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Re: LPS20 - Unofficial Feedback Thread
Back fer s'more y'all! 61: From the first instant of looking at this, I remain confused as to what exactly this is. That just prevents me from either being moved by the photo or getting the message. 62: I can see that it’s a face of a clock here, but it just doesn’t move me or say anything, other than perhaps 5:14, PM… -
Re: LPS20 - Unofficial Feedback Thread
LPS #20 entries which grabbed me... These, apart from their individual merits, impressed me by being fresh, surprising and less predictable, while maintaining the necessary connection to the theme. Many of the other entries, while being very nice photographs by any standards, were for me too literal, too "straight", too… -
Re: LPS20 - Unofficial Feedback Thread
Feedback on page 7 (61-70) 61- Great composition and execution. Strong seperation from background, dramatic lighting on the subject. The text however, overpowers the subject and draws my attention away. A tigher crop would get you there. 62- Great idea on using a clock face. Love the color of the sky and the brick. Ideas… -
Re: LPS20 - Unofficial Feedback Thread
Everyone has an opinion… some are more informed and educated than others… mine probably not so much, so for what it’s worth… here it is… a short critique on every shot in LPS 20 “hands or faces” starting with number 87 and going in reverse order… My compliments to all photographers who entered! Winston #87 Nice personality… -
Re: LPS20 - Unofficial Feedback Thread
last bit...whew...done now! 61. A little scare – Maybe getting to late for me on this one. Not sure I am following along. This one is a bit dark for even my taste but I do like the shadows casting. Lettering on the top seems to take away from the face and seems a bit over powering. I must be way out of the loop but is this… -
Re: LPS20 - Unofficial Feedback Thread
and More... Lets see if I can finish off tonight. #41 - tamplum - Face of Innocence For me a photo about a face should include the eyes, the window into the whole essence of a person or child in this case. The composition of this is good but for some reason my eyes keep wandering to her hair - maybe this is too tight a…
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