compact florescents = ugly colored light!
urbanaries
Registered Users Posts: 2,690 Major grins
I've grown to love GE Reveal lights for the reduced color cast. Doing my part...just bought a bunch of of CFLs at Menards (Sylvania, I believe) and they are on the opposite side of the color cast spectrum...pukey greenish/gray colored light. I bought several sizes/wattages and they all have this horror-movie feel to them. I busted out my Roscos and even tried to "gel" them...sorta works, but something tells me Smokey the Bear would not approve.
What brand/type CFLs do you guys use?
What brand/type CFLs do you guys use?
Canon 5D MkI
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
0
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I will ship them to you! :grim
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
http://www.popularmechanics.com/home_journal/home_improvement/4215199.html
I quit using CFLs myself (after outfitting our whole house with them). The need for them to be recycled at special facilities, the inherent danger of the mercury inside (total PITA if you break one), and learning that they take so much more energy to produce that it's nearly impossible for them to "make up" the energy differential between them and incandescent bulbs no matter how much less energy they use when turned on. Of course, YMMV, but I was disappointed to learn all the hazards and secrets about this technology hyped by, turns out, the company that makes them.
For some product lighting I have used compact fluorescent bulbs with a fairly high CRI (Color Rendering Index) rating (CRI 95 or better).The color isn't perfect but for subjects that don't need perfect color it can work pretty well.
Here's an example:
Moderator of the Cameras and Accessories forums
However, i have been using the Daylight balanced 5500K from ALZO and just love them. When I set my camera on Daylight it actually balances exactly the same as if I set my WB for Daylight and shoot outside in daylight. The best thing is that they stay so cool (not as cool as LED though), so when I'm shooting for hours on a still-life I don't have to worry about the set or my own body getting burned on the lights. They also didn't light the paper on fire when I clipped a diffuser paper to the front
I get them from amazon.com (marketplace seller, not direct).
Here's an example:
I did discover some CFL bulbs I bought at IKEA about 5 years ago that still work in my bathroom, they look very similar to normal incandescent light, so I think I'll just buy those in the future, hopefully they sell them online!
50mm 1.4, 85mm 1.8, 24-70 2.8L, 35mm 1.4L, 135mm f2L
ST-E2 Transmitter + (3) 580 EXII + radio poppers
But nearly every light in the house is relatively natural looking compact fluorescent
The eye adapts to any color weirdness quickly
As for weird photo tones, corrected in about 2 seconds with white balance in lightroom, aperture, photoshop, etc.
It is so worth it for the long bulb lifetimes alone.
Lots of cost savings too..
Those incandescents are practically space heaters that happen to glow...
In the summer especially, you have to pay to make all that heat, and then pay again to air condition it away.
Hidden savings right there :P
The mercury is a non-issue as well.
I've never had one break...
And if one did break, just open a window and leave for a half hour. Mercury evaporates. Sweep it up with a small magnet if you're in the mood to be a little more paranoid :P You're going to get a LOT more mercury in your system from the pollution in the air and your fish than from a single bulb :P
Now... if you break an entire crate of bulbs, you may be in some trouble
Be careful if you're the forklift guy that has to load them onto the truck.