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A different kind of headshot (C&C)
C&C always welcomed!
Did a marathon shoot with this extraordinary woman this week - her lifetime achievements are jawdropping, and it would be hard to describe just how warm and lovely she is (although hope that comes across in the photos!). Now in her 60's, she's launched into doing some voice-over and video work, and needed some current headshots to use for this - she's friends with a singer for whom I did shots, and that's how she wound up with me.
These were definitely a little different from what I'm usually trying for with my actors/singers. Not only is she more mature (although gorgeous - I hope I look like that when I'm 60-something!), but she's also involved in academic and philanthropic work as well as this trip into medialand; also, some of the video stuff she's been doing has been more in "corporate" than "actor" mode, so she needed some looks that would reflect something professional as well as a more typical media shot.
I can honestly say I think I had more technically sound shots in this shoot than I have ever had. Whether it was the nice bright day or just that I'm finally gettin' my groove on I'm not sure, but I can't remember the last time I had so many shots that were almost useable SOOC!
Also, I finally - FINALLY - figured out how to use HSS on the ste2 (I feel like such a moron - I've tried and tried to make it work before, but was always pushing the button on the flash to no avail ... because I HAD NEVER NOTICED the "hss" button on the ste2 :bash). Also, the two strip boxes are MAGICAL in my small space. Nikolai told me an aeon ago that in small rooms it was all about controlling spill and to use *smaller* light sources; at the time, while I didn't doubt him, I couldn't quite see what he meant but I sure do now! Because these boxes are so narrow (only about 7" wide), I can keep light where I want it. That's not to say I don't love some of my more wraparound modifiers - the Photek remains my favorite - but it sure is nice to be able to control the light and actually know what I'm going to see from shot to shot
Anyway, without further ado, some unretouched shots from the first cull.
I wanted her to have some more casual outdoor shots - the 85 1.8 got a workout for the first time in a while; I'd forgotten just how good it can be! These were my favorites from the shoot - there's just frame after frame of these and I like 'em all
1
2. We then did some indoor natlight+fill, still aiming for a slightly casual feel
3 We then moved on to a more "academic" look. By backing out the front door (!) the 135L had a chance to shine, too. I'm really proud of having figured out how to use the bookshelves as an effective backdrop for this (they're less than 4ft behind her!), as well as "faking" an ambient light feel - this is 100% flash (2x stripoxes) and, although the open front door might have contributed a bit of ambient, I was shooting at 1/200, so probably not all that much.
4. A switch to a jacket and something a little more corporate in feel. This one has had some retouching - the background was weird at the bottom so I took it into PS to clone that and did a quickie retouch while I was there (too much? not enough?). Now I see it in here the shot probably needs a little more contrast, but that's ok - I haven't even uploaded proofs yet, much less finished images!
5. And lastly, at her request, a black-on-black shot. ROCK ON STRIPBOXES! This has always tricky in my space, because it's so hard to put a hairlight where it's needed, but now? I can do it. I'm not sure I like this look for her - seems a little hard - but she really liked them when we chimped so we did a few; I'll work them up a bit before the proofs go up.
Did a marathon shoot with this extraordinary woman this week - her lifetime achievements are jawdropping, and it would be hard to describe just how warm and lovely she is (although hope that comes across in the photos!). Now in her 60's, she's launched into doing some voice-over and video work, and needed some current headshots to use for this - she's friends with a singer for whom I did shots, and that's how she wound up with me.
These were definitely a little different from what I'm usually trying for with my actors/singers. Not only is she more mature (although gorgeous - I hope I look like that when I'm 60-something!), but she's also involved in academic and philanthropic work as well as this trip into medialand; also, some of the video stuff she's been doing has been more in "corporate" than "actor" mode, so she needed some looks that would reflect something professional as well as a more typical media shot.
I can honestly say I think I had more technically sound shots in this shoot than I have ever had. Whether it was the nice bright day or just that I'm finally gettin' my groove on I'm not sure, but I can't remember the last time I had so many shots that were almost useable SOOC!
Also, I finally - FINALLY - figured out how to use HSS on the ste2 (I feel like such a moron - I've tried and tried to make it work before, but was always pushing the button on the flash to no avail ... because I HAD NEVER NOTICED the "hss" button on the ste2 :bash). Also, the two strip boxes are MAGICAL in my small space. Nikolai told me an aeon ago that in small rooms it was all about controlling spill and to use *smaller* light sources; at the time, while I didn't doubt him, I couldn't quite see what he meant but I sure do now! Because these boxes are so narrow (only about 7" wide), I can keep light where I want it. That's not to say I don't love some of my more wraparound modifiers - the Photek remains my favorite - but it sure is nice to be able to control the light and actually know what I'm going to see from shot to shot
Anyway, without further ado, some unretouched shots from the first cull.
I wanted her to have some more casual outdoor shots - the 85 1.8 got a workout for the first time in a while; I'd forgotten just how good it can be! These were my favorites from the shoot - there's just frame after frame of these and I like 'em all
1
2. We then did some indoor natlight+fill, still aiming for a slightly casual feel
3 We then moved on to a more "academic" look. By backing out the front door (!) the 135L had a chance to shine, too. I'm really proud of having figured out how to use the bookshelves as an effective backdrop for this (they're less than 4ft behind her!), as well as "faking" an ambient light feel - this is 100% flash (2x stripoxes) and, although the open front door might have contributed a bit of ambient, I was shooting at 1/200, so probably not all that much.
4. A switch to a jacket and something a little more corporate in feel. This one has had some retouching - the background was weird at the bottom so I took it into PS to clone that and did a quickie retouch while I was there (too much? not enough?). Now I see it in here the shot probably needs a little more contrast, but that's ok - I haven't even uploaded proofs yet, much less finished images!
5. And lastly, at her request, a black-on-black shot. ROCK ON STRIPBOXES! This has always tricky in my space, because it's so hard to put a hairlight where it's needed, but now? I can do it. I'm not sure I like this look for her - seems a little hard - but she really liked them when we chimped so we did a few; I'll work them up a bit before the proofs go up.
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My thoughts, in order of occurrence:
* Wow, she is gorgeous for 60.
* Will post be used to reduce the appearance of (not remove) some of the wrinkles?
* On 2, the vertical line in the background is a tad distracting; not enough detail to distinguish, so it just draws my eyes slightly.
* On 3, I love the bookcase backdrop to set the academic feel.
* Great variety.
* I like the black on black shot too. I think I'd be interested to see the difference of a larger font light to see how the catch-lights appear in larger form, and to allow a bit more light to wrap her face just a tad more.
Great job!
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None of these are 100% SOOC - I shoot raw, so they've had a bit of processing done, but not huge amounts (tweaking contrast and such), and only 4 has had any serious editing. Yes, final edits will retouch wrinkles etc - once she's selected from her proofs, I'll work on those images in detail. I also need to get a feel for how much she does or doesn't want done to wrinkles, which we can decide at that time too.
Thanks for the comments!
www.cameraone.biz
Two is my absolute favorite. It really captures her warmth.
I think the black on black would work better with a little less dramatic lighting.
One is a tad "squinty" for me.
I like the look that the fringe of her jacket provides at the bottom of the portrait in number four. Her expression, eye contact and head tilt is engaging too!
Seems like 2 is the winner of these for most of you - I may work it up a bit and see what y'all think about retouching; I suspect there will be a very fine line between "looks great" and "way too much", so will be relying on all of our expert eyes to help me get it right
I really liked the idea I had in mind for 4 when I was shooting it, but nearly kicked myself when I realised I'd shot it at 35mm! Fortunately, although it is a little wide, I think I just managed to get away with it. :whew
Still have a TON of shots to go through to cull to her proofs - I want to get them online by the weekend hopefully; we'll see....
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Where are you seeing specular higlights in #4 - only ones showing on my monitors are on her shiny lipstick (or did you mean #1 with all the high noon sunlight coming through the trees behind her?)
This indeed looks very much like the lady you have described, you captured it and in several ways. Not loving the last one, but I hear ya! KUDOS for awesome SOOC in totally different settings. That woman is very lucky she had a friend that recommended YOU to take the shots!
www.CottageInk.smugmug.com
NIKON D700
It is about how that thing looks photographed." Garry Winogrand
Avatar credit: photograph by Duane Michals- picture of me, 'Smash Palace' album
haha..I didn't know I had a rep here! uhh..upon recounting, I was referring shot #3 (pink top), not #4.
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Nice stuff!