RAW and HDR
astevens54
Registered Users Posts: 8 Beginner grinner
I was wondering what kind of results I might get if I post process a picture and saving 3 or more variations of that picture. Instead of bracketing it via post processing verses actually when taking the picture??? I would appreciate anyones thoughts on this.
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If I think I understand what you're saying, which I'm about 90% sure I don't, I try to do as much as I can to the picture that I want done with the actual picture. So if that requires doing the bracketing in camera and taking three pictures, then so be it. The less pp you can do, the better IMO.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Natural selection is responsible for every living thing that exists.
D3s, D500, D5300, and way more glass than the wife knows about.
But, if you have better tools available for dealing with high dynamic range images in an HDR tool, it might give you better results if you use the HDR tool with two RAW developments from the same image rather than not use the HDR tool and try to solve the problem in your one RAW image with your other tools.
I'm not suggesting that using two RAW developments from the same image is creating data, but it is putting the full spectrum of data in the RAW file in a format that the HDR tools can use. If you don't have any better tools for dealing with high dynamic range images, then it might be your best option post shoot. It's just a matter of using the best tools you have for a specific job. If you have the chance, capture more data initially with more images, but if that didn't happen for some reason, you do the best you can with the tools you have and know how to use.
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OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I love the 50D. I haven't been pressed with high ISO quality, but then again I haven't printed anything out that uses a higher ISO, and it looks differnt printed vs on the monitor. I was having some "error" issues with it, but I just updated it's firmware last night, so hopefully that fixes it. I don't think there is anything that I don't like about it that I've found so far, and somehow I already have about 8500 clicks on it. I think I've only had it for about 2 months or so. Yeah I want the 5DmkII as well, and could justify the cost, I just don't have it beings I'm going to school and only working less than part time. Have you played with the 5DmkII at all? It is oh so worth it. If you got the money, go for it, otherwise the 50D is a GREAT (I don't wanna say compramise) but yeah. It's an amazing body.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
What you -can- do is to keep all the data you have by not funneling it through a narrow holder like .jpg. HDR processing software like the current Photomatix allow you to input a single RAW or 16 bit .tif image to allow you to use the tone mapping and local contrast enhancement tools on the best data you have. Even if the rest of your processing workflow is 8 bit, you can feed the full resolution from the camera to the HDR software.
Dale B. Dalrymple
http://dbdimages.com
...with apology to Archimedies
Of course by taking multiple exposures of the same scene, your gains in dynamic range are unlimited. On the other hand, single RAW file HDRs win in situations where there's a lot of motion in the scene, like a flying bird for example.
Regards,
-joel
Link to my Smugmug site
Most HDR software, like Essential HDR, Photomatix etc are capable of creating a "pseudo" HDR file from a single RAW image. The outcome is not as impressive as if you use 3,5,7 or nine bracketed shots - still you will like what you get.
I was thinking about stepping from a 40D to a 50D, but decided to buy better lenses instead. The 40D is a very good camera and the prices are currently pretty low.
Just my 2 cents.
BoKo
Canon 40D | Tamron 19-35 | Canon 28-138 IS | Canon 85 f/1.8 | Canon 100-300 f/5.6L
____
Canon 50D | Canon 24-105 f/4 L | Canon 70-200 f/4 L | Canon 100-400 f/4.5-5.6 L | Canon 200 f/2.8 L
40D...
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Canon 50D | Canon 24-105 f/4 L | Canon 70-200 f/4 L | Canon 100-400 f/4.5-5.6 L | Canon 200 f/2.8 L