Film Scanner for IMac? Which is best to use
zephyrzar
Registered Users Posts: 6 Beginner grinner
I am looking into to getting a film scanner to transfer all my 35mm black/white and color film to my computer. I have heard that the Nikon Coolscan 4000 or 5000 has problems with the IMac. I was wondering if anyone could recommend a film scanner compatible with the mac? Any help would be appreciated.
Thank you
zephyrzar :dunno
Thank you
zephyrzar :dunno
0
Comments
Comes with own PC windows based system............
I suggest buying the scanner from Amazon and trying it yourself. They have a pretty generous return policy.
http://www.amazon.com/s/ref=nb_ss_gw?url=search-alias%3Daps&field-keywords=coolscan&x=0&y=0
http://www.amazon.com/gp/help/customer/display.html?nodeId=901888&#general
Many people prefer "VueScan" software instead of the stuff supplied by the manufacturer and VueScan is available for the Macs and most Mac OSs (OS 9 through OS X 10.5):
http://www.hamrick.com/vsm.html
P.S. Both of the Nikon scanners you mentioned are likewise supported.
Moderator of the Cameras and Accessories forums
But VueScan is additional cost and not quite as friendly looking as NikonScan. I would say you get the scanner, and if the Nikon software's working fine, just go with that. If you have lots of problems then you might try VueScan. Or Silverfast, but that's even more money.
It does prints, slides, and negatives and I find the software pretty easy to use. I'm using it with an iMac on a USB port and haven't had any problems. Well, the only problems have been with super scratched negatives--they just weren't in good enough shape to use. But with decent slide or negs, I've been able to get some nice-looking digital files, after some cleaning up in Aperture or PS to clone out scratches.
I've been especially pleased with the color capture from these old films. Here's one I got from a 1961 color slide:
Lauren Blackwell
www.redleashphoto.com
What it comes down to is what you are scanning for. If you have a modest budget and want to make some good prints, the Epson 500 ($200) should be great and economical. If you are making midrange pro scans for very large prints, a good dedicated film scanner like a Nikon ($1000+) is a step up, with the Imacon scanners a distinct level above that. If you have the most demanding requirements, critical jobs requiring the utmost in dynamic range and color fidelity, like a prominent coffee table book, then you would get them drum scanned on something like the Heidelberg above, a machine most ordinary people could not afford and probably don't have room in the house for.