The D80 - Is it worth it?
Hello everyone.
I've been thinking about this but I would like to get some more opinions from more experienced users. With the new D90 just announced, do you guys think it is still worth buying the D80. I'm sure there will be plenty of D80s floating around eBay at crazy deal prices. I currently own the D40 and I'm looking to upgrade to something that will autofocus AF lenses. Do you think the D90 will be 'that' much better than the D80 (and I don't care for the new movie feature). I'm sure I'll be able to find a D80 body in mint condition for half of what the D90 sells. Anyway, what's your opinion on this?
Thanks,
Steven.
I've been thinking about this but I would like to get some more opinions from more experienced users. With the new D90 just announced, do you guys think it is still worth buying the D80. I'm sure there will be plenty of D80s floating around eBay at crazy deal prices. I currently own the D40 and I'm looking to upgrade to something that will autofocus AF lenses. Do you think the D90 will be 'that' much better than the D80 (and I don't care for the new movie feature). I'm sure I'll be able to find a D80 body in mint condition for half of what the D90 sells. Anyway, what's your opinion on this?
Thanks,
Steven.
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Comments
It really depends on your needs. While it remains to be seen if the IQ of the D90 is that much greater than the D80 in real world tests by end users, I don't think you can go wrong with the D80 if you can find a good deal.
Even though it has a little video trick I'm guessing that's just part of live view, so if you saw a D200 versus D300 image comparison it could be very very close to what the D80/90 will be like
I think the big question is what specifically are you looking for in the upgrade from your D40?
What I'm really looking for is a better AF system - the D40 has a basic 3-point AF as opposed to the D80 which has an 11-point AF system - that will allow me to autofocus on AF (non-AFS) lenses. I'd really like to have some of the controls more readily available so that I don't have to dig through the menus to change them. I know this might sound silly but I also want a camera that will be a little bigger and sturdier. Being able to step down to ISO100 is also nice... But I guess in short, the main reason I'd like to upgrade from the D40 is to be able to autofocus on AF lenses such as my Nikkor 50mm f1.8 AF lens.
Those are legitimate reasons. Additionally, the D200 and up can also use older manual focus lenses and provide auto-exposure.
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For all those features, it will be the same on either of the cameras. And I just shocked myself going on B&H, the D80 is only 600 dollars now! It might not have all the bells or whistles of the 90 but both are rock solid and it sounds like the D 40 image quality has been fine for years so the 80 will be even better.
Plus $400 is a nice bit of money towards the most important thing, lenses
This is true. I guess I'll wait to see more reviews and reports of the D90... but I don't think I'll be able to justify the d80-d90 price difference. I'll try to go to a photo store and play with the D80... I'm sure I'll love it Thanks for your opinions guys. I appreciate it.
-Steven.
http://kenrockwell.com/nikon/d90.htm
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Unfortunately Ken Rockwell is trying to take credit for something that does not work as simply as he describes. Both recent Nikon and Canon cameras have methods and technologies to improve dynamic range, not just protect the highlights, as Ken's method would do. While the new Nikons and Canons do indeed enhance the total dynamic range it appears that they work somewhat differently (and neither manufacturer is disclosing exactly how they work.) BTW, Nikon calls it [FONT=Arial, Helvetica, sans-serif]"Active D-Lighting"[/FONT] and not "[FONT=Arial, Helvetica, sans-serif]Adaptive D-Lighting" as Ken calls it.[/FONT]
In the Nikon [FONT=Arial, Helvetica, sans-serif]"Active D-Lighting" it appears to apply a "knee" adjustment to both shadow and highlight tones before saving as either JPG or RAW file. It certainly looks like the adjustment is made in the pre-amp section before the image information hits the image processor. This is something new and has not been done before.
The Ken Rockwell method would just increase shadow noise dramatically and that does not seem to be the case.
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