Vinnie's First Portrait Shoot
This is my first attempt at portraits. My niece needed a couple "head" shots and I offered to take them.
I used my Nikon d70s with a Nikkor 50mm f1.8 - I had my sb-800 on a light stand in a 12in photoflex soft-box. I touched up the pictures as best I could...I'm not very good at it though...
Please give me your honest opinion...I love to learn from my mistakes - and I'm always learning.
For example - I was already told that I should have used a reflector to fill in the left side of picture...I was told a white reflector would have added nicer roundness to the face...I'll have to try it next time.
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I used my Nikon d70s with a Nikkor 50mm f1.8 - I had my sb-800 on a light stand in a 12in photoflex soft-box. I touched up the pictures as best I could...I'm not very good at it though...
Please give me your honest opinion...I love to learn from my mistakes - and I'm always learning.
For example - I was already told that I should have used a reflector to fill in the left side of picture...I was told a white reflector would have added nicer roundness to the face...I'll have to try it next time.
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Comments
Each one has a frank, relaxed connection with you, the photographer.
Smiles, though, I think, even with the head turns, are somewhat similar. But #2, 4 and 6 are nicely varied.
#2 is my fav, though I would have liked to have seen more of the arms, and in #6 the hands. #1 & 3 are very good in that respect.
WB in #3?
Overall, for me they are somewhat lacking in luminance/exposure. #1 pops the best, for lighting, contrast and sharpness reasons, and all would improve, as you say, with more complex lighting on the face. And maybe a BG that is more subtle about being a portrait BG.
In PP I would try some overall local contrast, relighting and selective sharpening. But keep in mind that I am probably less knowledgeable and experienced than you! I hope for both our sakes' that others will reply with more credible suggestions than mine. I am sure, for example, that making several adjustment layers would have a big and good effect, but I haven't got much into that kind of PP.
Neil
http://www.behance.net/brosepix
Thank you so much for the comments...they are really helpful.
I see what your saying about luminance/exposure - I really hadn't thought about it that way...after looking at them again I completely agree.
Thanks again for all your comments...
I gotcha...it could stand to be more impactful, in a way...help tell the story more...
I think Vinnie, actually, that exposure is pretty spot-on. It is more a luminance matter, to get the correct amount of light which is there to have more effect.
Does that make sense?
Neil
http://www.behance.net/brosepix
#1 and #5 her skin is kinda splotchy and too many shadowns on her right side imo.
#3 has too much red
#6 the pose looks a bit too hunched over to me
14-24 24-70 70-200mm (vr2)
85 and 50 1.4
45 PC and sb910 x2
http://www.danielkimphotography.com
Jeff
-Need help with Dgrin?; Wedding Photography Resources
-My Website - Blog - Tips for Senior Portraiture
I'm going on the assumption you mean "headshots" as in "performing artist", so ask... is she an actress or musician? (If you didn't mean performer headshots, my apologies, and the remainder of my post becomes somewhat redundant!)
#2 is definitely in the most current headshot style -a litlte more "urban chic" than "traditional portrait", and it captures something. With headshots, the eyes REALLY need to speak and "sell" the performer's personality as well as be flattering and, most importantly, look like the person, not the makeup artist. That is probably the biggest difference between a headshot and a promo shot IMO (where anything goes) - no matter how glamourouus, a headshot needs to look like you when you walk in the room for the audition.
My answers threaded below, and in bold
Btw, a LOT of headshots these days - particularly for actors (musicians tend to lag behind the times and are usually accused of being conservative) - are natural light (or meant to look like natural light) and a sort of "urban chic" loft-style look, especially for black and white. Outdoor shots which, 10 years ago were COMPLETELY out of vogue for classical musicians (and not all that prevalent with actors) - are returning to fashion as well.
Again, I'm making a lot of assumptions here about what you meant by "headshot" so apologies if I've assumed too much and you didn't mean performer headshots! They're some great pictures in there and for a first shoot it's terrific!<img src="https://us.v-cdn.net/6029383/emoji/clap.gif" border="0" alt="" >
All the best
ETA: her lips are very pale in the B&W - I'm assuming she did her own makeup? If you can warm up the lips it will help the balance of her face in the B&W, I think.
I agree with your white balance being off. One question. Why didn't you use your D200 you have listed in you profile vice the D70s? With the D200 it is really easy to set your white balance to 5400K, the same as the SB800. That way all of your pictures should come out looking the same...as far as white balance is concerned.
2 and 4 are my favorites...and 6 could be made better if you had her set up more and fold her arms across the back of the chair.
Here's a link to what I'm talking about...not the best, but it represents.
http://www.superstock.com/stock-photos-images/1663R-4811
Educate yourself like you'll live forever and live like you'll die tomorrow.
Ed
Btw, the reproductions website has a directory of links to performing artist headshot photographers - it's a useful resource for those "shopping" for headshots, but also great for perusing photographically. FWIW. Many of these photographers seem to do mostly actors, which is a slightly different (and more casual) look than classical musicians (and less "edgy" than popular musicians), but some of them do it all. Very interesting. Some "high end" names which I don't see listed there but which are well known in the opera world for headshots and promo work are Devon Cass, Dario Acosta, Peter Sweyer, Kristin Hoebermann, Lisa Kohler and Christian Steiner.
Sorrry if I'm speaking out of turn - headshots are one of the reasons I've been drawn to learning more photographically, so I've spent a lot of time looking at those of my colleagues in the biz If anything I say is useful, great - if not, just smile indulgently and move right along (no offense will be taken!!
:: slinks back into n00b semi-lurker status ::
Actually she's a singer...she is a soprano - she was going for a audition with the USO.
She did do her own makeup...I will try that...I didn't even think of that...
It is amazing how much smarter we all are together....a good friend once told me - "no one is as smart as all of us!"
Thank you overall - your comments are greatly appreciated
Funny you should ask that...I was wondering if anyone would pick up on that...actually I didn't have my d200 at the time. I only had my d70s. I wish I did have it - it takes such better pictures...
I get what you mean about the overall composition.
Thank you for your comments!
Your comments are valuable. I appreciate every ones point of view - that's why I asked - what I mean by that is...after all, some might argue - aren't we all trying to impress everyone else? - maybe not quite, but close...at least I think...
The makeup for her eyes is fine (especially in #2) - it's only her lips which need bumping up. It's always a problem in B&W since most of us don't have much experience with mu for it! The lips need to look much darker (I know for my last bw headshots, the photg put a Trix green filter on the conversion and that punched up the drama); I was always told to use magenta or true red lipstick for dark lips in bw. For the softer pix, a softer lipshade would be appropriate and, of course, it's fine in colour where the pale pink shows.
What kind of soprano is she - what repertoire does she sing? That will make a difference as to whether she "should" use the dramatic #2 (which IMO remains the standout choice of the series for a headshot - it "speaks" immediately and makes me want to know more about her) or go for one of the smilier ones which would say "perky soprano" more. Sad to say, all this stuff DOES make a difference when you're one of zillions applying for an audition, and sopranos are THE most overpopulated voice type out there, so it's extra ferocious for them, espeically getting past the "on paper" stage to the "live audition". While in theory nobody's qualifications are being judged by their photo, the headshot can sometimes be the difference between capturing the attention of the person who's making the decisions about who to hear... or not.
Have fun with it!
Great tips - I had no idea....
She does a variety of contemporary and broadway mostly. Although she does do some classical - I think her strength lies in the former.
thanks again!
Yeah, it's definitely a "niche market"!
(edited since I just checked out your smugmug gallery and realise this all happened a while back, thus she's made her choice! I gather she went with #2 ....?)
She did...and she only brought that one pose...the funny thing is, they said - "you are young - you shouldn't be trying to look 25 - you should have a shot that shows you smiling....something fun...haha
I just cracked up....