HDR Sunset
canon400d
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I took this sunset shot and processed it through HDR which I have recently obtained. Comments and advice would be most appreciated.
Regards
Bob
Regards
Bob
0
Comments
I'm not seeing a photo...
Shooter on a shoestring.
Oooooops I sincerely apologise Cato and Antonio. This HDR must be getting to me. Thanks for taking the time to look.
Regards
Bob
great colour Bob.
looks like a lot of noise in dark foreground. is it in the original ?
phil
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I think it is too red. HDR, as far as I have seen, enlarges the color range and your photo is almost totally red/orange.
Please try again.
Maybe you could get some detail in the dark area of the picture...
The foreground was extremely dark so I thought I would give it a brush over with the dodge and burn tool to show the heather. I should have probably left it Phil.
Regards
Bob
Yes I would agree Antonio HDR does bring out the colour and I would agree it is over the top with the red and orange. With regard to the foreground it was really dark and I thought I would lighten it with the dodge/burn tool as I explained to Phil.
I will try again and see what happens as I still have the raw file. Thanks for looking and advice given.
Regards
Bob
As for the HDR you would probably have needed more exposures - this is the kind of scene that has the widest possible dynamic range. How many shots and what bracketing did you use?
http://pyryekholm.kuvat.fi/
Hey, I used a 40D with it on AEB, RAW on continuous 1 stop[ over and one stop under and that was the best I could do, I have had another go through HDR and I cannot seem to get it any better even tweaking it on CS3. If anyone can do any better go ahead by all means and see what can be done. Here is my second attempt:-
The highlights are still clipped - you may need to cheat a bit with a split toner..
You'd need to make a series considerably wider than +-1 to make that work in HDR conversion - the highlights here are as bright as they get. I'd check the metering with aperture priority and low ISO and then start on manual from there. Go more positive one stop at a time until there's enough light in foreground and then start doing the negatives until the sun is barely clipped - that might mean a dozen exposures. That should give you all the data you'd ever need to make a good HDR and you can select the exposures you need in post.
I'll have to say I'm making educated guesses here on HDR though, I've only tried a few and they weren't better than the best single exposure...
http://pyryekholm.kuvat.fi/
Thanks Pyry, I am a wee bit lost here because using HDR with AEB with the shutter release which is recommended. Correct me as I am of the opinion I can only get three continuous shots. Should I have gone 2 stops over and 2 stops under. I was going off the tutorial that Pillman had in his post on this thread and a previous thread. How would I go about getting 12 exposures on AEB. I am totally new to HDR and I have gone for Photomatrix which is supposed to be the best. Hope I haven't confused you.
Regards
Bob
Canons only give you 3 exposures with AEB. To make more, you have to bracket by hand in M mode. Start at a setting and change the exposure between shots. There are also some computer programs that can run custom sets of exposures by controlling the camera through USB.
You can also use AEB to get more than 3 if you combine it with compensation, for example:
AEB at +-1: shoot at -2 and +1: you get -3 to +2.
AEB at +-2: shoot at -2, -1: you get -4 to +1 - and you can add a +-1 at +2 for eight different exposures from -4 to +3.
http://pyryekholm.kuvat.fi/
Thanks ever so much for that Pyry very useful indeed as I never knew any of the settings you have referred to.
Regard
Bob
The more exposures the better, however if you are only going to do three shots with AEB, then +/-2 are recommended. +/-1 wouldn't give enough range which is why you decided to dodge the foreground to make it brighter.
Here is the tutorial from the folks that bring us Photomatix:
http://www.hdrsoft.com/resources/tut_mac/part1.html
Thanks ever so much Bill for looking and advising me. In future I will always use +/-2 in future.
Regards
Bob
Bob, The repost looks much better, quality wise. On top of using +2 & -2 for a scene like this you could use an nuetral density grad filter. The results will come out even better.
retardstrength.net
I think I know where I have gone wrong I should have used AV mode and also used +/-2 rather than +/-1 I will have another go when I eagerly await the next sunset. If you can give me any more advice it will be more than welcomed as I am still learning HDR and Photomatrix.
Regards
Bob
Sounds like you have it wrapped up. We're all learning. Didn't mean to sound belittling with my first comment,if I did.
Looking forward to your next crack at it!
retardstrength.net
I couldn't agree more. I really made a bad job of this one that is for sure.
Bob
I'm no HDR expert but I have dabbled in it a bit. I too have ran across images where there is a lot of noise added post-HDR. It has to do with the blacks clipping. Someone suggested taking more exposures... that's the way to go.
What you want to do is to check the historgram on your most underexposed and most overexposed image. If the either end is clipped, then you need to take additional exposures.
For a scene like that, a bracket of 9 exposures at 1 EV between should do the trick. When you go to run the HDR, you don't necessarily need to use all the exposures. You can use 1 over that captures the most shadow details, the metered shot, and then 1 under that captures all the highlights with the least amount of clipping.
You may still have to clean it up in PS afterwards by layer one of the shots and masking in any blown details. Also, check your images before you HDR. You may have noise in the originals which should be cleaned up before you use them in the HDR process.
Lastly, if you are autobracketing, make certain you are in aperature priority and not Program or Auto mode. It's important that your aperature remain constant throughout all the shots or the different DOF's will reduce the sharpness of the end result.
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