softbox question
chrismoore
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Hi, I'd like to set up an entry level lighting area in my house using a backdrop and one or two softboxes. Currently I have a Canon 580EX and Vivitar flashes with remote triggers and if I set them up off camera I mount them to an old tripod using the multiclamp mount. I would like to add an inexpensive softbox, using these strobes as the lighting source, such as this one. I know most of these are designed to use with monobloc strobes, but I was wondering if it would be relatively easy to use my 580 and vivitar instead. Would I expect the softbox to fit into the multiclamp, or are there additional parts/adaptors I need to look into in order to make it fit?
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I believe lastolight has some videos of it in action.
DIY
LUMIQUEST AT BH......I have been using the Lumiquest Softbox for many many many many years...........
The softbox you linked is designed to mount onto a studio flash head and the flash head would mount onto a light stand. What you need instead is either a specially designed softbox which has its own mount directly onto a stand and then holds the speed light, or you you can DIY your own adapter.
I strongly recommend an actual light stand instead of a tripod because for many (if not most) lighting setups you need to position the light higher than a tripod can normally reach.
Instead of a softbox you might consider a Softlighter and an umbrella bracket to adapt everything onto a standard light stand. If not the Softlighter then a combination reflective/shoot-through umbrella.
A typical speedlight recommendation list:
http://www.adorama.com/searchsite/default.aspx?searchinfo=softlighter
(Choose the largest size you can afford. The marked size is the length across the splines on the back and is not as large as it might seem. The 60" is what I recommend. Some of the versions have a partially removable stem, very useful for putting the light closer to the subject.)
http://www.adorama.com/LTUSH.html
(This adapter includes the cold flash shoe. Some don't.)
http://www.adorama.com/LTSP10AC.html
(I recommend the 10' stand because if you ever need to shoot in a church, for instance, 10' will yield enough height to partially compensate for the slope of the church. The base is also a bit broader to allow better stability even at lower heights. The air-cushioning is fairly important and I highly recommend it.)
Add a slave of your choice, unless your flash has a slaving capability.
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I have a couple of Photoflex extra small softboxes that are made for speedlights of any kind. You attach the speedlight right to the box and you can use a tripod but Ziggy is right - a lightstand is the best option for these. They are about $50 and are really easy to setup. I like them better than umbrellas because the light is softer and more directional.
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As long as your version has a cold shoe, it looks like they are virtually identical.
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The only place I've found seamless background paper in widths designed for photography is at genuine photo supply houses. For some product display shots where I needed something cheap and disposable in long lengths, I've used white table covers, but it doesn't come in widths designed for general people photography.
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Thanks, they do have a variety at Adorama but because it it so heavy the shipping alone is over $100 for two rolls!
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http://www.google.com/search?hl=en&q=%2Bphotographic+%2Bsupply+%2Bflorida&aq=f&oq=&aqi=
Also art supply stores may have what you want.
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Anyway, I'd be curious to hear from Ziggy if he's noted these problems.
Regards,
-joel
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Was this a sealed box item?? If so it maybe a fluke that the mfg'ers QA did not catch or that a supervisor said let it go to meet min. productivity requirements and BH prob. had no clue.......
I agree it is unacceptable.....unacceptable for the mfg'er.....not BH.........................
Agreed, almost. Even if the shaft was ok, the B&H suggested clamp for this item will not clamp down tightly against a 7mm shaft. The screw threads on the clamp are not long enough to clamp something so thin. Here's a link to the page on B&H. Scroll down a bit, and you'll see the clamp they suggest with this item. http://www.bhphotovideo.com/c/product/75852-REG/Photek_SL_6000_Umbrella_Softlighter_II.html
That clamp doesn't work with this item, and that problem lies squarely with B&H.
It looked like a sealed box item. It also possible it was a returned item, and the shaft connection was damaged by somebody else. Still, I maintain it's a chintzy design.
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I bought and use these products and have been fully satisfied with them all~ I use them with my SB6/800 flashguns.
http://www.adorama.com/PTSL607.html?searchinfo=Photek
http://www.adorama.com/LTUSH.html
And for backdrop material this:
http://www.materialconcepts.com/store/index.php?crn=207&rn=15&action=show_detail
So you got the 7mm shaft? Is that one long shaft with no extension then? And you're telling me that it doesn't bow from the weight of the umbrella?
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OK, I now realize what the problem was. My 8mm unit was mistakenly shipped with a 7mm extension shaft. That's why they mated so poorly, wobbled, and pulled apart without unscrewing. The flex I mentioned probably all came from that wobbly joint now that I think about it. And, if the shaft was 8mm like it was supposed to be, it would most likely work with the clamp from B&H, which looks identical to the Adorama clamp BTW. Sounds like I just need to reorder one and hope it's not defective as well.
So one more question for you if I may. The 60" was pretty huge. Would you go with that size again? I'm almost thinking of getting a smaller one. I have a friend with a similar unit who says the smaller ones are better for controlling light-falloff. The smaller ones also come with tinted disks for controlling color that the 60" units don't have.
Thanks again for you input and helping me solve my Photek mystery.
-joel
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I went back and found my original order and it is a Photek softlighter II 54" so I see the marketing hyperbole has grown (60" vs. 54"). Which of course measures 46 inches across the face. Also, mine did come with the two disc's for adding silver or gold.
I like the size of it, but haven't put it to much use lately. As for controlling light/light spill, I'd say one could possibly modify it by giving it a bit of a skirt. An idea I toyed with, but haven't done. If I had it to do over again, hind sight included, I'd order a soft box and bracket. Otherwise, I think the size is nice and I can tell you I like the light from it, with my speedlight. SO YES, I think this size has a purpose: Nice, even light with wrap around effect.
On a similar note. I did an engagement shoot yesterday, and while I've been getting away with on camera scoops and such, I built a 12x12 inch softbox for my speedlight. I put it on a stick for my assistant and was amazed at how much light coverage of two people I could get as well as how easy to control that light....12x12...
Thanks~
I decided to get off the pot and order one for myself. I ordered from B&H, the 60" with split shaft, and it came today.
Construction is pretty good and the shaft is tight at the junction and there is no wobble when the removable section is screwed onto the base. The removable part is slightly smaller in diameter and I'll check out the fit onto 2 types of umbrella brackets tomorrow. This model is designed to clamp onto the base rod at any rate.
The Softlighter did not include filter disks, but it did not claim to include them. Indeed there is a single explanation sheet to explain assembly and they state that the filter disks don't work on this model.
In short, so far so good.
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Well that's good, it sounds like it doesn't have the problem mine had. I could pull the extension rod straight out of the threads without unscrewing it. If you have a caliper, I'd be interested in knowing the diameter of the extension shaft.
Pretty huge, isn't it.
Cheers,
-joel
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I purchased the same one from B&H based on the recommendation in this thread. I attached the umbrella holder to the thicker section of the rod and it is fairly sturdy (I'm using the Adorama multiclamp mount I linked in the first post of this thread). My only issue is that umbrella screw and threaded in plastic and it is impossible to really screw it down tight. I'm using it with my 580 EXII speedlight and am very satisfied with the lighting it produces.
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I'm using a Mecablitz, a Vivitar 285, the softbox, and an umbrella, and it all came out to about 200 Euros. That's not too bad. Here's how the results look:
Even a large and relatively dark area can be well lit.
Best of all, the gear fits entirely, with my cameras, into a Hakuba case for the stands and an f65 backpack. It's extremely light and portable should you decide to take it on the road.
I can't really see using one of those large softboxes unless you have an actual strobe.
I was going to show both readings in the same image, of the fixed shaft and the extension in the same image, but it required too large an image to show the detail. (Apologies for the poor images but it's been a long day and I'm too tired to do it properly.)
Here is the "extension" measurement:
... and here is the fixed section measurement:
So I measure the extension at just under 7 mm and the fixed section at just over 8 mm.
The extension does not get clamped by either the Adorama or the Impact umbrella bracket, but the fixed shaft grabs fine enough. I will mostly use mine without the extension because I want the modifier fairly close to the subject, so the extension might get into the image and it's safer without the extension as well.
I measure 56" across the face of the Softlighter and 67" across the back.
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Thanks, Ziggy. So the 8mm shaft comes with a 7mm extension. I still think that weird, but if you're never planning on placing the extension portion in the clamp, then maybe that's OK.
I dunno, maybe I'll order a replacement for the one I returned. Although, I'll probably get the next size down.
Cheers,
-joel
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