Sunsets: What's the trick?
MikeInRochester
Registered Users Posts: 11 Big grins
I love sunsets, but so far have been having a hard time capturing them to my satisfaction.
Short of any sort of post processing (I'm not at that stage yet), can anyone lend some tips or tricks to getting the best results onto my SD card?
Much appreciated (by the newest DGrinner)!
Short of any sort of post processing (I'm not at that stage yet), can anyone lend some tips or tricks to getting the best results onto my SD card?
Much appreciated (by the newest DGrinner)!
0
Comments
here is a thread with alot of info...except it looks like the thread originator took away the examples...
http://dgrin.com/showthread.php?t=99241
A suggestion for sunsets is to use the them for lighting and backdrops to other subject matter. Learning how to fill/balance a flash into the sunset is a good technique to understand.
Cheers!
David
good point
I went out to try tonight, but nature didn't cooperate. I tried to shoot some fall colors and played around with white balance. Interesting results, to say the least.
As for shooting in RAW, I haven't tried that yet. That's somewhere in my future.
Sunsets can come in so many flavors. For example, a sunset on a beach is different than a sun setting in a mountainous region. I also think it takes some luck. The only sunset picture on my website came after I stepped out of a dinner while on vacation so I had my camera and (more importantly) tripod in my trunk.
I am an average photographer but out of nowhere this sunset and sky was there for me....am I good or am I lucky?
I do not pretend to know it all but I can share some of my tricks; in a nutshell, this is what I do.
1. Shoot RAW, it gives more flexibility especially adjusting white balance and recovering highlights
2. Use a tripod at low ISO (100) to minimize noise.
3. Shoot in Manual mode as you can nail the exposure. The camera is usually not in its operating range with this kind of light.
4. It is nice when the sun is barely there, even better if you do not see it. The camera capture colors of the after glow long after the sunset. It is the best when every body think it is over!!!
5. We usually face the sun, well look behind as the scene could be awesome as well.
I hope this helps.
JY
Speaking as a n00b who attempted that challenge, the main thing I discovered was how metering off different regions of the sky gave me such HUGELY different results (strangely, I found this more noticeable when I was using my P&S which only has an LCD screen and no viewfinder, so it was all "live view" essentially). But as I was trying to shoot it, I realised that I could select different points of the light and colours to shift how the camera interpreted the light. Was a real lesson in how to use the available light, in fact.
In general, I found that if I metered off the BRIGHTEST part of the sky, I got the best colours.... but then also lost details into silhouettes. It was a tradeoff, and eventually I got lucky and hit the right combination that I liked
I will say that I took an embarassing number of shots to get maybe 3 that I liked, so it was a great deal of trial and error. However... I did learn a TON about the options available to me as I try to expose for interesting light, and from now on am consciously metereing from various points of a scene no matter WHAT the light.
Btw, if you're not comfortable multiple metering, perhaps use the auto-exposure-bracketing feature of your camera? You'll get 3 options from each shot that way, and perhaps will capture the colours your eye is remembering and wants to see