Weekly Assignment #117: WB Extreme
Nikolai
Registered Users Posts: 19,035 Major grins
Most of the the time we're struggling to get our White Balance "right". We use color charts, gray targets, gizmos, gels, software, all in the name of bringing the different color temperature light sources together...
How about we do it the other way this time? Set the WB way out of whack and see if you can get some interesting artistic effect? Like, tune custom WB up to make green foliage neutral and shoot a portrait? Or read it off a red Ferrari and shoot the ocean beach... Play with it! Chances are you'll end up with something cool.
Fresh images only, no WB adjustment in post. Multiple entries ok if they are totally different.
Let's get some extreme WB!
How about we do it the other way this time? Set the WB way out of whack and see if you can get some interesting artistic effect? Like, tune custom WB up to make green foliage neutral and shoot a portrait? Or read it off a red Ferrari and shoot the ocean beach... Play with it! Chances are you'll end up with something cool.
Fresh images only, no WB adjustment in post. Multiple entries ok if they are totally different.
Let's get some extreme WB!
"May the f/stop be with you!"
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I am sitting here thinking of what I could shoot.
Plus good excuse to familiarize myself with custom WB on the 50D, have yet to use it since upgrading from 350D.
Thanks!
Care to explain how you got it (the blue tinit, that is)?
Not a spectacular shot but I was just playing around with the WB temp settings on my D200 and this was the result.
Below is a "warmer" shot.
Something I've been trying lately is shooting nighttime incendescent-lit interiors with a long exposure while using a daylight or flash white balance. Here's one from this past weekend. (I wanted to post more, but they were all shot the same way.)
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But for the life of me I wouldn't know this WB is "extreme". Looks pretty normal incandescent to me...
This is my version.
Neon cat.
Care to post a how-to?
Sure! I knew I wanted to get a glow-in-the-dark effect on the cat. I talked it over with the hubby, and he suggested thinking about complementary colors.
After consulting a color wheel, I went and found a shirt in my closet that is a magenta-pink color, approximately the opposite of the greenish effect I wanted. I took the shirt outside, and then took a picture of it. Set the camera (5dII) to custom white balance, and then told it to use my shirt picture for the "white" balance setting.
The hardest part was getting the cat to sit still long enough to get a couple shots! She kept trying to follow me around while I had the camera in hand.
Gotcha! Thank you for sharing!
"Opposite" approach is totally correct btw. For me personally the easiest is to think in LAB terms (I spent a lot of time in that colorspace when we were devouring Margulis' books:-): Magenta vs Green, Blue vs Yellow.
And of course, 5D2/50D (and I think 40D also) have a nice graphical setup screen for WB (at least for braketing, but I think it can be used for setting, too).
http://spbdesigns.com
http://gallery.spbdesigns.com
Was there a "conventional" shot?
It is the same shot, but I fixed the WB in ACR...
http://spbdesigns.com
http://gallery.spbdesigns.com
Oh, the beauty of the RAW!