Sigma 10-20 - which one?
I live in the 'land of the living skies', says my license plate. That, and frustrations with my kit DA 18-55 II, have me looking for a wide angle.
The Sigma 10-20 is pretty well loved in any mount, and the pricing on the Pentax 12-24 is mildly ridiculous, so I think I'm pretty well decided.
Then there is the question of the older F4-5.6 or the newer F3.5. In Pentax mount, is there a significant difference? I can't imagine shooting this lens wide open very often anyway, as for me it will be landscape lens more than anything.
Thoughts?
The Sigma 10-20 is pretty well loved in any mount, and the pricing on the Pentax 12-24 is mildly ridiculous, so I think I'm pretty well decided.
Then there is the question of the older F4-5.6 or the newer F3.5. In Pentax mount, is there a significant difference? I can't imagine shooting this lens wide open very often anyway, as for me it will be landscape lens more than anything.
Thoughts?
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Comments
You may not shoot wide open very much or at all.....but a constant aperture lens, for me , is just easier to use I do not have to worry about the aperture changing as i change the focal length of the lens........
I am saving for the 3.5 version for me...............
Anyone seen an objective review comparing the two? I took a look last Friday and the prices locally are:
Sigma 10-20 4.5-5.6: CAD 759
Sigma 10-20 3.5: CAD 859
Pentax 12-24: CAD 1200
The old model seems overpriced and the spread to the new one is minimal, but I haven't seen much commentary in the way of image quality on the 3.5 vs. the older model.
Will post up samples once I receive it.
BTW, I love it and you will, too!
Cheers,
John
http://www.facebook.com/pages/Yosemite-and-Bay-Area-Nature-Photography-by-John-Harrison/190152125697
Happiness is shooting a Nikon outside and posting on SmugMug!
I plan to! Headed thru the rockies and into BC in a couple of weeks and want to be able to capture some of the dynamic skies and views while I'm there.
was excellent. I kindof regret selling it when I moved to fullframe.
― Edward Weston