Danya (18+)
Last Sunday I had another chance to work on my ongoing silhouettes and bodyscapes project. We started with the poses and lighting setups I was sure would work fine, and then switched to some new stuff.
As I mentioned earlier in my tease post, this was the first time I used shooting stand, at least initially. It worked great for the whole body shots. But when it got to closeups I took the camera off the stand and shot old-style...
#1: IMG_9165.jpg
#2: IMG_9150.jpg
#3: IMG_9208.jpg
#4: Back Hair Flick.jpg
#5: IMG_9288.jpg
#6: IMG_9319.jpg
#7: IMG_9284.jpg
#8: IMG_9268.jpg
#9: IMG_9262.jpg
Enjoy! C&C welcome!
This post was made with the assistance of Star*Explorer
As I mentioned earlier in my tease post, this was the first time I used shooting stand, at least initially. It worked great for the whole body shots. But when it got to closeups I took the camera off the stand and shot old-style...
#1: IMG_9165.jpg
#2: IMG_9150.jpg
#3: IMG_9208.jpg
#4: Back Hair Flick.jpg
#5: IMG_9288.jpg
#6: IMG_9319.jpg
#7: IMG_9284.jpg
#8: IMG_9268.jpg
#9: IMG_9262.jpg
Enjoy! C&C welcome!
This post was made with the assistance of Star*Explorer
"May the f/stop be with you!"
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Comments
No words.
Nikon D3, D700, Nikkor 12-24 2.8 | 50 1.4 | 24-70 2.8 | 70-200 2.8
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Portland, Oregon Photographer Pete Springer
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My only comment would be in #3, it appears she's either sucking in her stomach dramatically or perhaps it's just the pose, since she doesn't appear to have much of a stomach.
In any case the protrusion of her rib cage is hurting the picture I think. She's almost got a second set of "humps" there. I didn't notice it on my first glance, but the more I looked at it, the more it bothered me.
Just something to consider.
Nikon D300, 18-135/3.5-5.6, 70-300/4.5-5.6, SB800
Thanks Wade, appreciate the C&C!
Excellent examples of what light and pose can do. The top photo shows off the strength and power in her legs as the other paints a completely different picture of being more elongated. Its as though these images are of two different people.
Once again, thanks for the demo.
No doubt. As do I.
Some of the best lighting I've ever seen.
Dumb question, but is that back-hair flip selective color?
Cheers,
-joel (aka f-stop)
Link to my Smugmug site
thanks!
Re: selective color. Yes. It was pretty easy in this case, just a masked bw layer... Original is lowkey with black bg, which makes the job almost too simple...
Very nice I like #5 , #6 & #8, with the oh-so-slight C&C on #8 to PS out the red hair between the center and left panels.
Keep up the excellent work
-Fleetwood Mac
www.cameraone.biz
My first thought is the skilled use of lighting. Then it occurred to me: the skill of the model in presenting such interesting poses. ccoop
And since the shoot was heavily directed by yours truly - double thanks!
but overall I have to say #7 is by far my fav.
_________
The term existed long before me, but I did like the idea, and with the help of some willing and talented models I grew to like it even more...
I'm a novice at portrait/lighting like this, but I would like to try this. Could you give some brief insight into how you created the shots, perhaps using #2 as an example?
ie, how many flash units and where? did you stop down from the proper exposure to give the low key look?
Thanks so much for the help.
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These are fairly simple actually.
Two lights on the sides (slightly behind the bench). I used two AB800 units with 2'x4' gridded softboxes. Each threw about f/5.6 measured at the end of the bench, and the shot was with taken at f/4.0. It might have been f/8 and f5.6 respectively, I don't remember now, but the important part is that exposure was 1 stop below the "rim". This is my usual practice when using rim lights, be it lowkey or regular fill...
HTH