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Playing with images.....

pathfinderpathfinder Super Moderators Posts: 14,696 moderator
edited February 3, 2004 in Finishing School
C'mon guys - show us some cool things you have done with Photo imaging software - How is this for an amatuer to toss into the field of battle ?
Images from two different frames were extracted and cloned into the picture of the grassy field.

2018845-L-2.jpg
Pathfinder - www.pathfinder.smugmug.com

Moderator of the Technique Forum and Finishing School on Dgrin

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    ShakeyShakey Registered Users Posts: 1,004 Major grins
    edited January 28, 2004
    OK here I added a pinch/perspective to an otherwise useless unfocused shot(I think all mine are like that) that I liked the colors of and I came up with this...
    seen.JPGHey

    I know its odd but what else is one to do when it is minus 42 celcius out?
    Heck when I went outside to take a few pictures today of fog lifting from the river I FROZE MY FREAKING FOCAL POINT OFF! eek7.gif

    Cheers,
    Tim
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited January 29, 2004
    I am kind of disappointeed that I got no takers from my picture - it certainly is not ART, but I thought someone would be curious how I got a shot of a Geman V1 in flight. This is not a drawing, but is a photgraph of a real V1 - or at least part of one - any guesses how I did this picture?

    2018845-L-2.jpg
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited January 30, 2004
    I assume you grabbed the V1 from the web. Or you shot it and PS'd out the stand holding it up. It never occured to me that you shot the thing while it was flying, because I don't think a real V1 has flown since 1945.
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    ShakeyShakey Registered Users Posts: 1,004 Major grins
    edited January 30, 2004
    I liked the low flying Hawk or Owl in the photo and the soldier it looks like he is calling for it to land on his arm.
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    hutchmanhutchman Registered Users Posts: 255 Major grins
    edited January 30, 2004
    My take -

    2204278-M.jpg

    I cleaned up some of the rust on the "flying" V-1.

    Used the smudge tool to soften the edges of both the V-1 and soldier.

    Fixed some of the blowouts on the soldier.

    Added a layer with a sunset colar at 35% for both fill and opacity.

    Bumped up the saturation for a little glow.

    I think the color layer with the saturation really added some depth. Smudging the edges of the V-1 and soldier softened the transition between them and the background and makes them look more natural.

    My $0.02 worth.

    Hutch
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited January 30, 2004
    Shakey wrote:
    I liked the low flying Hawk or Owl in the photo and the soldier it looks like he is calling for it to land on his arm.
    Good eyes Shakey - It was a hawk - and I only had a 200mm lens with me that day, and it did not allow me near enough reach to get closer to the bird. The bird was very wary.

    Wxwax - there are only two V1s in the US today - one in a museum in Washington ( I am surprised that there is not one at Wright-Patterson Air Force Base Museum) and one on a stand at the county court house in Greencastle Indiana. That is where I shot the soldier and the V1. But it was not possible to get all of the V1 in one shot - the base is a large concret block structure - so I had to reconstruct parts of the V1 before it was moved into the picture I uploaded onto dgrin. I will post the original frames of the V1 and the WWl monument later as I do not have them available in the office.
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited January 30, 2004
    Path, it's a cool idea. What your image shows is the difficulty of the matching lightning of disparate elements in a collage. The soldier and the V1 have a completely different quality of light. I tried playing with it last night, but wasn't skillful enough to make them better blend in with the background shot.
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    knaryknary Registered Users Posts: 61 Big grins
    edited January 30, 2004
    Take the cues from the base image. In your example, there is a very limited depth of field, but the dropped in elements are 100% crisp.
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited January 31, 2004
    knary wrote:
    Take the cues from the base image. In your example, there is a very limited depth of field, but the dropped in elements are 100% crisp.
    Knary - I have read some of your previous posts about photo composition and found them very informative and pertinent. I agree with your comments about my composite I posted so I have had another go at it. Again it is not an attempt at art so much as a learning experience for me to better learn how to select and extract and combine images.
    I also told patch I would post the original frames of the V1 and the WWl monument so they can be evaluated as to the extraction quality.

    SO here goes - my skin is fairly thick so criticize at will ....Here is my new composite - I have flipped the soldier so the light comes from the same direction as on the 1. These frames were shot within 15 minutes of each other on the county square so the light should not be too different - at least the sun didn't move very much in that length of time.2210515-L.jpg
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited January 31, 2004
    Here are the two frames I extracted to move into the other image - these are unedited jpgs directly from the camera 2210646-M.jpg

    2210645-M-1.jpg


    I then extracted and moved these images into the field of grass and since no one liked the quality of the light I replaced the sky this time. Is this new composite any more successful or am I just wasting my time. But I am at least learning how to select, move and transform images.....

    Pathfinder
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    fishfish Registered Users Posts: 2,950 Major grins
    edited January 31, 2004
    it would look better with your motorcycle in the shot too :)
    "Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk." - Edward Weston
    "The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited January 31, 2004
    fish wrote:
    it would look better with your motorcycle in the shot too :)
    Just for you Fish - I bet you have no idea how long it takes to select the spokes on a GS for transformation..... Here it is - again - this is not art but a learning experience for me....2217589-L.jpg
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    fishfish Registered Users Posts: 2,950 Major grins
    edited January 31, 2004
    pathfinder wrote:
    Just for you Fish - I bet you have no idea how long it takes to select the spokes on a GS for transformation..... Here it is - again - this is not art but a learning experience for me....2217589-L.jpg

    PERFECT!!! clap.gif
    "Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk." - Edward Weston
    "The Edge... there is no honest way to explain it because the only people who really know where it is are the ones who have gone over."-Hunter S.Thompson
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited February 1, 2004
    pathfinder wrote:
    bet you have no idea how long it takes to select the spokes on a GS for transformation.....


    wave.gif I do! It sucks. Did you figure out a short cut. Or did you make a mask?
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited February 1, 2004
    wxwax wrote:
    wave.gif I do! It sucks. Did you figure out a short cut. Or did you make a mask?
    I just have not had real success with the extract tool - I am a total newbie at this - so I just select with the magnetic lasso or the polygonal lasso or the lasso to get a beginning and then I go to a high maginification and use the Shift and Alt Keys to add and subtract from my selection. I love the color selection tool for replacing skies, but for the spokes in a motorcycle wheel where there are all colors of grass or reflections - I just use the lasso or the pencil tool and Add and Subtract as necessary and outline each and every darn spoke.

    There are good tutorials at graphics.com about Photoshop - I am still struggling to keep my layers straight....
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    wxwaxwxwax Registered Users Posts: 15,471 Major grins
    edited February 2, 2004
    pathfinder wrote:
    I am still struggling to keep my layers straight....

    Janet Jackson is having that problem too.

    Good link, thanks. thumb.gif
    Sid.
    Catapultam habeo. Nisi pecuniam omnem mihi dabis, ad caput tuum saxum immane mittam
    http://www.mcneel.com/users/jb/foghorn/ill_shut_up.au
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    pathfinderpathfinder Super Moderators Posts: 14,696 moderator
    edited February 2, 2004
    wxwax wrote:
    Janet Jackson is having that problem too.

    Good link, thanks. thumb.gif
    I missed that - I watched the whole game and stepped into the kitchen during halftime - Hah - I thought the best commercial was the one with the tag line "Bad dog!"
    Pathfinder - www.pathfinder.smugmug.com

    Moderator of the Technique Forum and Finishing School on Dgrin
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    knaryknary Registered Users Posts: 61 Big grins
    edited February 3, 2004
    pathfinder wrote:
    I missed that - I watched the whole game and stepped into the kitchen during halftime - Hah - I thought the best commercial was the one with the tag line "Bad dog!"

    Sorry about the slow reply. I am *not* a photo montage expert by any measure. But, if it were me, I'd start with simple collages. The easiest place to start is with two part images, and rather than fight to make one element to fit within the atmosphere of the other, merge them into an entirely new atmosphere. The most fun is to do some creative cropping with a face and another 'thing'. Have fun and don't get too anal.

    Rumsfeld and Mole Rat...(quick doodle from sometime back)
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    cletuscletus Registered Users Posts: 1,930 Major grins
    edited February 3, 2004
    knary wrote:
    The most fun is to do some creative cropping with a face and another 'thing'.
    Like this???
    2217695-M.jpg


    I can't come up with a way to blend the skin tones that looks half way decent. Any ideas?
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    Mr RushMr Rush Registered Users Posts: 25 Big grins
    edited February 3, 2004
    Robot
    pathfinder wrote:
    C'mon guys - show us some cool things you have done with Photo imaging software - How is this for an amatuer to toss into the field of battle ?
    Images from two different frames were extracted and cloned into the picture of the grassy field.

    2018845-L-2.jpg
    Here is something I played with about two years ago, its one of my daughters - young computer brain. Wish I had one (brain not daughter)sad.gif
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