Anyone out there use the Zuiko f/2.0 14-35?
RovingEyePhoto
Registered Users Posts: 314 Major grins
Anyone out there use the Zuiko f/2.0 14-35mm (equiv 28-70)? I'm considering one for my Oly E-3. I have a practically unused Zuiko f/4 7-14mm (equiv 14-28) for trade, bought new, mounted maybe 5 times the year I've owned it, less than 50 snaps, so expect I'll be in after trade for less than $1,000. Anyone interested in buying the 7-14? Price would be less than you'd pay used from a retailer and more than I'll get in trade, somewhere in between, a good deal for both of us.
I'll make my own "heft" test, the 14-35 is a brick, but only roughly 1" longer and 2/3 lb heavier than the Zuiko f/2.8-4.0 12-60mm (equiv 24-120) I use now, and physical balance should be pretty good on the already brickish E-3 body. The speed gain is slightly over a full stop at equiv 28mm (12-60 comes in at f/2.9) and almost 2 stops at equiv 70mm (12-60 is f/3.7), so trading-up is tempting. Most of my modeled street work is at equiv 28-60mm, so what I'm losing in longer equiv FL isn't of much significance, and in-body IS works the same no matter which lens I use. Maybe worth the effort. Thoughts? If you've used the 14-35, would love to hear about it.
Many thanks for taking the time.
I'll make my own "heft" test, the 14-35 is a brick, but only roughly 1" longer and 2/3 lb heavier than the Zuiko f/2.8-4.0 12-60mm (equiv 24-120) I use now, and physical balance should be pretty good on the already brickish E-3 body. The speed gain is slightly over a full stop at equiv 28mm (12-60 comes in at f/2.9) and almost 2 stops at equiv 70mm (12-60 is f/3.7), so trading-up is tempting. Most of my modeled street work is at equiv 28-60mm, so what I'm losing in longer equiv FL isn't of much significance, and in-body IS works the same no matter which lens I use. Maybe worth the effort. Thoughts? If you've used the 14-35, would love to hear about it.
Many thanks for taking the time.
See my work at http://www.flickr.com/photos/26525400@N04/sets/. Policy is to initially upload 10-20 images from each shoot, then a few from various of the in-process shoots each time I log on, until a shoot is completely uploaded.
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I have not used the 14-35 but heard its hit or miss with AF.
I do use the 35-100 and that lens is incredible! I use that and the original 14-54mm for my weddings.
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Glad to receive your comment, since AF is critical for me. Older eyes don't do so well with manual focus assist. One would think with that the f/2 wider aperture would result in better AF, not worse, more light coming in for contrast measurement. I have a lot of research to do before making any kind of leap. My particular need is speed, the 12-60's f/2.8-4 just doesn't give me the near-dim-light AF (dkim but not so dim that AF assist strobe is triggered) or bokeh control I'd like. still get fine results, just always looking for better. I understand the 35-100 is excellent, good luck with that. Thanks for the assist.
some say the af was greatly improved with the latest firmware.
I would see what the folks are saying at dpreview.....some love it, but some say they are still disappointed.
If I had to choose, I still would take the 35-100mm. It is tack sharp.
The f2.0 50mm hunts as well, but makes a good portrait lens (I use that too)
APL Photography || My Gear: Bunch of 4/3rds stuff
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Thanks for the reminder of dpreview. I'll take a look.
I have the f/2 50 macro, love it.
On paper, the 14-35 fits exactly the niche I shoot. It's street, but with one controllable, a head-turning well-tutored mod. The genre is mobile, all hand-held, natural light, portrait or folded frame. The key is catching the prominent up-front pin-sharp mod portrait-like, amidst blur/movement of big city hustle/bustle in wide expanse. At least that's when I get it right, obviously doesn't always happen, mounds of uncontrollables. Lots of examples on Flickr, a few on SmugMug. You can see where the f/2 14-35 would sing in this mode. I'd shoot the lens mostly at 2.8, usually adequate DOF control there, but at 2.0 for even more bokeh and when I can't get adequate separation between model and surround. I don't need super fast AF, but do need pin-sharp, these old eyes can't compensate. The 12-60 does the job, but max aperture drops off pretty quickly as FL increases. At the fixed f/2 of the 14-35, however, well, that would be a different matter. But 14-35 AF is iffy, back to the drawing boards. We'll see.
Here is the link to the review:
http://www.slrgear.com/reviews/showproduct.php/product/1137/cat/15
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