Redwoods and the Lost Coast
schmoo
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The holiday weekend was a wonderful excuse to continue our exploration of the wilds of California. We gave up a lot to move here, but the unique terrain, weather, flora, fauna, and geography was just too nice ot miss. So far we've hit up several really nice areas, but I haven't processed any photos yet.
So, working backwards, here are a few from the fog belt, home of the giant redwoods.
These woods are the quintessential forest. They grow because the weather is nice, but at least down by Humboldt State Park, we never saw fog amongst the trees.
Marc's father has a shot that I love. It goes something like this, but with nicer light, stronger composition, and of course better dynamic range!
So there was sun around midday, but climbing to towards the coast is another matter:
Watching the ocean air mix with mountain currents is just amazing. I could watch it all day. Unfortunately, it was a race as it was to get back to civilization before full nightfall on a very steep, windy road.
Occasionally the clouds blow right over and you get sun:
The Lost Coast is so beautiful. It's one of the most pristine stretches of the Pacific, closely behind Alaska and Canada. Now that I've been there, I'd say this is because here are just too many private cow pastures to make beach access simple. But there are ways, of course. We spent one day scouting and the second day exploring:
Here is the most western point of the continental US, Cape Mendocino. There is a marker for the Mendocino Lighthouse, but apparently the lighthouse itself has been moved 30 miles south to the town of Shelter Cove. Of course, we didn't know any of this until we got home. The rocks just looked really cool and very dangerous.
I'm not sure what's out there now amongst those rocks except seagulls, snails, urchins, and anemones in the tide pools:
We camped out at this site with the full intent to catch sunset, but the clouds rolled in at the last hour, cutting it short.
I've put up a Journeys thread with the rest of the shots, but thanks for looking!
So, working backwards, here are a few from the fog belt, home of the giant redwoods.
These woods are the quintessential forest. They grow because the weather is nice, but at least down by Humboldt State Park, we never saw fog amongst the trees.
Marc's father has a shot that I love. It goes something like this, but with nicer light, stronger composition, and of course better dynamic range!
So there was sun around midday, but climbing to towards the coast is another matter:
Watching the ocean air mix with mountain currents is just amazing. I could watch it all day. Unfortunately, it was a race as it was to get back to civilization before full nightfall on a very steep, windy road.
Occasionally the clouds blow right over and you get sun:
The Lost Coast is so beautiful. It's one of the most pristine stretches of the Pacific, closely behind Alaska and Canada. Now that I've been there, I'd say this is because here are just too many private cow pastures to make beach access simple. But there are ways, of course. We spent one day scouting and the second day exploring:
Here is the most western point of the continental US, Cape Mendocino. There is a marker for the Mendocino Lighthouse, but apparently the lighthouse itself has been moved 30 miles south to the town of Shelter Cove. Of course, we didn't know any of this until we got home. The rocks just looked really cool and very dangerous.
I'm not sure what's out there now amongst those rocks except seagulls, snails, urchins, and anemones in the tide pools:
We camped out at this site with the full intent to catch sunset, but the clouds rolled in at the last hour, cutting it short.
I've put up a Journeys thread with the rest of the shots, but thanks for looking!
0
Comments
I like #6!
Don
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I've been to the redwoods, but never been to the Lost Coast and I've
lived in CA all my life.
Your shots are great motivation to make the time to visit.
Alvin
Fremont, CA
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You should go. Magical.
Kristine
-Andy
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Andy - Thanks for your suggestions! I didn't really crop that shot, as it's a two-shot pano. I had a heck of a time composing the view and I still hate how the big rock in the distance is smack dab in the center, but it was the best compromise, I think, given that I wanted the curve of the waterline on the right.
That shot is a stitch of two portrait-oriented shots. And yes I was standing on top of the rock, just to prevent from getting splashed by freezing seawater But that means I don't have any shots with more foreground.
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I see what you mean about the big rock in the center, if you would have centered more to the right, you would have had more beach, but often, that is just empty space. And yeah if you had to comprimise, it was a good one.
-Andy
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