Event photography, Sigma 18-125 3.5 vs Tamron 28-75 2.8
In event photography changing lenses can lose you the shot. Control over depth of field can also make or break the shot.
I understand that the Tamron 28-75 F2.8 has probably better optics than the Sigma 18-125 f3.5, but would you rather trade ultimate quality for the extra versatility the Sigma offers.
I'm looking for any and all ideas?
Thanks,
ziggy53
I understand that the Tamron 28-75 F2.8 has probably better optics than the Sigma 18-125 f3.5, but would you rather trade ultimate quality for the extra versatility the Sigma offers.
I'm looking for any and all ideas?
Thanks,
ziggy53
0
Comments
It's 3.5 on the wide end, it's 5.6 when you zoom...and that's 2 stops of light difference...not to mention the difference in the quality of the glass.
The 2.8 will allow you to shoot without flash in situations where flash isn't allowed or desired.
I'd rather crop a shot with my Tamron in order to "zoom"...than deal with a consumer class lens.
Not to mention that Tamron will probably focus a lot faster, more accurately. And at 2.8, your view of the scene will be brighter through the view finder.
Lee
Erich
And as mentioned, and not to be overlooked or minimized is the focus performance of a fast lens compared to the inability of a slower lens to focus in low light situations. If you can't focus, the zoom range does not amount to a hill of beans
"Failure is feedback. And feedback is the breakfast of champions." - fortune cookie
Another issue to bring up here is the concept of "quality glass". A lens is to a camera system what speakers are to a stereo system.
If you buy a great receiver with lots of watts etc., but put a pair of cheap speakers on it....you are not going to have great sound.
Consumer grade lenses are just fine....for consumers. Enthusiasts and professionals need better glass.
Better glass:
- focuses faster
- produces sharper images
- produces images with better color
- last longer
We all can't affort the best lenses. I have no L lenses. But I do buy quality lenses from Sigma (EX series) and Tamron (SP series). And I have a coupld Canon 1.8 primes (but alas, not their wonderful 1.2 and 1.4 primes).
Don't let the small numbers fool you. The difference between an f2.8 lens and an f4 lens is DOUBLE the light. That's why an f2.8 lens is considerable more expensive, larger and heavier than an f4 lens.
Yet...an f2.8 lens will work in lower light, focus faster....and deal with 1.4x and 2x converters much better.
The difference between f2.0 and f 1.2 is 1 and a half times the light gathering ability. The numbers look like they are real close, but the quality difference between the lenses is significant.
Then there is the DOF abilities that wider aperatures bring to the table. Any lens can shoot at f8....but you can't get those wonderful narrow dof photos with a consumer grade lens.
So...buy the best you can afford. There IS a significant image quality difference.
Lee
Margaretville New York (Catskill Mnts)
www.deanmalaxos.com
deansphotos@hotmail.com
it's a great lens at a great price. i'm too lazy to re-type everything i love about it
I just press the button and the camera goes CLICK. :dunno
Canon: gripped 20d and 30d, 10-22 3.5-4.5, 17-55 IS, 50mm f1.8, 70-200L IS, 85mm f1.8, 420ex
sigma: 10-20 4-5.6 (for sale), 24-70 2.8 (for sale), 120-300 2.8
I gather that this is one of the better Sigma lenses and you get a decent macro as well!
Anybody else have this lense?
Thanks,
ziggy53
Moderator of the Cameras and Accessories forums