Perhaps in the future you can compose the shots a bit differently. There's no real context for viewing these - it looks like, "point the camera, shoot, next." Think about how the surrounding areas interact with the subject, and use it to your advantage. That will create more interest and drama than simply centering the subject all the time.
black mambaRegistered UsersPosts: 8,323Major grins
edited October 19, 2008
Hi Cato,
Thanks for looking in and taking the time to make your comments. These pictures are from a series to be published in a book about the Appalachian farm life....to be included in a section about old farm buildings.
As such, the approach was very documentary in nature with little emphasis toward being otherwise interpretive. Your point is well taken and appreciated, however.
Tom
I always wanted to lie naked on a bearskin rug in front of a fireplace. Cracker Barrel didn't take kindly to it.
Thanks for looking in and taking the time to make your comments. These pictures are from a series to be published in a book about the Appalachian farm life....to be included in a section about old farm buildings.
As such, the approach was very documentary in nature with little emphasis toward being otherwise interpretive. Your point is well taken and appreciated, however.
black mambaRegistered UsersPosts: 8,323Major grins
edited October 19, 2008
Hi James,
Thanks for your kind remarks.
Tom
I always wanted to lie naked on a bearskin rug in front of a fireplace. Cracker Barrel didn't take kindly to it.
0
black mambaRegistered UsersPosts: 8,323Major grins
edited October 19, 2008
Cato...
The author of the book, being an accomplished photographer himself, is doing all the interior shots that are required. He is far better at handling lighting considerations, etc. than I am. I have, as you would expect, seen some of his early production and I can tell you that it is outstanding. He works with a minimalist attitude toward equipment, but can create drama and mood ,that reflects the life of the people in this invironment, with an uncanny realism.
I always wanted to lie naked on a bearskin rug in front of a fireplace. Cracker Barrel didn't take kindly to it.
Comments
Perhaps in the future you can compose the shots a bit differently. There's no real context for viewing these - it looks like, "point the camera, shoot, next." Think about how the surrounding areas interact with the subject, and use it to your advantage. That will create more interest and drama than simply centering the subject all the time.
IMHO, of course!
Shooter on a shoestring.
Thanks for looking in and taking the time to make your comments. These pictures are from a series to be published in a book about the Appalachian farm life....to be included in a section about old farm buildings.
As such, the approach was very documentary in nature with little emphasis toward being otherwise interpretive. Your point is well taken and appreciated, however.
Tom
Cool! Do you have any inside shots?
Shooter on a shoestring.
James
Langford Photography
http://www.langfordphotography.com
james@langfordphotography.com
Thanks for your kind remarks.
Tom
The author of the book, being an accomplished photographer himself, is doing all the interior shots that are required. He is far better at handling lighting considerations, etc. than I am. I have, as you would expect, seen some of his early production and I can tell you that it is outstanding. He works with a minimalist attitude toward equipment, but can create drama and mood ,that reflects the life of the people in this invironment, with an uncanny realism.