Dancing with the Clouds [Warning: 9 colorful images]
lenscape
Registered Users Posts: 101 Major grins
After three weeks of heavy rainfall we got the nice weather on Sunday and I took the opportunity to go out and snap some shots.
I was a half hour late getting there, as a result I missed the magical moment. I still did some shooting and brought these.
For the next time: “Be there early and bring a 3 stop ND grade filter”
Until now that’s all I have got to share......
And the rest are here:
http://lenscapephoto.smugmug.com/gallery/548192
Your comments are appreciated.
Thanks
I was a half hour late getting there, as a result I missed the magical moment. I still did some shooting and brought these.
For the next time: “Be there early and bring a 3 stop ND grade filter”
Until now that’s all I have got to share......
And the rest are here:
http://lenscapephoto.smugmug.com/gallery/548192
Your comments are appreciated.
Thanks
'you don't take a photograph, you make it.' - Ansel Adams
http://www.lenscapephotography.com
0
Comments
You're joshin' me, right? These are flat out gorgeous!!!!!
http://www.twitter.com/deegolden
Shay.
AJ
regards.
Gary
Stunning.....just stunning....and beautiful......and tranquil......and yes they have plenty of Wow factor that's for sure ...... where were these shot??
Thank you for sharing these beautiful images.....they are just beautiful.
Skippy (Australia)
Skippy (Australia) - Moderator of "HOLY MACRO" and "OTHER COOL SHOTS"
ALBUM http://ozzieskip.smugmug.com/
:skippy Everyone has the right to be stupid, but some people just abuse the privilege :dgrin
tristansphotography.com (motorsports)
Canon 20D | 10-22 | 17-85 IS | 50/1.4 | 70-300 IS | 100/2.8 macro
Sony F717 | Hoya R72
Ed
www.edhughesphoto.com
all i can say is wow wow
I can't imagine what the pictures that you consider the best would look like.
Simply gorgeous ! clap
It will never fail you." - Frank Lloyd Wright
http://www.pbase.com/bochie
'you don't take a photograph, you make it.' - Ansel Adams
http://www.lenscapephotography.com
'you don't take a photograph, you make it.' - Ansel Adams
http://www.lenscapephotography.com
Fantastic shots!
Nir Alon
images of my thoughts
Thanks.
'you don't take a photograph, you make it.' - Ansel Adams
http://www.lenscapephotography.com
I think the third is my favorite.
Ian
These are some of the most beautiful landscape pictures I have ever seen. I have the same camera and lens, but I have never had pictures approach the beauty and clarity of these images. Bittersweet for me to see these wondering why I can't do the same!!!
mitch
http://clearwaterphotography.smugmug.com/
Those ARE gorgeous, wonderful. But how do you do that, with the contrast and sharpness. I am going to go work on one of mine to see if I can get a better effect. Your gorgeous photos have inspired me, then I am going to sleep.
ginger
I did that, worked on one of mine...............no go, didn't work.
What are you doing? How do you get this effect?
Reminds me of Dixie's work...........when I knew Dixie.
He disappeared! Be careful, come back and tell us how to get those results.
ginger
Awesome shooting all just great
Thanks
Fred
http://www.facebook.com/Riverbendphotos
-Adam
www.adamstravelphotography.com
www.adamstravelphotography.com
Facebook
Sorry it took me a long time to reply as I was very busy at work for the last several days. I have used a smaller aperture to get more DOF. Here is one of the Exif Data:
Nikon D70 Focal Length: 19mm Optimize Image: Custom Color Mode: Mode Ia (sRGB) Long Exposure NR: Off 2005/06/19 20:34:16.9 Exposure Mode: Manual White Balance: Auto -2 Tone Comp.: User-Defined Custom Curve Compressed RAW (12-bit) Metering Mode: Multi-Pattern AF Mode: Manual Hue Adjustment: 0° Image Size: Large (3008 x 2000) 1/5 sec - F/22 Flash Sync Mode: Not Attached Saturation: Normal Exposure Comp.: 0 EV Sharpening: Normal Lens: 12-24mm F/4 G Sensitivity: ISO 200 Image
I wrote this for someone else before, for what to do to get a picture like this, and here it is.
My tips are very simple and are here as follows:
1. The lighting is a very important factor; I take advantage of the natural light during the morning and evening. Try to have the light come in from the sides for landscapes (90 degrees from your camera).
2. Composition- when I frame the picture in my mind, I maintain the mentality of not having to crop my picture in post-process. Most of the time I aim for a sense of serenity and tranquility and avoid clumsiness by keeping it simple and low key and using the natural environment to only accessorize one key point.
3. I like all my landscape photography to be saturated and vividly contrasting and in order to do that I use the following pointers: I use a custom-curve (i.e. EV4, sReala version 2) not to get the correct expose, but rather to reduce noise (expose to the right) 99% of the time I lock my expose from a highlight/midtone. It may sound odd, but I get my expose right @ post-process (I always shoot RAW)
4. I choose my location in advance and I go there more than once to allow myself to be able to frame those scenes prior to shooting, and I shoot a lot of the same scenes from different angles and also I expose those in many different shades (i.e. highlights and midtone) and when selecting a designated area, I consider such things as whether it is a place that would be more effective shot during the morning or evening.
5. Post-process- my post-process starts with Nikon Capture. I already have a pre-set mode (for advanced RAW alter the following: SHAREPENING-low, TONE COMP-normal(most of the time I bring it to normal to get a higher contrast picture, with a few exceptions in which I use custom curve) COLOR MODE- IIIa, SATURATION- enhanced, HUE- -3) By this point I get a little under exposed picture. I also change the color booster to nature, then I click auto, and if that doesn't do anything, I add 2 or 3 points. Then I click on the color balance button and add 2 points to the red channel. Then next, I click on the curves button and bring the slider close to the pyramid and compare it with the results of the automatic to analyze which is better. Then on D-lighting, I use better quality to bring up the shadow detail in which the amount varies in each picture. By now, I have an almost accurately exposed picture at which time I export the picture to Photoshop CS.
6. Photoshop CS- here I do very minor adjustments. First check the level and then again use shadow/ highlight to bring up the shadow level to +5 (varies) and also the midtone contrast to +10-12. Finally, add a bit (+5) saturation. At this point I save my picture (16bit Tiff) unless I add an S-curve on a separate layer, then I save my picture in PSD 16bit format, and last I put USM and add my frame, resize for web presentation.
Shahed:D
'you don't take a photograph, you make it.' - Ansel Adams
http://www.lenscapephotography.com
Adrienne
And the rest are here:
http://lenscapephoto.smugmug.com/gallery/548192
Your comments are appreciated.
Thanks [/QUOTE]
Great shots... I went your home page and love the big horn sheep.
Do you do this for a living? I think you could.
peace.
johno~
~Mother Teresa
Canon 1D Mark II / Canon 50D / Canon 30D / Canon G9
Canon 50mm 1.4
Canon 24-105 f/4 L IS / Canon 70-200 f/2.8 L
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