My teacher said don't shoot photo's
Chile Chef
Registered Users Posts: 473 Major grins
But shoot light and dark instead,
She was saying to shoot light and dark instead of the normal "picture"
but wouldn't that mean the light & dark could mean anything?
She was saying to shoot light and dark instead of the normal "picture"
but wouldn't that mean the light & dark could mean anything?
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Caroline
Exactly..........a lot of the old masters, saw and talked in shades of grey or blk/wht......not color.......however they could also tell you what color an object was by its grey shade........
Also she doesn't want her students to become machine gunnists as a lot of digital photogs are......they don't pay close attention and will just shoot sh** loads of files cause it don't cost as much as it could with film, not taking into account the life span of the shutter and shutter box......so it can end up costing a photg a lot if he/she isn't careful.
It's going to be weird to think of light and dark instead of "oh that's a sweet shot I need to get it"
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And she said use the light to excite the Silver
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BAAAAM!! must be a touch of Emril in her photography..........now as a cook io use chiles to
excite:D:D:D:Dthumbthumb
. Any ways She said she had about 26 years of photograph experience and taught school for about the same amount of time to anyone who wanted to learn photography.
By the way I thought photography meant to "photograph something" But it doesn't.
It means "Photography" Photo=light graph=picture.
It was a really cool class today and I can't wait for Wednesday to get here.
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An image of an uninteresting subject that really captures light and shadow can result in a compelling image that captures the viewers attention.
An image of the most interesting thing you ever saw is not likely to be successful (other then maybe shock value) if the lighting results in a flat image.
This is often the reason we are disappointed by what we thought would be a fantastic shot when we clicked the shutter. There are differences in the way that our eyes capture and interpret light from what the digital sensor sees. It seems to me that your teacher is trying to help you find ways of overcoming limitations of the camera respecting dynamic range.
Michael Freeman's "The Perfect Exposure", which I just started reading deals extensively with this subject.
like a couple of kids
just trying to save each other
you should've seen it in color"
-- Jamey Johnson
"Don't take my Kodachrome from me"
-- S&G