How to shoot portrait sports on a monopod...without a tripod ring!
bandgeekndb
Registered Users Posts: 284 Major grins
Grr, the minor aggravations that try to keep me from enjoying my photography!
I'm trying to shoot a daytime game and I've got a monopod for my D40 and a 55-200 VR lens. I want the stability of the monopod because I haven't quite mastered a truly steady hold on the camera yet and my long end of the zoom is getting a bit fuzzy (completely ignoring the slow focus of the D40).
Any suggestions? I might just have to go handheld and not breathe the whole game to keep the shots steady, but when I pass out, the memory card will have some good pictures!
Thanks everybody!
~Nick
I'm trying to shoot a daytime game and I've got a monopod for my D40 and a 55-200 VR lens. I want the stability of the monopod because I haven't quite mastered a truly steady hold on the camera yet and my long end of the zoom is getting a bit fuzzy (completely ignoring the slow focus of the D40).
Any suggestions? I might just have to go handheld and not breathe the whole game to keep the shots steady, but when I pass out, the memory card will have some good pictures!
Thanks everybody!
~Nick
Nikon D7000, D90
Sigma 18-50 f/2.8, 70-200 f/2.8
Nikkor 55-200mm f/4-5.6, 50mm f/1.8
Sigma 18-50 f/2.8, 70-200 f/2.8
Nikkor 55-200mm f/4-5.6, 50mm f/1.8
0
Comments
Aside from that, I'd say go down to the local hardware store, find a piece of angle iron, or a 90 degree angle bracket of some kind, with two holes in it. Then find a nut that will fit on to your mono pod. Screw the angle bracket to the monopod, and then find a bolt that will fit into the tripod mount on your camera, attach and secure, and voila, a home-built monopod adapter...
Despite the high cost of living, it remains popular.
Why do people post their equipment in their sig. Isn't it kind of like bragging? That having been said...
Canon 40d Gripped (x2), Rebel (Original), Canon 70-200 f/2.8 USM L, Canon 300 f/4, Tamron 28-75 f/2.8, Canon 50mm f/1.8, Canon 17-55 f/3.5-5.6, ThinkTank Airport TakeOff
At the opposite end of the price spectrum, if you want to/ can afford to go a little upscale, you could get an L-bracket, a quick-release plate (or two), and a quick-release ballhead to go with them. Most monopods will let you mount a ballhead on them, and the L-bracket gives you an easy way of switching between portrait and landscape orientation without having to adjust the height too much.
You could just use the ballhead, since they allow "flopping" the camera over, but you lose a lot of the stability you're lugging the monopod around for in the first place, that way. The off-center weight makes it much harder to stabilize.
You may find geting a heavier lens may actually help handholding.
I've also become convinced, somewhat contrary to EarthDog's recommendation, that a ballhead on a monopod is massive overkill and therefore a waste of $. You might want to check out the Really Right Stuff MH-1 monopod head -- very nifty IMO.
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As long as you are getting a shutter speed of 1/1000, turn off the VR on the lens. VR will slow down the focus on the lens.
Set your focus to AF-C (continuous servo AF)
Use dynamic Area for your focus area selection.
Shoot in Aperture priority with the lowest possible f number/ largest aperture.
Shoot ISO 400 to 800 ensuring the shutter speed is above 1/1000.
www.seanmartinphoto.com
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it's not the size of the lens that matters... It's how you focus it.
aaaaa.... who am I kidding!
whoever dies with the biggest coolest piece of glass, wins!
The thread you're looking for is 1/4x20. For the cleanest option, get a piece of angle big enough to hold the camera centered and two quick-release plates. Drill and tap two 1/4x20 holes, one in each arm, and a third hole beside one of those to pass a 1/4x20 bolt for mounting the camera. Attach a quick release to each of the tapped holes and mount the camera with a bolt; then you can change from portrait to landscape by switching which bracket is attached to the monopod.
Be careful about the bolt length, though; most cameras specify a maximum depth the tripod mount screw can go into the body without damaging the socket or worse.
Photos - still under construction, suggestions welcome
I'm not familiar with the 55/200 does it have VR? Shut it off as others have suggested.
If it has variable aperture, then aperture priority may not do you any good, stick with shutter priority.
Good luck
Rags
Thanks for the setting suggestions as well, I'll try them this Sunday when I shoot again! This might sound wrong as anything, since I just tried what I thought looked best, but I ended up shooting Program mode, making sure the shutter speed never dropped below 1/500.
My main problem is one of 2 things. One, I'm getting shadows, because the lighting is coming in at an angle and I have no fill light. The second thing is some of the shots are out of focus. I can hear the camera trying to focus with me as I move the camera with the subject. What ends up happening is the wrong part of the picture will be in focus. Hopefully, once I try these settings you've suggested, I'll be getting better shots!
Thanks for all the help!
~Nick
Sigma 18-50 f/2.8, 70-200 f/2.8
Nikkor 55-200mm f/4-5.6, 50mm f/1.8
On shadows: yep, it happens. The key is to not let the camera control the metering. If you aren't comfortable shooting in manual exposure then shoot aperture priority and use Exposure Compensation (EC) to adjust the exposure so that faces are no longer in shadow. You may find this blows highlights in the sky or uniforms but those don't matter. What matters is faces - that's what people care about.
Focus - well, there are a number of possible causes. First, the most likely cause is you aren't framing tightly in-camera. When shooting portrait orientation you want to make sure your subject fills at least 2/3 of the camera's vertical frame. A very common mistake made by people new to action photography is to frame loosely thinking they can always crop down in post processing. In practice that doesn't work very well. The major reason being accurate focus.
Part 2 - use only a single focus point.
Part 3 - keep that focus point on an area of contrast on the player - keeping it on a completely white part of the jersey won't work well. You want an area of contrast - letters/number or face.
Part 4 - give your camera/lens a chance by focusing on the player in question for a second, while tracking the subject before you take the shot.
And, it isn't necessary (or nice) to call people out by name, like this. Just state your opinion. People will figure out that you disagree with what you think they said, if they care.
I wasn't familiar with the MH-01 head (note the difference... the search won't find MH-1), so I couldn't mention it. It still strikes me as overkill. All you really need is a way to put a quick release on the 'pod, but I don't know of a way.