Does Dancing count?
I have been asked to provide coverage and on site printing for Highland dance provincial championships. The folks that have hired me are great - really helpful and accommodating. I asked to be allowed to have some practice shooting, and so spent a few hours this past weekend at a local competition.
It is an interesting process. Day 1 of the competition is in a gym, 3 judges, 3 'stages' and 3 dancers per stage per time. They have 5 set dances. The dances are quite repetitive so there seems to be lots of opportunity to get a shot of each dancer. One rule, I must stay behind the judges. One problem, well okay many... the lighting is gym lighting. Gold hardwood floors so lots of yellow cast. It is a gym, so background clutter is outrageous.
ugly background:
I was able to shoot ISO 1000 to 1250, with the 135mmf2 at 1/200, f3.5 for these.
Sunday is in a theater with stage lighting. 3 dancers at a time. I have never shot stage lighting before. I tried the 70 - 200 f2.8, the 135mmf2.0 and the 85mmf1.8.
This one is f2.8, 1/200, ISO 1250 @ 115mm:
The sword dance is incredibly difficult:
That shot is f2.5, 1/320, ISO 1000, with the 85mm.
The 135 gave the best results, I think, but it was a tad too long for the sword dance from where I was able to shoot from:
f2.5, 1/320, ISO 1000.
Now I whittled 1300 shots down to 100 that I thought were really good and another couple hundred acceptable. My problem is that at the competition, I will be shooting and having someone else (likely my dh and kid) running the files through LR2 for culling, editing and printing. I need to make sure that the input is really, really good so we do not have a 'garbage in garbage out situation'. So I need to find the sweet spot and proper shooting technique now. Any thoughts on this?
Many of my discards are discards because they have quite a horrid glow from the stage lights. I do not want to be fixing that on site. Many others are just plain soft.
So, feedback, tips and tricks greatly appreciated.
ann
It is an interesting process. Day 1 of the competition is in a gym, 3 judges, 3 'stages' and 3 dancers per stage per time. They have 5 set dances. The dances are quite repetitive so there seems to be lots of opportunity to get a shot of each dancer. One rule, I must stay behind the judges. One problem, well okay many... the lighting is gym lighting. Gold hardwood floors so lots of yellow cast. It is a gym, so background clutter is outrageous.
ugly background:
I was able to shoot ISO 1000 to 1250, with the 135mmf2 at 1/200, f3.5 for these.
Sunday is in a theater with stage lighting. 3 dancers at a time. I have never shot stage lighting before. I tried the 70 - 200 f2.8, the 135mmf2.0 and the 85mmf1.8.
This one is f2.8, 1/200, ISO 1250 @ 115mm:
The sword dance is incredibly difficult:
That shot is f2.5, 1/320, ISO 1000, with the 85mm.
The 135 gave the best results, I think, but it was a tad too long for the sword dance from where I was able to shoot from:
f2.5, 1/320, ISO 1000.
Now I whittled 1300 shots down to 100 that I thought were really good and another couple hundred acceptable. My problem is that at the competition, I will be shooting and having someone else (likely my dh and kid) running the files through LR2 for culling, editing and printing. I need to make sure that the input is really, really good so we do not have a 'garbage in garbage out situation'. So I need to find the sweet spot and proper shooting technique now. Any thoughts on this?
Many of my discards are discards because they have quite a horrid glow from the stage lights. I do not want to be fixing that on site. Many others are just plain soft.
So, feedback, tips and tricks greatly appreciated.
ann
0
Comments
And yes --- Ugly background!
For the few times that I have shot dance, I think I have to agree with you. I find my 135mm as my lens of choice and I find that I carry my 50mm on my second body for wider shots.
For highland game dancing, I suggest you check out the galleries of Sean Martin's (donek) galleries. He might be able to provide more insight!
I think you did a nice job in challenging conditions - I'm sure the participants will be very happy with these shots! (And I have to say that you were nailing the exposures in that high contrast environment - well done! )
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Thanks for stopping by. Dave, thanks for the tip re: tungsten white balance. I have arranged another practice shoot, in the same theater as the competition, and will give that a try.
So far the feedback from the organizer is GREAT! She really likes my top 100 - now I need to sort out how to get a success rate of >1/13.
ann
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