#18 low key
JAG
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...with a sepia flare and attitude. I am not sure if I will keep this one or not. Have a few other ideas floating around in my head but have to get them on sensor.
Edited to darker.
2.
Edited to darker.
2.
0
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Basking in the shadows of yesterday's triumphs'.
I do like the composition though.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
It's like way darker on the right side, and way lighter on the left side, perfectly split down the middle. No over lapping or anything. I dunno... I definitely like the darker side though. I think it's just the split that is throwing me off. IMO...just my .02
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
yep!
I like numba 2 ! I think the eyes look deeper for me !
Nice photo!
In both cases, I like the sepia - it almost has a kind of 19th century/Western feel to it, particularly with his look and the light.
I do see the light as very much right half/left half. The actual shading does blend... but almost exactly down the center of his face
Hth!
This certainly qualifies as low key.
If you wanted to experiment, I'd try moving a diffused light source closer to get more wrap on his face so his right eye (camera left) shows up just a bit more than it does now. (A simpler solution would be to do just a bit of dodging on that eye socket - just a tad.) Repositioning the light would naturally soften the shadows two without sacrificing the drama of the split lighting.
The other issues is that his back and arm to camera right are brighter than the face and that is distracting. If you aimed your light source a bit higher so the light skims over his head, you might get some nice drop off below the face. (I'm channeling Joe McNally here.) There may be a way to deal with this in post using one or more gradients. Or you could try cropping as Diva suggests. I do like having the chair in the photo though. It helps tell a story.
Anyhow, I like the shot a lot.
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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The other issues is that his back and arm to camera right are brighter than the face and that is distracting. If you aimed your light source a bit higher so the light skims over his head, you might get some nice drop off below the face. (I'm channeling Joe McNally here.) "
I agree with these corrections. Too bad I cannot get him to pose for me again (he only allowed me about 15 minutes to shoot, its not easy getting models in my house!). I have several other things in the works for this challenge. So I will not be using this image for the challenge but I do appreciate all the help on perfecting techniques.
I do have a cropped image but really do not like it as well. Here is another one that was taken in this session.