Shots from my open house
DI-Joe
Registered Users Posts: 368 Major grins
Had an open house for automotive photography earlier this month, here are some of the results. 10 of my fav's...
Of course my car gets in on the action:
Thanks for looking. :P
Of course my car gets in on the action:
Thanks for looking. :P
Modus Imagery
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
0
Comments
Tom
Thanks...Scott
Thanks for the kind words everyone.
Scraff, I'd suggest you study up on HDR photography both from a physical aspect and artistic aspect. Once you figure out how to achieve it, finding your own style shouldn't be too hard.
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
What software did you use? I have done some work in Photmatix and had some pretty decent results.
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
Can you suggest any sites/books that you have come across to help you with these images?
Not really, other than the tutorials and learning the physics of how HDR works, the rest is interpreting the software and understand what your art is. Like I said, I didn't start getting amazing results until i stopped fixating on the preview and started focusing on the histogram. Learn how histo's work and give it a few tries.
Also, open the RAW files directly in photomatix, the best way to do it is drag the 3 exposures right from Adobe Bridge into photomatix.
The basic formula is 3 exposures at 2+- stops, the key is where this set lies against a properly exposed shot. So for light cars, I want no hot spots, for dark cars I'll take hot spots but bring up the reflections a little bit to help me make the car super shiny.
For my cars, I go against the rules of thumb.... HARSH noon sunlight, no shade... The more light the better... for cars anyway.
Lemme see what you come up with.
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
Thanks for the tips...I am going to try this weekend...my dad just bought a new BMW X5 all black and I am thinking with the right background and lighting...I should be able to get some decent pics. I will let you know how I make out.
Thanks...Scott
That's hawt, man. nicely done.
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
Jeff Meyers
I'd say your HDR intensity is a little high in the second one. you can see where the differing exposures are blended together along internal edges, make sure you're looking at your histogram and put the peak just to the right of the left edge, not in the middle. If it's too far left, expand the softening one to the right to quiet the image down. Also try warming that image up a little, it's a bit on the cold side.
I hope that helps.
Moving away from photography and into cinema. PM me if you have questions about DSLR workflow or production questions.
Film Reel: http://vimeo.com/19955876
Is there another way to vignette? I could not find anything other than lens correction. I am hoping there is becuase it looks like that filter is very limited.
Thanks...Scott