Shoe repairer
Antonio Correia
Registered Users Posts: 6,241 Major grins
Today I have been shooting a shoe repairer for 1,5 hours.
I shot with my new Canon 5D + ST-E2 + 580 EXII behind an umbrella + 430 EX sometimes with a CTO (CTO is for orange gell isn't it ?) + Canon 24-75
At first I used only the 580 behind the umbrella but moments ago I switched on the 430.
The flashes were opposed one another. The 580 at the left and the 480 at the right.
The place where I was with the man is very very small. I could hardly move.
What have I learned from this shots ?
* I was always or too often, balancing the flash from the right to the left and vice-versa. I think that is incorrect. I should have tested and stayed in a balance for more shots that I have.
* I shot in Aperture mode in most of the shots when I should have moved to Manual sooner, using a higher speed to get a deeper background, even if it would be necessary to change to HSS.
I am aware that using HSS the flash/s deliver less power but I think their balance would be kept.
* The 5D is very demanding in terms of focus. I mean: if we are working with rather large apertures - I am talking her about only a f/3.5 - the DoF is shallow and the focusing point is critical. Within the range 35-70 or so.
The 20D is more tolerant as the sensor is smaller...
I have make a table of DoF for both cameras to compare.
* I should have seen how harsh the shadows were with the flash on the right (430 EX).
Are you still there reading ? Good. Thank you. Nice of you. :bow
1. 2. 3. 4.
I shot with my new Canon 5D + ST-E2 + 580 EXII behind an umbrella + 430 EX sometimes with a CTO (CTO is for orange gell isn't it ?) + Canon 24-75
At first I used only the 580 behind the umbrella but moments ago I switched on the 430.
The flashes were opposed one another. The 580 at the left and the 480 at the right.
The place where I was with the man is very very small. I could hardly move.
What have I learned from this shots ?
* I was always or too often, balancing the flash from the right to the left and vice-versa. I think that is incorrect. I should have tested and stayed in a balance for more shots that I have.
* I shot in Aperture mode in most of the shots when I should have moved to Manual sooner, using a higher speed to get a deeper background, even if it would be necessary to change to HSS.
I am aware that using HSS the flash/s deliver less power but I think their balance would be kept.
* The 5D is very demanding in terms of focus. I mean: if we are working with rather large apertures - I am talking her about only a f/3.5 - the DoF is shallow and the focusing point is critical. Within the range 35-70 or so.
The 20D is more tolerant as the sensor is smaller...
I have make a table of DoF for both cameras to compare.
* I should have seen how harsh the shadows were with the flash on the right (430 EX).
Are you still there reading ? Good. Thank you. Nice of you. :bow
1. 2. 3. 4.
All the best ! ... António Correia - Facebook
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You are correct, a full frame camera will have shallower depth of field at a given aperture, than an APS sensor camera.
In close quarters, an umbrella takes up a lot of room. Could you have bounced the flash of a wall to obtain a more diffuse light source, perhaps?
Nice environmental portraits.
Moderator of the Technique Forum and Finishing School on Dgrin
I ike the way you explain your thoughts .
The #2 is the one I like the most, perhaps less dristacting background!?
Well done
Paulo Campos
My photos at Flickr
bow:D
Made in Germany so close to home for you Antonio:D
The Micro - mini with a flash bar mount, lets you put window light or softbox light where ever you need it. Now that is cool!
Moderator of the Technique Forum and Finishing School on Dgrin
Jim. Have mercy on me. I carry at my poor back some 5/7 kg of equipment.
Do you want me to have pains in my column ? rofl
I know those bouncers from Germany already. They look pretty good. Specially those very large ones. They seem - and I am sure they do - produce sensational results.
In fact I went yesterday to the shop of the shoe repairer and he was not there.
Today I was with him and offered two pictures.
He asked me "How much ?"
I said: "I thank you for letting me shoot you. I offer you the photos"
Yesterday, as the shoe repairer was not there I headed to an office and here are the results.
One more thing. Yesterday I was with this
which was leaned againts the wall to bounce the 580.
As usual I was holding the 430 or standing on a shelve
D
My next serie of photos under this theme will be more "natural".
D
I will stay tuned for your next series then! You have the technical side down perfectly. I loved your bullfighter photos by the way.
No. No. No. Those pictures are lousy. No good. Poor. Bah ! cry:cry
I was shooting - talking about the bullfighting - with the 5D with the 24-70 and I was too far away, the light is harsh, the moment is poor, no way.
I can do better than that with the 5D and the 70-200 or the 20D (faster) with the same lens.
D