singer/songwriter project pics
First time post. Comments and critiques are appreciated and respected, thanks.
These are promotion pics for this artist. The top one is her latest CD cover. You'll probably see more of her as in my current local, she's pretty much all I have access to. These are all natural light. I rarely use my studio strobes anymore. There's something about studio work that just seems dead to me, or maybe I'm just going through my natural light phase. Natural light just seems more alive. Just my opinion. I'll probably change next week. Thanks for looking.
#1
#2
#3
#4 Haven't really used this one, but it has a quality I like.
These are promotion pics for this artist. The top one is her latest CD cover. You'll probably see more of her as in my current local, she's pretty much all I have access to. These are all natural light. I rarely use my studio strobes anymore. There's something about studio work that just seems dead to me, or maybe I'm just going through my natural light phase. Natural light just seems more alive. Just my opinion. I'll probably change next week. Thanks for looking.
#1
#2
#3
#4 Haven't really used this one, but it has a quality I like.
Canon XSI, XT, F1, A1,
Mamiya 645 Super
4x5 Calumet
Mamiya 645 Super
4x5 Calumet
0
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www.intruecolors.com
Nikon D700 x2/D300
Nikon 70-200 2.8/50 1.8/85 1.8/14.24 2.8
Is she wearing colored contacts?
Love the eyes!
Take Care,
Chuck,
Aperture Focus Photography
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I've been doing this digital photography for a year or so. I find it to be exceptional for color work as the color can be saturated and contrast can be punched up so much more than color film, similar to be what can be achieved on Velvia or 50D; however, I'm not sure the digital realm is matching what I've achieved with B&W film in the traditional darkroom over the last 20+ years. Though, dodging and burning is much more of a pleasure in photoshop for sure. My work is mostly for the web and small prints so the Canon XT works well for that. I'm sure it would work well for larger prints as well. I just don't have much experience with it in that regard. Just got the XSI, we'll see how that goes.
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Thanks, it was the last one considered for the cover. It's always in the last place you look.
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dak.smugmug.com
FWIW, in all the rest WB is off.
#3 looks a bit "skeletor" to me.
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Yeah, #3 was the original game plan for the cover. Then the art director and artist were really pulling for #1. I relented, but I think they made the best choice. I left the WB up to the art director because she has much more experience with color than I do, and I think it works. I was primarily a B&W guy, so I didn't question her judgement much, other than saying "Are you sure it's not to yellow?!". I did already take a ton of red out of #2. There is still a tinge left. I was really noticing the red in #4 after I posted and your comment provoked me to work on it. Natural light seems to wreak havoc on the white balance. I assume the different color temps in the indirect light just push it to the red side. I'll set it to the shade setting and see what that brings next time.
Before
After
Better??
Thanks for the help and the comments everybody. It's good to get some fresh eyes especially on this white balance stuff.
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Ha! That's exactly what I got when I applied auto levels! I took one look at it and thought thats way to mega hella cold/blue. Would like to get feed back from other people on both of our corrections though.
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For the future purposes remember the mantra: Use the gray card, Luc!
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Thanks for your input. Does this solve the problem? This is actually good to confer with people that all have different monitors. It comforts me that were all seeing the same problems. It's remarkable that are monitors are that close.
I think this takes the green out of my redo as well as the blue, leaving a warm inviting portrait....hopefully? probably not.
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I agree. Depnding on the intent, any correction can be servicable.
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