An hour with the 5d Mk II
And it was a production model!
1. Shot of me taken with the camera using a 50 mm f/1.2
We were allowed to shoot with it as long as we didn't post the frames, but I didn't have a CF card with me and only had my G9. Sam and JC, however, got some frames, and can probably do some comparisons with their 5D and post his thoughts.
2. In Sam's Hands
3. Same as the 50D. CA mode (creative something) and three custom functions
4. Size compared to a 1D
5. Top of the camera
6. Microphone is in front
7. Blurry photo of a microphone jack
8. Live View (and movie) button same as the 50D, different than the 40D
9. It was the perfect model
I also have G9 videos of Jim Rose speaking about the camera, and I can post some of there if people want to hear his thoughts.
I did take away a few things....
1. Shot of me taken with the camera using a 50 mm f/1.2
We were allowed to shoot with it as long as we didn't post the frames, but I didn't have a CF card with me and only had my G9. Sam and JC, however, got some frames, and can probably do some comparisons with their 5D and post his thoughts.
2. In Sam's Hands
3. Same as the 50D. CA mode (creative something) and three custom functions
4. Size compared to a 1D
5. Top of the camera
6. Microphone is in front
7. Blurry photo of a microphone jack
8. Live View (and movie) button same as the 50D, different than the 40D
9. It was the perfect model
I also have G9 videos of Jim Rose speaking about the camera, and I can post some of there if people want to hear his thoughts.
I did take away a few things....
- The high ISO is everything that they say it is; about 2 1/2 stops better
- CS4 is needed/CS3 will not read the RAW files; this is an adobe thing and not canon. LR2 will read it (uses the same ACR Engine), but you can't export it as a smart object into CS3.
- Video length is 12 minutes, max, but you can immediately take an another video
- You need UDMA CF cards take videos
- You can hit the shutter while taking a video, but there will be a break in the movie file, and you'll hear the shutter going off, but the movie will play continuously
- You can pick aperture for the video, but the 5dMkII will set everything else. You adjust things by exposure compensation
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Lucky!!
www.tednghiem.com
Thanks for some insight
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They will throw me out instead.
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From canon's standpoint -- it makes no different to them since DPP reads the RAWs without issue. This is an adobe issue... The work around is to open in something else, convert, and then open in CS3.
From what I understood -- historically, Adobe does not go back and updates their older software with the latest camera models and the ACR engine is very old in LR1 and CS3 are old.
Maybe JC, Sam, Doug or Chris remember more than I did? We got on this topic when someone tried to open up a 50D raw file in CS3 as a smart open from LR2 (I think) and couldn't do so.
I hope that I misunderstood, or am wrong...
I'll do a bit of digging. If anyone else knows more, please post
edited: people are asking the same questions on Adobe's site and you need some DNG work arounds in your workflow.
from the thread.
Hey. At least you tried!!
But if you are serious that CS3 and LR won't be able to read it's RAWs...then i will forever say goodbye to Adobe products.
www.tednghiem.com
Yesterday I had an opportunity to hold the new 5D II, and take a couple of shots with it. The high iso is very impressive, although I can only see the jpg. Adobe RAW support isn't available yet. The Canon Rep asked us to not post any of the 5D images on the internet so no images of April are available. :cry
It had the 50 mm 1.2 lens attached so I shot at 1.2 since I don't have any 1.2 Len's, ( I know hard to image) I did learn that 1.2 is a very narrow DOF.
This will be a killer camera, and as soon as I knock off a few 7/11 stores, I'll be getting me one of these.
Here is the 5D II taken with 16-35 f.8 1600.
Sam
Adobe has had this policy for a long time. As soon as CS3 came out, there were no more updates for CS2 ACR. The same is/will be true with CS4. Adobe wants to make money, plain and simple.
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But if you are serious that CS3 and LR won't be able to read it's RAWs...then i will forever say goodbye to Adobe products.
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Moogle,
Please let me know what program you find that will do all of what CS3 will do, and open 5D II RAW files.
Adobe has had this policy for a long time. As soon as CS3 came out, there were no more updates for CS2 ACR. The same is/will be true with CS4. Adobe wants to make money, plain and simple.
Only makes sense.......why would anyone continue to pour money into an older version to update and add features without any revenue generated?
You, and I may not like it but if we need or want the latest features, we need to buy the latest version.
Canon also said they wouldn't upgrade my 5D I to a 5D II without $$$$$.
Sam
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www.tednghiem.com
April -
Did they give you an ESD - Estimated Ship Date? The folks here would surely appreciate it.
-Fleetwood Mac
So no tree limbs or arms needed.:nah
-Fleetwood Mac
So... it must be very soon.
I also played with the pre-production of the 50D before it came out, and it was out on the market about a month+ afterward.
For this... I think the estimates are correct -- a matter of few weeks or even less.
Richard Bui took detail notes of the meeting and they can be found on his blog
He got some nice quotes from the rep.
thank you for sharing!
April, do you think you will be able to snatch a few copies for our Sat Dec 6 shindig?
Sam,
I got some shots of you:
Using your lens (24-105) to photograph you using my lens (16-35) to photograph the 5D Mark II.
Does anyone know of a work around? High ISO seems to exacerbate the issue.
ps: I like the 16-35 lens. If only money wasn't the issue..........:cry
Sam
I'm running +2 Magenta, +1 Amber for better skin tones. I should have done a custom white balance...
I love the 16-35. Especially on a full frame.
Canon RAW conversion leans toward the red for skin tones. If you convert your RAWs with ACR they'll have much more yellow in them. However, for some images I find ACR to be too orange and I'll either use DPP or DxO to get my reds back.
As for high ISO, if you are shooting at high ISO under low wattage incandescent light, the blue channel can end up so hopelessly underexposed that there is no way to fully recover natural looking color. When I get a 5DII and can shoot reasonably at ISO6400, I am going to start using an 80A filter under incandescent light to get more natural color.
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Link to my Smugmug site
Canon reps will have the 5D MKII at Casey's Camera in Las Vegas Friday November 28 through Sunday November 30 (Thanksgiving weekend) for hands on demonstrations.
Here is Casey's website with contact and address info
http://www.caseyscamera.com/
(even though the website lists Monday through Saturday hours only, they are now open on Sundays too).
Unfortunately I will be out of town that weekend; why they decided to do it on a holiday weekend I will never know.
Yep!! In agreement with that statement!
www.tednghiem.com
Besides with the end coming on 12/21/12 why wait?
Sam
Good info, thanks for posting.
Sam