looks like a pretty good job as far as exposure/white balance/color/processing goes...I agree with whoever said that you have too many verisons edited of each shot though..I tend to do the same. My only nit would be that darn orange cord in the back of a lot of the ceremony shots...easy enough to clone out. Nice job.
looks like a pretty good job as far as exposure/white balance/color/processing goes...I agree with whoever said that you have too many verisons edited of each shot though..I tend to do the same. My only nit would be that darn orange cord in the back of a lot of the ceremony shots...easy enough to clone out. Nice job.
-Dan K.
I see that with the photos of the groom/groomsmen getting ready, but what about the rest of the photos? Still repetitive? Yeah that damn extension cord and the mic stand!
I see that with the photos of the groom/groomsmen getting ready, but what about the rest of the photos? Still repetitive? Yeah that damn extension cord and the mic stand!
Thank you for the comments.
I guess the shoes, and the last few mostly...I usually include too many photos for the clients to see...mainly because I shoot a lot of candids mixed in; but they may want less, I don't know...I've been trying to become a better editor, and narrow the 4 or 5 I have of each detail, down to 1 or 2...It's hard sometimes.
I think you may have some distortion going on in a few of the men getting ready shots as well...
I guess the shoes, and the last few mostly...I usually include too many photos for the clients to see...mainly because I shoot a lot of candids mixed in; but they may want less, I don't know...I've been trying to become a better editor, and narrow the 4 or 5 I have of each detail, down to 1 or 2...It's hard sometimes.
I think you may have some distortion going on in a few of the men getting ready shots as well...
-Dan K
Regarding the distortion, I know, I had to use my 10-22 because it was a small room and I wanted to be able to get full body shots. So that's what I had to do.
Comments
Link? I suspect people aren't necessarily scrolling back through the thread to find it....
Good call... Here is the link.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
-Dan K.
www.dank-photo.blogspot.com
I see that with the photos of the groom/groomsmen getting ready, but what about the rest of the photos? Still repetitive? Yeah that damn extension cord and the mic stand!
Thank you for the comments.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod
I guess the shoes, and the last few mostly...I usually include too many photos for the clients to see...mainly because I shoot a lot of candids mixed in; but they may want less, I don't know...I've been trying to become a better editor, and narrow the 4 or 5 I have of each detail, down to 1 or 2...It's hard sometimes.
I think you may have some distortion going on in a few of the men getting ready shots as well...
-Dan K
www.dank-photo.blogspot.com
Regarding the distortion, I know, I had to use my 10-22 because it was a small room and I wanted to be able to get full body shots. So that's what I had to do.
OneTwoFiftieth | Portland, Oregon | Modern Portraiture
My Equipment:
Bodies: Canon 50D, Canon EOS 1
Lenses: Canon 10-22mm f/3.5-4.5, Canon 24-105mm f/4L IS, Canon 50mm f/1.4, Canon 100mm f/2.8 Macro, Canon MP-E 65mm f/2.8
Lighting: Canon 580EXII, Canon 420 EX, 12" Reflector, Pocket Wizard Plus II (3), AB800 (3), Large Softbox
Stability: Manfrotto 190CXPRO3 Tripod, Manfrotto 488RC4 Ball Head, Manfrotto 679B Monopod