Canon 70-200 IS, f2.8 or f4?
JimM
Registered Users Posts: 1,389 Major grins
Okay, so I am ready to bite the bullet and but this amazing lens. My question, is the added weight of the 2.8 worth it? Obviously I can save like $500 to going with the f4, but my major concern is how heavy the 2.8 is.
Anyone experience both? Is the f4 as sharp? Any thoughts much appreciated!
Anyone experience both? Is the f4 as sharp? Any thoughts much appreciated!
Cameras: >(2) Canon 20D .Canon 20D/grip >Canon S200 (p&s)
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
0
Comments
Thoughts?
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
So now it really comes down to weight.
f2.8 is 3.2 lb without tripod collar
f4 is 1.7lb without tripod collar
I have used the f2.8 many times, but always found it to be heavy. I have a 300mm f/4 IS that is feels much lighter than the f2.8. The 300m checks in at 2.6lb according to B&H. Also makes me think I could probably use the 300mm's tripod ring if I wanted to, since I probably would not be shooting with both of these at the same time.
I have not used the 300mm in a year, so was actually considering selling it.
I have shared way too much now, haven't I? Typing this out for all to see I do think is helping me make my decision. So thanks for listening and any thoughts/comments still welcome.
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Canon EF 70-200mm, f2.8L USM
Canon EF 70-200mm, f4L IS USM
The f2.8 is nice when you are working indoors or in poorer light. I do believe it is faster to focus as well (slightly). The f2.8 also enables those cameras that support higher precision at f2.8.
The f4 is a great travel lens and a lot easier to shoot for long periods.
Both are similar quality at f4, although some say the f4 vesion is sharper. I don't see that myself.
Both also do pretty well with the Canon EF 1.4x teleconverter.
I bought the f2.8 first and I'm pretty glad I did. If I had to chose between the 2 lenses I would generally rather have the f2.8 with me.
Moderator of the Cameras and Accessories forums
Comments and constructive critique always welcome!
Elaine Heasley Photography
So I think I have it all figured out.
BTW, if you are curious about my driving factor to buy now, my son turns one on Thursday with his big party on Saturday. Having a mid zoom would be very beneficial for his party (so I'll call it a Christmas present to me). Besides, tax write-off in 2008 is better than one in 2009!!!
Thank you everyone for you thoughts!!!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Got this from your signature "Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 200mm,f2.8L >Canon 300mm f4 L IS"
I"m guessing you already picked it up?
I'm SO jealous! I want this lens so bad. But all my money in my account is student loan for rent and food...:-/...but I'm still debating getting it :-P. You are lucky, that is one of (if not) the most highly regarded lens like ever made. You will not be disappointed. And if it's too heavy, I got $100 that will take it off your hands for ya...;-)
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Will be ordering one of them today so I can second-day it to me.
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Gotchya, yeah I missed that small detail... Well good luck with it, I've shot with it a bit. SOOO nice. Jealous. Very jealous.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I believe the tripod rings on ebay cost less and do the job as well. However, I have never used one (I don't own one of these lenses), this is just what I have read in the past.
Hope that helps!
My Gear
The ring helped with the decision, as did Ziggy's thoughts.
My other thought was if I like it enough, I can add a 1.4x TC to it and still have a 300mm f4 so I can sell my 300mm and I don't really shoot Macro, so I can sell my 100mm Macro, lighten my load and almost pay for the lens.
Thanks for all your help!!!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
If this is the case...If I can sell my 60mm Macro, I'm looking at getting the 100mm macro. So if yours is in great enough condition, and new enough, and at a good enough price...I might take that off your hands if you decide to sell...
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Be sure to test the 70-200 + TC combination "before" you sell the 300mm prime that you have. The Canon EF 300mm, f/4 L IS USM is a wonderful prime lens and easily beats the 70-200 + TC for many applications.
Moderator of the Cameras and Accessories forums
Certainly will test. Not sure how many sports I'll be shooting in the next couple of years that will require the 300mm, as I haven't used it since the birth of my son (now a year old).
Thanks!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
I have a friend that might want the lens, but if not, I bet we can work something out. I don't know anything about the 60mm Macro, maybe a trade could be worked out too? I'll let you know after I test the 70-200 and talk to my friend.
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Awesome. That'd be great. Thanks!
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
http://danielplumer.com/
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The 2.8 was the way to go. Thank you everyone for your help and advice!
Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos
Congratulations on the new lens.
Moderator of the Cameras and Accessories forums
I love the 70-200 f2.8/L IS USM that you just picked up, congrats on joining the club! It may be a beast for it's weight, but it works great!
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Glass: >Sigma 17-35mm,f2.8-4 DG >Tamron 28-75mm,f2.8 >Canon 100mm 2.8 Macro >Canon 70-200mm,f2.8L IS >Canon 200mm,f2.8L
Flash: >550EX >Sigma EF-500 DG Super >studio strobes
Sites: Jim Mitte Photography - Livingston Sports Photos - Brighton Football Photos