Macro Tubes Question!
Candid Arts
Registered Users Posts: 1,685 Major grins
So I'm thinking about getting some tubes for my Canon 60mm f/2.8 Macro.
Looking at some other macro posts on here, it seems as though people are using the Kenko brand tubes.
Would it be better to use the Kenko vs. Canon? If so why? If not why? If so, what are the benefits of using one over the other?
Thanks guys (and gals).:D
Looking at some other macro posts on here, it seems as though people are using the Kenko brand tubes.
Would it be better to use the Kenko vs. Canon? If so why? If not why? If so, what are the benefits of using one over the other?
Thanks guys (and gals).:D
Candid Arts Photography | Portland Oregon | Fine Art
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
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Cincinnati Smug Leader
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
The Canon tubes come in two sizes (12mm and 25mm) and are usually sold separately. The Canon tubes have a more solid feel due to their more metal construction.
However, both Kenko tubes and Canon tubes work equally well as there are no optics to deal with.
If you are stacking the tubes then I suggest caution if you are adding all three Kenko tubes between the lens and the camera. The total length plus the lens creates a large cantilver that could be problematic if you don't support the lens correctly. Your 60mm f/2.8 macro lens is not that long so stacking the three with that lens should not be a problem.
GreyLeaf PhotoGraphy
So how do these things work? Do they adjust the focal length, or the lifesize aspect (i.e. 1:1, 2:1, etc...)? I'm guessing the focal length, so a 60mm with a 12mm tube, would make the lens a 72mm? So it's possible to stack all three tubes? So my 60mm would be 138mm?
And also, how are the kenko tubes structurally? Are they built well? Will they last? I'd imagine the Canon ones, being built with more metal than plastic, would last a bit longer and be a bit more sturdy.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
The tubes from Kenko just feel less beefier. You should not have a problem with them at all. Some people prefer the beefier-feeling Canon tubes, but you pay for that, too. For giggles one time I stacked all three Kenko tubes on an EF-180 f/3.5 macro lens and I did not like that at all. That lens is quite long and heavy, and I felt as is I was going to break the tubes attached to the body.
GreyLeaf PhotoGraphy
But there's a problem, they're EF mount only, as purchased they will not allow an EF-S lens to mount, they have an anti-reflection collar internally that butts up against the protruding rubber bit at the back of EF-S lenses. I've successfully modified a Kenko 12mm tube for a friend to accept an EF-S lens by grinding away just enough of this plastic disc, but this has to be done carefully to not damage the electrical contacts. It can be done, in which case the Kenko tubes are cheaper for the amount of extension provided, but I probably wouldn't bother in your case.
As for magnification, the rule of thumb is that an Xmm lens extended by that same Xmm tube will give 1:1 magnification at the "infinity" setting. So 60mm of lens, extended 68mm (the kenko tubes total, as an example), with the lens already focused at the 1:1 setting, probably just over 2:1 magnification as max. Nothing's quite that simple, of course, but that's the ballpark.
I've heard there are even cheaper extension tubes out there (Pro-Optic, I believe? Been a couple years since I looked) that do in fact fit EF-S, but they're all plastic.
http://pyryekholm.kuvat.fi/
Sorry for the misinformation above!
GreyLeaf PhotoGraphy
Somewhere along the line, Kenko evidently improved the design and made them compatible with EF-S lenses.
Kenko 12mm, EF-S 17-85, Canon 20D
Note that it says EF-S right on the box.
-joel
Link to my Smugmug site
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Link to my Smugmug site
Also - I coupled my tubes to every lens I own(ed), including a 70-200, 28-300, 17-40, 24-70.
GreyLeaf PhotoGraphy
I meant to say what other lenses will they fit on, and I know the Canon TC's will only fit on...etc.
Well sweet. That's cool they fit on more lenses than just macro. I'll have to try and pick some of these up.
Thanks for all the info guys!
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
All of them I think, with a caveat: they are plastic and will most likely break if you try to hang a heavy lens from them, especially when using combinations.
The TCs fit only certain telephoto lenses because they have elements that protrude past the lens mount, extensions don't have that.
http://pyryekholm.kuvat.fi/
Thanks everyone.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I've heard plenty of stories about people using a few mm's of extension tubes to help their 300mm and 400mm lenses focus closer for birds, etc, or with TS-E lenses for close up product photography, so there are plenty of applications out there.
There is one thing I'm still confused about. If you add a tube to a lens, does it mean you can get physically closer to the subject and thus increasing the magnification (1x [1:1], 2x [2:1], 3x [3:1], etc...) or does it enable you to be farther away but still have the same FOV (like going from a 60mm lens to a [with the addition of a 30mm tube] to a 90mm lens)?
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Now, if I decrease the focal the working distance becomes much, much smaller. I think around 25mm the working distance was effectively 0 for this lens and the tube that I borrowed from Marc Muench. Sorry, I can't recall which tube I was using at that time.
Sorry - I don't know equivalent magnification factors.
GreyLeaf PhotoGraphy
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Link to my Smugmug site
Thanks for all the help!
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I use a close-focus diopter lens to adjust the minimum focus distance (MFD) as well as boost magnification.
I use a Canon 500D, 77mm diameter, with both the Canon 70-200mm, f2.8L USM and, with a reducing adapter, the Canon 70-200mm, f4L IS USM. The combination provides an MFD of 500mm when the host lens is at infinity and it yields around a 1/2 lifesize magnification. When the host lens is at MFD the system MFD is shorter, but the magnification is greater. In the case of the f4L the total magnification is ultimately almost 1:1 or almost true macro. The diopter lens also has minimal impact on the aperture efficiency, so f8 is still f8.
An example from our Dalantech:
http://www.flickr.com/photos/dalantech/708248681/
I also use a 330mm diopter, 52mm diameter, with the Canon 50mm, f1.4 USM and it makes a very compact close focus capable system.
Examples in this thread:
http://www.dgrin.com/showpost.php?p=947583&postcount=8
DOF is pretty shallow using a close-focus diopter, so if you need more DOF a true macro 1:1 lens is a better choice.
I do plan on getting a Tamron 90mm, F/2.8 Di 1:1 Macro sometime fairly soon.
Moderator of the Cameras and Accessories forums
It is true that extension tubes are not going to give you more reach. For that, you want either a teleconverter (most wouldn't be compatible though) or a longer lens (100mm, 150mm, 180mm, in order from easiest to use to most reach). Ziggy's suggestions are also excellent things to look at.
Wow. That's insane. I'd still love that closer MFD for stuff that won't jump on me or bite me, but I think the 100mm would be better suited for my needs, in addition to some tubes.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
1. The setup. Mounted lens on a tripod, no issues with loosness or breaking. There is a lot of metal in the new Kenko tubes.
2. Focal distance. You got to be pretty close for these things.
3. The result.
Exposure Time 2s (2/1)
Aperture f/11.0
ISO 100
Focal Length 93mm (148.8mm in 35mm)
That is so cool. I want some tubes now. Thanks for the pic!
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
You're welcome. That is Camera Armor, the silicon cover. I love it, it keeps my camera cool when I'm shooting in the sun - it also gives me more gripping power. I don't worry about the camera slipping out of my hand so much anymore (it never did slip, i just always worried). It also protects the body from scratches and dings.
Link to my Smugmug site
Quite a conundrum. You will need a whole bunch of focal length. The most elaborate macro setup I've ever seen was used to shoot close-ups of dragonflies - in the air. Working distance somewhere around 2.5 meters and max magnification hovering around 1.35x. They used an EF 500/4, a 1.4x TC, a full stack of Kenko's tubes and a 2x TC all stacked onto a 30D.
http://pyryekholm.kuvat.fi/
Wow, that's just ridiculous. I would have loved to have seen that set up.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod