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Re: Canon 24-105L Review
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Re: Canon 24-105L Review
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Re: Canon 24-105L Review
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Re: Canon 24-105L Review
It might show more sunlight but then The 35L was shot at sunset (which was 8:15ish) while the 24-105 was about 10 minutes earlier. Given where the sun sets, I could understand why 10 minutes would make a difference in the amount of apparent light. Note too the difference in exposure (and the position of the ship--behind… -
Re: Canon 24-105L Review
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Re: Canon 24-105L Review
SpeshulEd: The 10-22 is just way too much fun for landscapes (and more!). I would not part w/ it unless I were going FF. (The fact that I picked it up 2nd-hand and don't have much invested in it helps too!) Waxy: You've lost me. We were talking 17-40 as an alternative to the 24-105 for APS people (like me) because it is… -
Re: Canon 24-105L Review
Sid, Earlier you asked if there is anything not to like about the 24-105f4 L. It does not like to shoot into the light as well, and you can get flare at times and sometimes I get a loss of contrast due to the flare. And yet, I can shoot sunsets with the lens just fine. And yes, there is some vignetting at 24 mm - usually I… -
Re: Canon 24-105L Review
I think I want one of these lenses, my only concern is I'd like to be using it sometimes in a concert type atmosphere. I was planning on getting the canon 28-70 f/2.8L, but this seems like more for my money. I'm concerned that f/4 might not be a fast enough lens for concert shooting, but with numbers like these "20D f/4… -
Re: Canon 24-105L Review
Sid is correct if you stay within the APS sensor based bodies. I introduced the 17-40 because NHBubba's stated desire to move to a FF body someday, which the 17-40 works rather well on, and which the 10-22 will not mount to. My comment was in semi-jest, but if one were starting fresh, a 17-40, 24-105, and a 70-200 covers a… -
Re: Canon 24-105L Review
I've done the exact same thing with that lens. That little bugger will just rack back & forth while you watch the shot fade away. I even have the Katzeye split prism screen for my 20D, and when it's dark enough to confuse the 50 that much, the prisms are hard to see; I've had some luck with it, but not enough practice.…
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