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I need help deciding.

cjphotojapancjphotojapan Registered Users Posts: 31 Big grins
edited March 18, 2010 in Cameras
I am looking to upgrade from my canon 28-135 lens. I can’t decide between the 24-70 f2.8L and the 17-50 is 2.8. If you have one or both I would love to hear what you have to say.

Thank you in advance.
John

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    ziggy53ziggy53 Super Moderators Posts: 23,848 moderator
    edited March 16, 2010
    I am looking to upgrade from my canon 28-135 lens. I can’t decide between the 24-70 f2.8L and the 17-50 is 2.8. If you have one or both I would love to hear what you have to say.

    Thank you in advance.
    John

    What camera(s) are you wanting to use the lens on?

    What applications or uses? (Events, portraiture, ...?)

    What is it about the EF 28-135mm, f3.5-5.6 IS USM that makes you consider a change?
    ziggy53
    Moderator of the Cameras and Accessories forums
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    jmphotocraftjmphotocraft Registered Users Posts: 2,987 Major grins
    edited March 16, 2010
    crop camera = 17-55. full frame = 24-70. It's as simple as that. 24 is not wide enough on a crop camera. i went from the 17-85 to the 24-70 to the 17-55 on a crop camera. 17-55 wins.

    of course, now that I'm on a full frame camera, I'm back to the 24-70.
    -Jack

    An "accurate" reproduction of a scene and a good photograph are often two different things.
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    cjphotojapancjphotojapan Registered Users Posts: 31 Big grins
    edited March 16, 2010
    Sorry,
    I have a 7D and an XTI. I would like a little wider for indoor portraits. I would also like the extra light the 2.8 offers. I do a lot of youth sports and indoor events. I think 17mm would be nice but I don't know if I would miss the extra 20mm on the other end. It would be nice to save $300 or so on the 17-55 but I know the 24-70 is an L series.<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p>



    ziggy53 wrote:
    What camera(s) are you wanting to use the lens on?

    What applications or uses? (Events, portraiture, ...?)

    What is it about the EF 28-135mm, f3.5-5.6 IS USM that makes you consider a change?
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    jmphotocraftjmphotocraft Registered Users Posts: 2,987 Major grins
    edited March 16, 2010
    the 15mm you give up from 55 to 70 is not significant. with 18mp, you can crop the difference easily. the difference from 17 to 24mm is very significant. you can't "un-crop" that. and indoors, usually you can't back up any further.

    the 17-55 has L glass. just not L construction. the IS sweetens the deal.
    -Jack

    An "accurate" reproduction of a scene and a good photograph are often two different things.
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    cjphotojapancjphotojapan Registered Users Posts: 31 Big grins
    edited March 16, 2010
    Thank you,<?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /><o:p></o:p>
    <?xml:namespace prefix = v ns = "urn:schemas-microsoft-com:vml" /><v:shapetype id=_x0000_t75 stroked="f" filled="f" path="m@4@5l@4@11@9@11@9@5xe" o:preferrelative="t" o:spt="75" coordsize="21600,21600"> <img src="https://us.v-cdn.net/6029383/emoji/bowdown.gif&quot; border="0" alt="" > <v:stroke joinstyle="miter"></v:stroke><v:formulas><v:f eqn="if lineDrawn pixelLineWidth 0"></v:f><v:f eqn="sum @0 1 0"></v:f><v:f eqn="sum 0 0 @1&quot;></v:f><v:f eqn="prod @2 1 2"></v:f><v:f eqn="prod @3 21600 pixelWidth"></v:f><v:f eqn="prod @3 21600 pixelHeight"></v:f><v:f eqn="sum @0 0 1"></v:f><v:f eqn="prod @6 1 2"></v:f><v:f eqn="prod @7 21600 pixelWidth"></v:f><v:f eqn="sum @8 21600 0"></v:f><v:f eqn="prod @7 21600 pixelHeight"></v:f><v:f eqn="sum @10 21600 0"></v:f></v:formulas><v:path o:connecttype="rect" gradientshapeok="t" o:extrusionok="f"></v:path><o:lock aspectratio="t" v:ext="edit"></o:lock></v:shapetype>Ziggy53 and <img src="https://us.v-cdn.net/6029383/emoji/bowdown.gif&quot; border="0" alt="" > Jack. It helps to hear other people’s feelings about this.<o:p></o:p>
    I am seeing a lot about dust in 17-55. Are ether of you having this problem?<o:p></o:p>
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    jmphotocraftjmphotocraft Registered Users Posts: 2,987 Major grins
    edited March 16, 2010
    Thank you,<o:p></o:p>
    <v:shapetype id="_x0000_t75" stroked="f" filled="f" path="m@4@5l@4@11@9@11@9@5xe" o:preferrelative="t" o:spt="75" coordsize="21600,21600"> <img src="https://us.v-cdn.net/6029383/emoji/bowdown.gif&quot; border="0" alt="" > <v:stroke joinstyle="miter"></v:stroke><v:formulas><v:f eqn="if lineDrawn pixelLineWidth 0"></v:f><v:f eqn="sum @0 1 0"></v:f><v:f eqn="sum 0 0 @1&quot;></v:f><v:f eqn="prod @2 1 2"></v:f><v:f eqn="prod @3 21600 pixelWidth"></v:f><v:f eqn="prod @3 21600 pixelHeight"></v:f><v:f eqn="sum @0 0 1"></v:f><v:f eqn="prod @6 1 2"></v:f><v:f eqn="prod @7 21600 pixelWidth"></v:f><v:f eqn="sum @8 21600 0"></v:f><v:f eqn="prod @7 21600 pixelHeight"></v:f><v:f eqn="sum @10 21600 0"></v:f></v:formulas><v:path o:connecttype="rect" gradientshapeok="t" o:extrusionok="f"></v:path><o:lock aspectratio="t" v:ext="edit"></o:lock></v:shapetype>Ziggy53 and <img src="https://us.v-cdn.net/6029383/emoji/bowdown.gif&quot; border="0" alt="" > Jack. It helps to hear other people’s feelings about this.<o:p></o:p>
    I am seeing a lot about dust in 17-55. Are ether of you having this problem?<o:p></o:p>

    I had that problem, but it never affected IQ. It was a little annoying though. I've read that if you always use a UV filter that it prevents the dust problem. Or if you like to go commando (no filter) like I do, you can remove the dust yourself:

    http://www.pbase.com/rcicala/1755_is_surgery

    However after a while I had dust past the 2nd element. In retrospect, I wish I had invested in a B+H UV filter, but oh well. I was still able to sell it for a good price, dust and all.
    -Jack

    An "accurate" reproduction of a scene and a good photograph are often two different things.
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    cjphotojapancjphotojapan Registered Users Posts: 31 Big grins
    edited March 16, 2010
    Thanks
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    Art ScottArt Scott Registered Users Posts: 8,959 Major grins
    edited March 16, 2010
    There is another viable and really good lens option......The Sigma 17-70 F2.8-4 ........it is variable aperture but do you really shoot at f2.8 a lot......I don't I need the DOF in event shooting and such.....so I normally am shooting at f4 or 5.6 and raising the iso a bit...........

    Now Sigma just not to long ago took their superb 10-20 and made it a constant 3.5 so I trully look for the 17-70 to be a constant aperture lens in the very near future
    "Genuine Fractals was, is and will always be the best solution for enlarging digital photos." ....Vincent Versace ... ... COPYRIGHT YOUR WORK ONLINE ... ... My Website

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    ziggy53ziggy53 Super Moderators Posts: 23,848 moderator
    edited March 17, 2010
    I have the EF-S 17-55mm, f2.8 IS USM and I can vouch for the "L" quality of the optics. I have had a protective filter on that lens since day one and I have not noticed dust. Yes, I did put a B+W filter on that lens.

    I also have the very old EF 28-80mm, f2-f4L USM and I don't care to use it on the crop 1.6x cameras.

    For indoor social events the 17-55mm range is much more useful.

    You might also consider the Tamron 17-50mm, f2.8 XR Di II. Optically it is very nice although focus is not up to the USM technology used in the previous lenses.
    ziggy53
    Moderator of the Cameras and Accessories forums
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    Brett1000Brett1000 Registered Users Posts: 819 Major grins
    edited March 17, 2010
    I would also take a look at the Tamron 17-50 2.8 - like Ziggy said it doesn't have USM but the focusing is still fast and it's a little sharper than the Canon at f2.8
    http://www.the-digital-picture.com/Reviews/ISO-12233-Sample-Crops.aspx?CameraComp=0&FLIComp=0&APIComp=0&Lens=400&Camera=474&Sample=0&FLI=0&API=0&LensComp=398
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    JusticeiroJusticeiro Registered Users Posts: 1,177 Major grins
    edited March 17, 2010
    I've never used the 17-50, but I have used the 24-70. I love it. It's fast and the image quality is great. However, the big drawback is that it is heavy. On a 30D it weighs quite a lot.
    Cave ab homine unius libri
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    jeffreaux2jeffreaux2 Registered Users Posts: 4,762 Major grins
    edited March 17, 2010
    There is no substitute for the Canon 17-55 F2.8IS on a crop body Canon.

    It is a consistantly amazing tool....and money well spent.thumb.gif
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    ziggy53ziggy53 Super Moderators Posts: 23,848 moderator
    edited March 17, 2010
    jeffreaux2 wrote:
    There is no substitute for the Canon 17-55 F2.8IS on a crop body Canon.

    It is a consistantly amazing tool....and money well spent.thumb.gif

    15524779-Ti.gif

    It's one of few lenses that I would replace in an instant if it were lost or broken.
    ziggy53
    Moderator of the Cameras and Accessories forums
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    cjphotojapancjphotojapan Registered Users Posts: 31 Big grins
    edited March 18, 2010
    After all the great advice I think I am going to get the 17-55 f2.8IS
    Thank all of you very much.


    John
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    jeffreaux2jeffreaux2 Registered Users Posts: 4,762 Major grins
    edited March 18, 2010
    After all the great advice I think I am going to get the 17-55 f2.8IS
    Thank all of you very much.


    John

    You won't be disappointed....I promise....and youll kick yourself for not discovering it sooner!!!:D
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    jmphotocraftjmphotocraft Registered Users Posts: 2,987 Major grins
    edited March 18, 2010
    After all the great advice I think I am going to get the 17-55 f2.8IS
    Thank all of you very much.

    thumb.gif

    Great, you'll be happy you did. Just do yourself a favor and put a B+H UV filter on that baby, it's worth it.

    This reminds me of how so many people (in real life) ask me for a point-n-shoot recommendation. I give them 3 good ones, and then they go and buy some off-brand POS from Wal-Mart. headscratch.gif I'm always like, ok, umm, why did you ask me then?

    Glad you took our advice to heart!
    -Jack

    An "accurate" reproduction of a scene and a good photograph are often two different things.
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