Time for new lens - Portrait specific

boulderNardoboulderNardo Registered Users Posts: 180 Major grins
edited October 10, 2008 in Cameras
Aight, time for a new lens. I have some free money coming up and want to invest in my photography equipment. I currently shoot a Canon 40D with a Canon 24-70/2.8 and a Tamron 11-18mm lenses.

I would like to buy a lens that I can use to get into portrait shooting and which can give me tack sharp, mindblowing shots. These are the lenses I'm currently considering:

o Canon 70-200 f/2.8L
o Canon EF 85mm f/1.8
o Canon 85mm f/1.2L Mk I or Mk II
o Canon 135 f/2L
o Canon 200 f/2.8L Mk II

I've used the 70-200 f/2.8 before and absolutely loved it.
It would supplement my sport-photography equipment and I definitely need a long tele zoom like that once the winter season starts up again (ski photography). I also know that a lot of people recommend the 70-200/2.8 for portrait photography, it being a very sharp lens with wide aperture.

Now, the 85/1.2L is obviously an amazing lens, but considering the reviews the 85/1.8 might perform similarly at a fraction of the cost.

However ... the 135 f/2L is really tempting. It's an amazing lens, slightly long for portrait photography on a crop body but it would do initially. The price is unbeatable, whether I buy it used or maybe on eBay with 20% Cashback (about $750). It takes incredible shots and with a huge aperture of f/2 the background blur is great and the bokeh looks beautiful.

The 200 f/2.8 I listed above is probably not a good choice for portrait photography, but the reason why I listed it up there is as follows. If I were to get the 135/2L I would probably decide to stick with primes and cover the 70-200 range with an 85/1.8, 135/2L, and 200/2.8L ...

So these are my options and my sticking points, would like some advice :):

o Canon 70-200/2.8L to cover entire range, use it for portrait photography & sports photography. $1100
o canon 70-200/2.8L to cover the entire range but only used for sports photography, and Canon 85 f/1.8 for better portraits with larger aperture. About $1400.
o Canon 85 f/1.8 and/or Canon 135 f/2L for portrait photography and Canon 200 f/2.8L for sports photography. $1400 (135 & 200) or $1700 (85, 135, & 200).

Thanks for upcoming help :)
-b
Canon 1D MkII, Canon 17-40 f/4L, Canon 70-200 f/2.8L, Canon 50 f/1.4, Canon 100 f/2
Bogen 055XPROB
Elinchrom Ranger RX Speed AS, FreeLite A, Skyports, 3x Vivitar 285HV

Comments

  • ziggy53ziggy53 Super Moderators Posts: 24,133 moderator
    edited October 9, 2008
    You probably won't find a single lens to meet your needs. I would suggest the following lenses for serious portraiture:

    For head-and-shoulders and head shots I suggest the EF 85mm, f1.2L USM or EF 85mm, f1.8.

    For 3/4 length and full length 1 and 2 shots I suggest the EF 50mm, f1.4 USM.

    For smaller spaces and for groups I suggest the EF-S 17-55mm, f2.8 IS USM although the EF 35mm, 1.4L USM might yield much better bokeh, depending on the distance to background.
    ziggy53
    Moderator of the Cameras and Accessories forums
  • Tee WhyTee Why Registered Users Posts: 2,390 Major grins
    edited October 9, 2008
    If optics are your primary goal, 135 and 200 primes.

    If you want convenience/sports 70-200mm zoom.

    No real bad lenses in your consideration, just gotta find the ones that fits your style.
  • Scott_QuierScott_Quier Registered Users Posts: 6,524 Major grins
    edited October 10, 2008
    ziggy53 wrote:
    You probably won't find a single lens to meet your needs. I would suggest the following lenses for serious portraiture:

    For head-and-shoulders and head shots I suggest the EF 85mm, f1.2L USM or EF 85mm, f1.8.

    For 3/4 length and full length 1 and 2 shots I suggest the EF 50mm, f1.4 USM.

    For smaller spaces and for groups I suggest the EF-S 17-55mm, f2.8 IS USM although the EF 35mm, 1.4L USM might yield much better bokeh, depending on the distance to background.
    15524779-Ti.gif - In cramped quarters and using a 1.6 crop camera the 85mm and, maybe even, the 50mm focal lengths may prove to be too long.

    I've had very good success with both my EF-S 17-55 f/2.8 IS and EF 24-105 f/4L. I find that I frequently reach for the 24-105 if I have sufficient subject to background distance to throw it OOF at the smaller apertures offered by this lens. If not, the first (and sometimes even a 50mm f/1.4). It all depends. Doesn't it always:D
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