Little bird, un-sharp...WHY?
Candid Arts
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So this shot is 100% crop SOOC of a 50D, ISO 400, f/5.6, 1/640th, 300mm on the Canon EF 75-300mm f/4-5.6 III. Evaluative metering mode, focused on center focus point, hand held, shot in RAW, 0 exposure compensation. I think that's about all the info I got. Distance to subject was roughly 50 feet. If I missed something, let me know.
It is not near as sharp as I would like (expect?) it to be. I know it's not a great lens by any means, but it should produce better results than this yeah?
Any ideas on what I may be doing wrong, or if the lens is just that cheap, or...anything. Thank you.
It is not near as sharp as I would like (expect?) it to be. I know it's not a great lens by any means, but it should produce better results than this yeah?
Any ideas on what I may be doing wrong, or if the lens is just that cheap, or...anything. Thank you.
Candid Arts Photography | Portland Oregon | Fine Art
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
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Comments
Another thought. Did you have IS turned on?
I find, very fast shutter speeds, high speed continuous shooting, and getting as close as you can with these little buggers, produces the best results. I struggle as well.
Dan:D
http://danielplumer.com/
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That said, I know Canon glass is better than Sony glass, but I have a lot of trouble with consistent focus all the way out on my 75-300. It's a pesky lens, and I think that except for the very high-end telephotos, some lenses are going to lose sharpness and focus capability all the way out. (Speculation, just a thought.) And you IS is in the lens, right?
I have sometimes taken 100 frames of birdies and had 1 that was just barely satisfactory. And if IS wasn't on, that will add to the problem. (Mine's in my camera body, not my lens, I don't know how Canon works.) You have to be super-steady at that focal length almost regardless of the shutter.
Keep trying! They are beautiful, the one you shot is gorgeous. Maybe you'll get him again!
Thank you for your reply and input. I know I cropped the photo beyond the quality limitations, I was more just looking seeing if there were any part of it at all that were sharp at a 100% crop at the center of the frame.
This lens does not have IS. Hence why I bumped the ISO to 400 to try and raise my shutter speed.
Do you find that using a mono-pod and/or tripod is useable in this type of situation (shooting birds, etc...) or is hand held the best way to go (regarding having to track, constantly move as they move, re-set up tripod, etc...)?
It was most certainly cropped, at a 100% crop, but not at a low rez. JPEG Quality 100 out of LR. As I stated above, this lens doesn't have IS, so it was not turned on (nor off I guess).
Thanks for your input.
I didn't do any adjustments to the RAW file whatsoever. This is SOOC, 100% crop at the center of the frame (presumeably the sharpest area of the frame).
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
Okay.
First...that lens is not very sharp.
Second...no IS means some camera shake at 300mm handheld even at 1/640 is likely.
Third...all raw images should be sharpened at least a little.
Add it all up and you get the image you have.
Usually the dead give away on hand/camera shake is evident in the catchlight in the birds eye. If you jerked at shutter release then you will see 2 or 3 catchlights the same size slightly askew from each other. You may have to look at the image at 200% to see this. If the bird was moving or the wind blowing the branch add that in too.
I personally cannot shoot without IS handheld at 300mm and expect decent results.
Sony glass, hand held, 1/250, ISO 400, on an old Sony A100, 190mm on the 18-200 DT. Compare this to the tanager. Check the professional lens reviews for objective comparisons.
My website | NANPA Member
Does Sony make a lens for use on the Canon 50D?
Not relevent to the topic here if they don't.
Excellent capture...BTW!
I thought the image has a lot of noise for an iso 400 shot. Making me think that sharpening was attempted on an OOF image.
I also have the feeling that it is being displayed past the 100% crop size.
http://silversx80.smugmug.com/
Olympus E-M5, 12-50mm, 45mm f/1.8
Some legacy OM lenses and an OM-10
No, it was just an aside, I have a Sony and usually the first thing people tell me is "Sony glass is terrible anyway." I was just drawing a parallel that my telephoto is really hard to handhold all the way out---I don't know if other lenses have the same issues.
I didn't know you could do that in CS3, I will have to go ahead and install it (I have it but am afraid to try it, the learning curve scares me). I get really noticeable chromatic aberration at 300mm, it would be great to be able to fix it!
Actually some of Sony's Zeiss glass is excellent.
Handholding issues on telephoto lens is an optics issue...no manufacturer can get away from...hence, IS...tripods...etc.
Here is the 100% crop after I adjusted the color profile, contrast, clarity, sharpening, saturation, exposure, little hue adjustment on the green, adjusted for some chromatic abberation, and noise reduction...I think that's it. All done in LR2.3
And once again for S&G's...the SOOC 100% shot.
It sounds like I should have brought out my tripod, or at least mono pod. The lens doesn't have IS, so obvoiusly couldn't use that. Any other tips on what to do to make this lens work better?
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod