all you need is an umbrella and a good monolight
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    tmlphototmlphoto Registered Users Posts: 1,444 Major grins
    edited April 29, 2004
    gecko wrote:
    actually thats perfectly true, thats really all you need is an umbrella and a good monolight
    Here is a web site for one brand of monolights. They start at about $400. I don't know about any particular brand. I have read somewhere that you don't need a really strong flash for most digital work. I'm sure someone out there know a whole lot more about this.

    www.white-lightning.com
    Thomas :D

    TML Photography
    tmlphoto.com
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    geckogecko Registered Users Posts: 22 Big grins
    edited April 29, 2004
    the way i see it, if you are psending 400 for a light you might as well go the extra 200 and get a calumet monolight 750

    my old professor works for maxin and a coupla other fashion magazines, and he swears by them
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