Shooting Manual
I have been trying to come to grips with my Canon 70-200L F.4 which hasn't got IS. I have been shooting manual and obviously I need a fast shutter speed when I am shooting at 200mm. I look through the view finder of my 40D and the only way I can increase the shutter speed is by either turning the wheel to the left and the pointer goes under exposed and subsequently a dark exposure. Or secondly increasing the ISO. I understood shooting manual you had total control of both exposure and shutter speed. I really do have problems increasing the shutter speed. Or should I be using TV when I am using this lens. Or am I talking crap? I will definately get there but only with your help.
Regards
Bob
Regards
Bob
0
Comments
When on full manual, turning the dial will change the shutter speed to give you an EV of your choice (-1, -2/3, 0, +2, whatever) with a set aperture. If you're in AV or TV mode, turning the dial will adjust the EV to what you want and adjust the other accordingly (if you're in AV it'll adjust the shutter speed, if you're in TV it'll adjust the aperture). Bumping the ISO is the only option to get more light out of your f/4 if you need that faster shutter speed.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
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Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
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Thanks Candid. That is spot on I know exactly what you mean. I haven't used this lens at all really and the reason being was because it didn't have IS so I got a canon 55-250 IS at a good price of £200 and it is one brilliant lens, as opposed to the 70-200 if I remember I paid around £700 but I have been advised to get used with the 70-200 as it is a much better lens. It was only the shutter speed that aggravated me with this lens.
Regards
Bob
Use a flash, a reflector, or a torch of some sort.
On a tripod, you might be able to lengthen the shutter speed, depending on subject movement.
Those are the choices available.
Moderator of the Technique Forum and Finishing School on Dgrin
Also good points to take into account if the situation and equipment permit.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Thanks Pathfinder I am finding out you only get what you pay in photography and I must admit I have made my share of mistakes but lessons well learned.
Regards
Bob
Raise your ISO! A little noise won't hurt a good sports shot at all, it is even expected.
If you are not comfortable at ISO 800 or 1600, you need to explore that arena.
Lots of fine images are shot there. Just be sure that you do not under expose and they will be fine.
If you have noise in the shadow, and quarter tones, de-noise with NoiseWare or Dfine or something, and raise the black point a few bits. Or convert to B&W. All these methods can help.
Just don't stop shooting because you only have an f4 lens. That is the limit on my 24-105 and I use it at 800+ a lot indoors.
Adding a spot of flash goes a long way at ISO 800 or 1600 too.
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I absolutely agree with the above.
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Thanks for that great advice Pathfinder. I took a lot of shots with it today and I am feeling more confident with it. Thanks to you and everyone's advice.
Regards
Bob
Moderator of the Technique Forum and Finishing School on Dgrin
There are three elements to exposure; shutter speed, ISO setting, and aperture. A fairly good treatment of this can be found here.
When shooting in manual mode, you do, indeed, have complete control over the exposure. But, only through the above three elements. In manual mode, you set each of these to whatever value you wish and make your photograph. The extent to which your photograph is either under- or over-exposed (or "just right") will depend on the relationship between your settings and the amount of light supplied (either flash, ambient, or both) during the time the shutter is open.
The trick is to be able to judge the amount of light available during the time the shutter is open (a light meter helps here and you have one in your camera) and set the ISO, shutter speed, and aperture to values that will
- Allow the "appropriate" amount of light into the camera
- Produce the artistic effect the desired (stop action, blurred action, depth of field, etc).
As you turn one dial or another and, thus, make changes to one of the three elements of the exposure your camera is comparing the result with the amount of light it sees and provides the photographer with it's best guess as to whether the resulting exposure will be "correct". That guess is provided by the position of the pointer relative to a zero reference. That "zero reference" is the camera's idea of a proper exposure.If the photographer needs a faster shutter speed and if increasing the shutter speed will produce an image darker than desired, the photographer has only three choices, each with their own "costs":
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Thanks ever so much Scott for the advice which I so much needed and I truly appreciate you taking your time to explain the finer details to me. I have taken some (well I think) some quite good shots with the 70-200. However, I received my new 17-55 2.8 today and wow am I impressed and very easy to use so I don't think it will be off my 40D very often. However, I have taken everything on board and I will continue to practice the 70-200 as it certainly has its uses and I am determined to master it. Thanks once again.
Regards
Bob
I have done this but not sure if it is optimal since I am still a noob.
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