PW Mini TT1
Nikolai
Registered Users Posts: 19,035 Major grins
While playing around the recent firmware update I found rather interesting effect: my ProFoto Compact-R strobes (with a PW unit built-in) behave quite differently from AB units connected to the regular PW Plus II.
Moving hypersync slider all the way to the left (-2500) lead to a clear picture with ProFoto with the shutter speed up to 1/400(!) :huh and only a slightest hint of shadow in the lower 5% of the frame at 1/500(!!) :huh :huh - frame would be still totally usable. And that on my 5D Mark II, which has regular sync speed of only 1/200 and even with hyper sync engaged was only supposed to work up to 1/250...
However, on the PW Plus II + AB the same setting lead to a huge dark shadow on the upper part of the frame. :-(
It's getting late now, but I'm intending to play around a little bit more and find a common ground for all my flashes and strobes....
However, the very idea of having studio strobes at 1/500 is rather appealing (as you know I like to make my subjects jump, so it would help to freeze the action:-). I'm also gonna check my 50D and see how far its Super X Sync goes... :wink
Moving hypersync slider all the way to the left (-2500) lead to a clear picture with ProFoto with the shutter speed up to 1/400(!) :huh and only a slightest hint of shadow in the lower 5% of the frame at 1/500(!!) :huh :huh - frame would be still totally usable. And that on my 5D Mark II, which has regular sync speed of only 1/200 and even with hyper sync engaged was only supposed to work up to 1/250...
However, on the PW Plus II + AB the same setting lead to a huge dark shadow on the upper part of the frame. :-(
It's getting late now, but I'm intending to play around a little bit more and find a common ground for all my flashes and strobes....
However, the very idea of having studio strobes at 1/500 is rather appealing (as you know I like to make my subjects jump, so it would help to freeze the action:-). I'm also gonna check my 50D and see how far its Super X Sync goes... :wink
"May the f/stop be with you!"
0
Comments
I'll be interested to see what you get from your 50D. For outside portraits, that could be some very useful information.
My Photos
Thoughts on photographing a wedding, How to post a picture, AF Microadjustments?, Light Scoop
Equipment List - Check my profile
Nik,
I believe what you are experiencing is the ability of the big flashes to sustain flash for a longer period than the speedlights. Understand that the focal plane shutter still has to traverse the image frame at a fixed speed, only the slit width is changed to achieve the effect of a shorter shutter speed. In other words, a focal plane shutter is not the best way to stop action.
See the following for a more complete explanation:
http://webs.lanset.com/rcochran/flash/hss.html
For best motion stopping ability you should use either an electronic shutter camera capable of extremely short duration or a flash unit capable of extremely short duration. (This can include multiple flashes ganged and synchronized to boost total output.)
http://www.rpphoto.com/howto/hummer/humguide1.asp
Moderator of the Cameras and Accessories forums
I understand all that, and I agree, it's probably a longer flash duration. Still kinda intersting that 5D2 is capable of syncing at 1/500s. I wonder if anybody can confirm my findings...
I too find it interesting and it would provide additional control over ambient light.
It probably will not help with "... having studio strobes at 1/500 is rather appealing (as you know I like to make my subjects jump, so it would help to freeze the action:-)."
Moderator of the Cameras and Accessories forums
Well, I was OK even with 1/250, and 1/500 is twice as fast;-)
Remember these facts:
I can't speak about all monolights, but here is some info to keep in mind about AB's. If you want the shortest flash duration times, you'll want the AB400 and have the power turned up to the maximum level.
Yep, that's right, I said the maximum level... That goes for all the AB's.
Now you will be thinking...<img src="https://us.v-cdn.net/6029383/emoji/headscratch.gif" border="0" alt="" > That's just opposite of how speedlights work.
You would be correct in this thinking.
This info is copied from AlienBees Product information:
Here is a data chart showing this,
[FONT=Arial,Helvetica,Geneva,Swiss,SunSans-Regular][SIZE=-2]Flash Duration
[/SIZE][/FONT]
<TABLE cellSpacing=0 cellPadding=0 width=470 border=1><TBODY><TR height=20><TD class=bee width=80 bgColor=#cce1ff height=42 rowSpan=2>
and an excerpt from the online owners manual.
"
Hope that helps...
That's the problem, the motion stopping capability of focal plane shutters is no better than the x-sync speed. Faster speeds are only effective for the exposure but the shutter still takes the full x-sync speed to traverse the image frame. The result, for fast moving objects, is object distortion.
Focal plane shutters are not good for stopping motion.
Here is a more involved discussion:
http://www.wrotniak.net/photo/tech/fp-shutter.html
... and it includes this very famous example of the problem:
http://www.wrotniak.net/photo/tech/_img/lartigue.jpg
To reiterate, a camera with an x-sync of 1/250th shot at 1/500th will not stop action better than the 1/250th setting, but it will begin to distort the moving subject.
Moderator of the Cameras and Accessories forums
Excellent information Randy. <img src="https://us.v-cdn.net/6029383/emoji/thumb.gif" border="0" alt="" >
Moderator of the Cameras and Accessories forums
Use your highest x-sync speed and make sure your lighting source is at least 2 stops above ambient, and use the shortest flash duration available with your light source. This will eliminate ghosting.
This should work well for your "jumping" models. I'm guessing that you already underexpose the ambient by 2 stops anyway.
Hope that helps...
An extra stop or two less ambient light, is like gold, out of doors.
I am really intrigued by the poster who got ABs to synch for a full frame at shutter speeds of 1/8000th - that implies a fairly long flash duration like Ziggy was talking about. Cool!
Moderator of the Technique Forum and Finishing School on Dgrin
That makes two of us Jim!
I looked at Patrick's website, and he definitely knows his way around a camera and some lights.
Come on Patrick, give us all the juicy details
What was yout PW offset setting? I wonder if it's consistent across "camera model - pw transmitter - pw receiver - flash model", or if it deviates for each copy of the hardware...
I'm trying my best to work out all the little details and iron out the wrinkles. To be honest, I did it late one night when I first got them and it worked like a charm, no problems at all (with the original firmware). Tried it again last week and now I need to dial in the sync offset, but that's just spending some more time with it (I hope to get it done today). My first frame after connecting everything is perfect, but subsequent frames miss the flash entirely. I'll keep you all posted with my specific settings as soon as they are perfected.
Which was always true in my case...
Interesting....
In other words, its plug and play so long as you don't play with a PW+II.
"ouch that hurts" :cry
Thank you for the info
I guess I'll stay within sync speed...
I have no intentions to replace 4 PWII+ units with flexes..
1/1000th on a shutter designed to sync at 1/200th is pretty impressive.
Moderator of the Cameras and Accessories forums
camera: Canon 5D Mark II + MiniTT1
strobe1: PW Receiver (yeah, the old one) + AB400
strobe2: ProFoto Compact-R 300
strobe3: PW receiver + Sunpack Auto555EX
Looks like PW and PW module in ProFoto are very diffferent. Same setting in mini created drastic difference, e.g. in AB the sahdow was on top, in PF the shadow was on bottom.
With PW + AB I could not get anywhere above 1/250 without getting the shadow. With offset being far left and shuuter speed being short I even got the shadow on both sides of the frame.
PF still seems to work OK with shorter shutter speeds, at least up to 1/500. However it requires very bold offsets.
At this point I decided to use intermideate offset setting (-400) which seems to be "in sync" with both flashes and all receivers (Sunpack works fine with it, too)
I have no clue how to make ABs work with the shorter shutter speed, at least without Flex.
And no, hp sync was not disabled (otherwise it wouldn't even let me to set anything shorter than 1/200).
Mystery is the name of the game
Since at this point I don't have a project that