A first attempt.
1.
2.
3.
4.
Thanks
2.
3.
4.
Thanks
Canon Gear: 5D MkII, 30D, 85 1.2 L, 70-200 2.8 IS L, 17-40mm f4 L, 50 1.4, 580EX, 2x 580EXII, Canon 1.4x TC, 300 f4 IS L, 100mm 2.8 Macro, 100-400 IS L
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
0
Comments
Is anyone interested in seeing the rest from this shoot?
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Caroline
I would be interested. There haven't been all that many bodyscapes posted since we started this forum, which is a disappointment. These are very nice.
Ok, I'll look at posting them up, or should I just share the gallery? Its about 20 more pictures.
Here is a question maybe someone can answer, is there a site that defines all the different types of fine art/figure photography? Such as bodyscapes?
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Well, you could do both. Some people are lazy about clicking on links, and discussion usually goes better if we are all looking at the same pic. So I would suggest posting few more of your favorites and including a link to the gallery.
www.cameraone.biz
1) full frontal pose rarely beneficial for a female model
2) "hands on the hips" is typically considered more like a masculine pose
3) I said it many, many times already: shooting a standing up female model from a man's eye level is not generaly a good idea. You need to get no higher than *her" waist (or lower)
4) With the edge lighting like that the inner part of her thighs/legs needs to be lit, too. Otherwise it all becomes one thick unattractive black void. I know, it's not a trivial task and it brings up some delicate and technical questions... But that's why shooting naked models properly is much more difficult that people tend to think :-)
Once again - good series, hope to see more in the future!
Thank you.
For that pose I was just seeing if I could outline her. I had her hands on her hips specifically to increase the 'surface area'. I would have loved to light her hair more and her thighs but I ran out of lights That was 6 speed lights to get that.
And yeah, none of that is really meant as an excuse. I'm just explaining how I fell into the trap.
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
I'd be really interested in how to do it with 3-4 speedlights. I have grids, snoots, gobos, and other modifiers. Which would you use. This was all grids because anything else caused spill or flare.
Thanks,
John
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
In a similar situation (edge lighting)
http://nik.smugmug.com/photos/639171798_S7oEr-X3.jpg
I used three lights:
two AB800 with 2x4 diffusers as rims (they provide enough power fo cover the top)
one AB400 with 30-degree gree below (behind the bench)
If I were limited to spedlights in your case (standing whole height) I would probablke put two pairs on each side (from my experience, one speedlight simply cannot provide a uniform lightining of the whole side of the body) and one below her, thus using 5 total and achieving the type of lighting I had in my example. Needless to say, you'd have to raise the model on a platform of a sort, henceforth having this platform also hiding the light.
When you are saying a 2x4 diffuser you are talking about a softbox right? I have AB800 and 400 and when I used the AB800 with a giant softbox I had a few issues
1. It's huge and took up lots of our room to work.
2. I couldn't stop the light from going everywhere. I even put a flag on it to help.
I guess I could get the softbox grid they sell. But it still was too big for the room.
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Oh, mine are with grids for sure. Purchased together. Softboxes without grids are just rectangular umbrellas, even worse . I only take the grids off when I use them in a high key setup.
And yes, I do use flags, too.
That explains it. Thanks
Other Gear: Olympus E-PL1, Pan 20 1.7, Fuji 3D Camera, Lensbaby 2.0, Tamron 28-75 2.8, Alien Bees lighting, CyberSyncs, Domke, HONL, FlipIt.
~ Gear Pictures
Nikolai,
When you say softbox with GRIDS... is this what you mean? If so, I take it that the grids work in the same fashion as the honeycomb grids to focus the light into a spot. So much to learn but I love it.
Moderator of the People and Go Figure forums
My Smug Site
NAPP Member | Canon Shooter
Weddings/Portraits and anything else that catches my eye.
www.daveswartz.com
Model Mayhem site http://www.modelmayhem.com/686552
www.ivarborst.nl & smugmug