Santa Barbara Spring Fling
Pindy
Registered Users Posts: 1,089 Major grins
A handful of pics from last weekend's fantastic—yet brief—workshop with Marc Muench. It was a pleasure getting to know all of you and to put faces to avatars and usernames—great shooting with you guys.
UPDATE: Apologies, all the photos I uploaded for this thread are not available because I must have done something to their names once the LR3-Smugmug plug-in became available. The link to the gallery for this workshop is HERE
UPDATE: Apologies, all the photos I uploaded for this thread are not available because I must have done something to their names once the LR3-Smugmug plug-in became available. The link to the gallery for this workshop is HERE
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Photos that don't suck / 365 / Film & Lomography
If you ever give a workshop on sound design sign me up
Muench Workshops
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Nice work, Dan! I'm so sorry I missed that sunset. :cry
Marc, music editing is where Dan could really tuna fork for ya. But you're coming along!
Dgrin FAQ | Me | Workshops
I had the best time. I learned heaps that I can't wait to apply in the future. I wish though that I'd had a recorder going under some of Marc's Photoshop demos. The concepts I got, but the steps were flying past and I didn't catch as many as I needed. I think I did 50 steps on that sunset that I could have done in 10 with better results. Gotta get my masking chops happening.
Preparing shots for critiques!
Many thanks Dave—let's see yours! I'm hoping I have something decent from Day 2's sunrise, where I almost slid off the giddy precipice.
I've had no time. Literally have not removed the card from my camera. But it'll come, I promise!
Dgrin FAQ | Me | Workshops
Say, I noticed that you used the 5DMKII for this shoot. From your "Sleeping with the enemy" post, I had the impression that you favored the D700. And yet, here you are using the Canon. Was I wrong?
Cheers,
-joel
Link to my Smugmug site
Hey Joel,
Appreciate it very much. I can't recommend Marc's workshops and personal style more. I will most definitely be back for another as soon as possible. I have much more in the can that needs PP and Mrs Pindy is gone for the week so it's me and the little Pindies and no time on my hands :wow
As for the D700, it was there, but only with a 70-200 on it so all the wide stuff is the Canon. Funny—I made some peace with the Canon in a landscape context. The bracketing worked great (Nikon can only do as wide as 1 stop, so if you want a 2-stop spread, you have to take 5 exposures [-2, -1, 0EV, +1, +2]) and I learned some good tips from Marc, like the square in live view. I didn't know it was the zone where metering happens, I thought it was only for AF and zooming. using the IR remote in LV with bracketing enabled was great. I had misplaced my wired remote on the last night and found the IR remote would fire all 3 bracketed exposures automatically in LV. If you hold the shutter in LV, you only get one exposure (LAME).
The first photo (vertical landscape with trees in FG) and the 6th (the poppies & lupine) as well as the pelicans are all with the Nikon. The Canon obviously saw more action. Both are superb in their own right. Most of the Smuggers had the 24L TS/E which Marc gave a demo of. I never asked to borrow one (stupid) but I really saw why it's a great lens for landscape and nature photography. I think a rental is due.
Dan
http://danielplumer.com/
Facebook Fan Page
Lauren
Lauren Blackwell
www.redleashphoto.com
A couple more:
My Gallery
www.adamstravelphotography.com
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One thing that I love to see is the contrast of yellows and blues in nature, and you got it here.
The shot makes me want pancakes.
Photos that don't suck / 365 / Film & Lomography
Pancakes indeed!
Thank you. I tried every HDR-type technique I knew on this, but didn't like anything. Everything looked so fussed-over. Finally, after seeing Sean McCormack's lightroom video on the grad filter tool, I gave it a whirl with a better understanding of what I was doing. It is mostly two gradients—one from the horizon line on up and on broad one below to bring out the blue in the water. I painted back some of the negative exposure on the boats in the horizon, just so there wasn't a line. Seeing Marc's gradient work was also an inspiration.
absolute the first one , exellent
xiebu
In every color there is the light...
http://users.telenet.be/xiebu
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