OK, since we all loved Kodachrome, the look of National Geographic, how about figuring out how to get that look in post? I'm sure it's possible, but I really don't know how. A little googling might help here...
OK, since we all loved Kodachrome, the look of National Geographic, how about figuring out how to get that look in post? I'm sure it's possible, but I really don't know how. A little googling might help here...
Check out lifeindigitalfilm.com He does presets for Lightroom/ACR based on film/emulsion types. He does have two Kodachrome presets for download as well.
And as an aside, I worked for two summers at Kodak. Want to know what it's like in the big yellow box? Very very dark ...
OK, since we all loved Kodachrome, the look of National Geographic, how about figuring out how to get that look in post? I'm sure it's possible, but I really don't know how. A little googling might help here...
There are plugins available for PS that emulate various film types. Not the same as figuring it out. You can find one such tool here.
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I shot a bunch of Kodachrome when I got my first cameras. I keep thinking I want to pull my film bodies out to play until I think about the cost of film, delvelping and scanning and the time that takes over th instant results of digital. But there still is nothing like film. Like a bridge over troubled water...
OK, since we all loved Kodachrome, the look of National Geographic, how about figuring out how to get that look in post? I'm sure it's possible, but I really don't know how. A little googling might help here...
Any rendering setting YOU feel mimic's the look of any film is thus going to work for you. IOW, anyone who sells or gives you some preset or setting that they claim produces the "look" of a film stock better have some good ammo to prove it by showing a film capture and a digital capture of the same scene that produce the same rendering. Otherwise its just a lot of marketing hype. I can up my Vibrance setting in LR and call it Velvia, doesn't make it a colorimetric match or even close to it. Anything short of a true, measurable colorimetric match is totally a subjective tweak. And that's fine. But lets be careful here in calling some setting what it really isn't.
Any rendering setting YOU feel mimic's the look of any film is thus going to work for you. IOW, anyone who sells or gives you some preset or setting that they claim produces the "look" of a film stock better have some good ammo to prove it by showing a film capture and a digital capture of the same scene that produce the same rendering. Otherwise its just a lot of marketing hype. I can up my Vibrance setting in LR and call it Velvia, doesn't make it a colorimetric match or even close to it. Anything short of a true, measurable colorimetric match is totally a subjective tweak. And that's fine. But lets be careful here in calling some setting what it really isn't.
Any rendering setting YOU feel mimic's the look of any film is thus going to work for you. IOW, anyone who sells or gives you some preset or setting that they claim produces the "look" of a film stock better have some good ammo to prove it by showing a film capture and a digital capture of the same scene that produce the same rendering. Otherwise its just a lot of marketing hype. I can up my Vibrance setting in LR and call it Velvia, doesn't make it a colorimetric match or even close to it. Anything short of a true, measurable colorimetric match is totally a subjective tweak. And that's fine. But lets be careful here in calling some setting what it really isn't.
Well, if people were doing the development themselves, Kodochrome film could be different things to different people, yes?
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I always loved Kodachrome with its deep, dark, shadows, and bright reds and greens!
Moderator of the Technique Forum and Finishing School on Dgrin
Link to my Smugmug site
That makes two of us. Still crazy after all these years...
Check out lifeindigitalfilm.com He does presets for Lightroom/ACR based on film/emulsion types. He does have two Kodachrome presets for download as well.
And as an aside, I worked for two summers at Kodak. Want to know what it's like in the big yellow box? Very very dark ...
There are plugins available for PS that emulate various film types. Not the same as figuring it out. You can find one such tool here.
Moderator of the Technique Forum and Finishing School on Dgrin
I shot a bunch of Kodachrome when I got my first cameras. I keep thinking I want to pull my film bodies out to play until I think about the cost of film, delvelping and scanning and the time that takes over th instant results of digital. But there still is nothing like film. Like a bridge over troubled water...
Flash Frozen Photography, Inc.
http://flashfrozenphotography.com
Any rendering setting YOU feel mimic's the look of any film is thus going to work for you. IOW, anyone who sells or gives you some preset or setting that they claim produces the "look" of a film stock better have some good ammo to prove it by showing a film capture and a digital capture of the same scene that produce the same rendering. Otherwise its just a lot of marketing hype. I can up my Vibrance setting in LR and call it Velvia, doesn't make it a colorimetric match or even close to it. Anything short of a true, measurable colorimetric match is totally a subjective tweak. And that's fine. But lets be careful here in calling some setting what it really isn't.
Author "Color Management for Photographers"
http://www.digitaldog.net/
That's what I like about lifeindigitalfilm.com. That, and the price.
Chatkat, I just looked through the listing in my version of Color Efx Pro 3.0 running in LR2, and I can't seem to find something titled 'Kodachrome'.
Am I just not seeing it somewhere? Or is it hidden inside a lower level dialogue box that I am missing?
As I said, LR2 offer a preset for "Positive Transparency" that gets pretty close with a little help.
Moderator of the Technique Forum and Finishing School on Dgrin
It is alive and well in my DxO, Nik and onOne suites!lust
http://www.behance.net/brosepix
Look in Film Effects, the drop down menu top right.
I used the Velvia (among other things) for my pic of the Imperial Hotel in Landscapes, .
http://www.behance.net/brosepix
Well, if people were doing the development themselves, Kodochrome film could be different things to different people, yes?
http://www.behance.net/brosepix