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For critique!

Mr. QuietMr. Quiet Registered Users Posts: 1,047 Major grins
edited September 26, 2009 in Street and Documentary
One of my first "true" street shots.


PLEASE CRITIQUE
654970326_pm3Uw-L.jpg
PLEASE CRITIQUE
If you work at something hard enough, you WILL achieve your goal. "Me"

D200
NIKKOR 50mm f/1.4 D
Tamron SP AF90mm f/2.8 Di 1:1


Welcome to my NEW website!

Mr. Christoferson

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    lilmommalilmomma Registered Users Posts: 1,060 Major grins
    edited September 25, 2009
    I like the feel of motion here, but I wish I could see what he is riding, also would be nice if he had some room to ride. otherwise i like it! next time try zooming outthumb.gif
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    bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited September 25, 2009
    lilmomma wrote:
    I like the feel of motion here, but I wish I could see what he is riding, also would be nice if he had some room to ride. otherwise i like it! next time try zooming outthumb.gif

    Ditto! I want to at least see the motorcycle, if not the cart as well. But you've done a nice job of capturing the motion - a very nice job!clap.gif
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
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    adbsgicomadbsgicom Registered Users Posts: 3,615 Major grins
    edited September 25, 2009
    I'm kinda motion-blurred out after the DSS :D
    That said, there isn't much of a street story here, it's just a guy on some sort of motor bike/cart. Based on what seems to be the defining idea of street photography, there should be some context to create story, interaction, environment, or humor. Given I've said that, I expect one the street guys to come in and say this is perfect mwink.gif Sorry.
    - Andrew

    Who is wise? He who learns from everyone.
    My SmugMug Site
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    ERueERue Registered Users Posts: 43 Big grins
    edited September 25, 2009
    Good job on the motion, definitely gives that feel. Maybe a different crop, like not as centered might give it a little bit more strength.
    Erica
    40D | 50mm 1.8 | 28-75mm 2.8 | Metz 48 AF-1
    Erica Leigh Galleries
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    bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited September 25, 2009
    adbsgicom wrote:
    I'm kinda motion-blurred out after the DSS :D
    That said, there isn't much of a street story here, it's just a guy on some sort of motor bike/cart. Based on what seems to be the defining idea of street photography, there should be some context to create story, interaction, environment, or humor. Given I've said that, I expect one the street guys to come in and say this is perfect mwink.gif Sorry.

    Not gonna say it! You are spot on, absolutely, incontrovertibly rightrolleyes1.gifclap.gifrolleyes1.gif
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
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    adbsgicomadbsgicom Registered Users Posts: 3,615 Major grins
    edited September 25, 2009
    Now I just need to reliably put theory into practice. [I know practice is the key word...]
    - Andrew

    Who is wise? He who learns from everyone.
    My SmugMug Site
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    Mr. QuietMr. Quiet Registered Users Posts: 1,047 Major grins
    edited September 26, 2009
    rolleyes1.gifroflrolleyes1.gif

    I am not sure what to do, laugh or cry!

    rolleyes1.gifroflrolleyes1.gif
    If you work at something hard enough, you WILL achieve your goal. "Me"

    D200
    NIKKOR 50mm f/1.4 D
    Tamron SP AF90mm f/2.8 Di 1:1


    Welcome to my NEW website!

    Mr. Christoferson
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    Mr. QuietMr. Quiet Registered Users Posts: 1,047 Major grins
    edited September 26, 2009
    bdcolen wrote:
    Ditto! I want to at least see the motorcycle, if not the cart as well. But you've done a nice job of capturing the motion - a very nice job!clap.gif


    Considering that I took it with my lovely 60mm prime micro lens, ZOOMING in or out would be rather difficult when I only had enough room to turn, and the lens....:D

    Thank you all the same though!
    If you work at something hard enough, you WILL achieve your goal. "Me"

    D200
    NIKKOR 50mm f/1.4 D
    Tamron SP AF90mm f/2.8 Di 1:1


    Welcome to my NEW website!

    Mr. Christoferson
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    bdcolenbdcolen Registered Users Posts: 3,804 Major grins
    edited September 26, 2009
    Mr. Quiet wrote:
    Considering that I took it with my lovely 60mm prime micro lens, ZOOMING in or out would be rather difficult when I only had enough room to turn, and the lens....:D

    Thank you all the same though!
    The fact that you faced technical limitations unfortunately doesn't make the image something it is not. We often miss potential 'great ones' because we have the wrong lens, the wrong iso setting, have a lens cap on, or simply don't have a camera with us. It's not unlike having the wrong lure at the end of the fishing line as the 'big one' flits by.rolleyes1.gif
    bd@bdcolenphoto.com
    "He not busy being born is busy dying." Bob Dylan

    "The more ambiguous the photograph is, the better it is..." Leonard Freed
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    Mr. QuietMr. Quiet Registered Users Posts: 1,047 Major grins
    edited September 26, 2009
    Rub it it why don't yourolleyes1.gif
    If you work at something hard enough, you WILL achieve your goal. "Me"

    D200
    NIKKOR 50mm f/1.4 D
    Tamron SP AF90mm f/2.8 Di 1:1


    Welcome to my NEW website!

    Mr. Christoferson
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