HS Football at Night with ISO 6400
rockcanyonphotos
Registered Users Posts: 117 Major grins
Tonight was the first game of the season and I could not wait to see if the high ISO of the Canon 1DM3 would make a usable photo. Attached is one example I grabbed this evening as soon as I uploaded the files to my computer.
For reference. The stadium I shoot in (at its brightest spots) will meter out at ISO1600, f2.8, 1/250 falling off to 1/125 in the endzones
Setup:
1DM3 with 300mm f2.8 IS USM lens on a monopod:
ISO6400 (in camera noise reduction enabled)
Sutterspeed: 1/500
Aperture: 2.8
File type: RAW
Process:
Brought the file into CS3 Camera RAW and did nothing to it (sans RAW's default setting) and exported it to JPG. Reduced the dpi to 150 to make the posting file size requirements for this board.
I don't know about anyone else but I can work with this!! I am just so darn happy not to have to use a flash to shoot in a High School dungeon!!
Done sharing for now... off to bed.
Regards, Kevin
For reference. The stadium I shoot in (at its brightest spots) will meter out at ISO1600, f2.8, 1/250 falling off to 1/125 in the endzones
Setup:
1DM3 with 300mm f2.8 IS USM lens on a monopod:
ISO6400 (in camera noise reduction enabled)
Sutterspeed: 1/500
Aperture: 2.8
File type: RAW
Process:
Brought the file into CS3 Camera RAW and did nothing to it (sans RAW's default setting) and exported it to JPG. Reduced the dpi to 150 to make the posting file size requirements for this board.
I don't know about anyone else but I can work with this!! I am just so darn happy not to have to use a flash to shoot in a High School dungeon!!
Done sharing for now... off to bed.
Regards, Kevin
0
Comments
What can we do about it? it´s just the way it its..Noise is a pain in the a#s
Attached is the file after 60 secs of work in PS.
For me, being able to get a photo of this quality after processing means I can ditch the flash and all the post processing issues (especially the ghost eyes that are very common when using a flash in this sport).
Is it perfect... no. but my standards are probably a bit lower than yours given the conditions I have to deal with in the local high school stadiums.
kevin
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
Canon Quality l Canon 30D l Canon 70-200mm f/2.8 "L" IS Lens l Canon 17-55mm f/2.8 IS Lens l Canon 580ex ii Flash l Canon 580ex Flash l Canon BG-E2N Battery Grip
Strobist 101 kit l Bogen / Manfrotto Super Clamp l Westcott Umbrellas - Soft Silver Collapsible and Optical White 43" l Bogen / Manfrotto 3373 Light Stand l Photoflex Multiclamp
I've some motorsports shots which were really moisy which looked a lot better when I converted them to B&W and it created a nice "grain" type effect.
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
kevin
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
"Your decisions on whether to buy, when to buy and what to buy should depend on careful consideration of your needs primarily, with a little of your wants thrown in for enjoyment, After all photography is a hobby, even for pros."
~Herbert Keppler
1) Noiseware (night setting)
2) Unsharp Mask
3) Lab Color (10% opacity) (provides a nice Pop to the colors)
regards, Kevin
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
Bigger picture, I have not tried steps 2 & 3 in your PS workflow, but without Noiseware we would be Noware!
__________________
www.browngreensports.com
http://browngreensports.smugmug.com
I am still learning the M3...only had it for a few weeks but I called Canon Tech support the day before the game and asked the same question about the effect of NR, in camera, on RAW files (I didn't think it would have an effect either)... I was told it absolutely has an effect and should be turned on for the high ISO settings.
If you have figured out any other gems as far a setting on the M3... please do share.
as for the Lab Color, I have found that this tends to give me better color and contrast and in many cases makes the photo seem sharp enough to eliminate the need for using the Unsharp mask... which I tend to do as a last resort because it doesn't always play to well with Noiseware.
regards, Kevin
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
I am interested in how you set up these short cuts. I am using and Apple computer, shooting Friday night with the same lens in about the same setting, I have a 40D but I am having to export as jpeg, use Noiseware to clean it up and then back. You are supposed to be able to do batchwork but something in the apple version won't allow me to import the tasks into the action tabs of PS3. Would you mind sharing how you set up the short cuts. Thanks Patrick
Canon 1DM3, 20D & 40D, Canon f/2.8 70-200mm IS, Sigma 24-70mm f/2.8
Happy to sharee but I am not sure I completely understand what you are looking for... Are you trying to run these actions in RAW?? I do my initial processing in RAW, export the results to JPG, then run the various actions on them. Sometimes I run them in batch but because of the varying results of High ISO shots and the variations in lighting in a HS stadium, I tend to open all my JPG in CS3 and then just push the appropriate function key that corresponds to the action I want to run on that photo.
Kevin
Canon 1DM4, 300mm 2.8, 70-200mm 2.8, 200mm 1.8, 24-70mm 2.8, 85mm 1.8
I don't think there are any magic tricks for the M3 -- shooting in the dark is shooting in the dark! Good luck and enjoy -- I'll report back on the 6400/NR combo if it ends up being value-added, but that will be a combination that I will only try later in the season after I know that I have a decent array of keepers in the bank.
__________________
www.browngreensports.com
http://browngreensports.smugmug.com