Some from Paris
Flyinggina
Registered Users Posts: 2,639 Major grins
Here are few taken since we arrived in Paris and one taken at Logan Airport on our way over.
1. Boulevard Ménilmontant under construction (pano)
2. Alsleep on the métro
3. Photo exhibit of photos taken along the Mékong river at Luxembourg Gardens. The woman and child walked into my picture and I didn't realize it until I downloaded my photos for the day.
4. Taking a rest break at Pere Lachaise cemetery.
5. Untitled
6. And one from Logan.
Virginia
1. Boulevard Ménilmontant under construction (pano)
2. Alsleep on the métro
3. Photo exhibit of photos taken along the Mékong river at Luxembourg Gardens. The woman and child walked into my picture and I didn't realize it until I downloaded my photos for the day.
4. Taking a rest break at Pere Lachaise cemetery.
5. Untitled
6. And one from Logan.
Virginia
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"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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Love love love the "asleep in the metro" shot!
Richard, I agree with you that the woman who just walked into my picture #3 makes it work. I love how her smile is almost like the one in the photograph on the fence. Couldn't have set that up in a million years.
#2 is my favorite too, Nik. Just one of those wonderful times when you see a shot, know you've got to have it, and then you get it. That's the kind of experience that keeps me taking photographs.
Va
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Two, three, four and six are the keepers, Virginia, though I would definitely lose the treatments on two and six. Both are strong images - two being by far the stronger - but in both the weird colors distract. I love the couple in the grave yard, but I'd definitely crop in much closer on them - we're beginning to lose them in the present composition.
No. 1 isn't anything - and I know that you know that. Nor is five- two guys and a kid walking along. Accident or no, there's a wonderful whimsicality to No.3.
"He not busy being born is busy dying." Bob Dylan
"The more ambiguous the photograph is, the better it is..." Leonard Freed
As for the two men, the kid and the bagette (#5), it is a picture of life in my neighborhood. Maybe it is ordinary and common and uninteresting to some. I believe, however, that it has documentary value. That said, I agree that it isn't as strong in composition and framing as it needs to be to be a really good capture.
Thanks, BD, for taking the time to comment. I always learn from your critiques of my work and the work of others. Your reactions help me focus on why I take the photographs I do and how I can improve my work while staying true to my vision of the world around me.
Va
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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Thanks, Dan!! I really appreciate your comments.
Va
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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Au contraire! This forum is all about urban life, or at least that's what we're aiming for. While traditional street shooting is fine, pics don't have to look like they were shot with a Leica and high-contrast Tri-X to have a home here. They don't even have to be about people. Urban scenes, like your first shot, can be full of interesting details, and are well worth looking at. Paris is a gold mine for street scenes, so by all means get out there and dig.
#2 is a keeper. I love the way you PPed the colors! B.D., what is wrong with that, IYO?
#3 has to many distracting elements in it too, sorry.....
#4 is great, but IMHO, it be a lot better if you would have gotten closer to the couple?
#5 IMHO again is a snap shot that you took on the spur of the moment and did not even have time to think about, right?
#6 is very good, but like B.D. said, the first one is stronger.
B.D., again, why does the color distract?
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Never be sorry for not liking something. It is YOUR opinion, YOUR response. You are entitled to it!! I appreciate your sharing your views, whether positive or negative.
Re the couple in the cemetery. I made a conscious choice to include the tomb on the upper left knowing that the couple would end up being smaller in the picture than I would want for a strictly people pic. I probably should have tried it both ways (worked the scene), but hindsight is 20/20!
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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…and I smile back; it works - best of the bunch by far! (IMNSHO )
The graveyard: I would have waited for the shot of the woman hitting the DOM over the head with her handbag… (anyone remember "Laugh In" ???)
The ones where the printer's about to run out of ink don't do anything for me… (sorry)
#3 - that's The Keeper!
- Wil
PS: I don't know about the cropping of #4; I think it works as is. The problem is that if you crop, the picture becomes just any anonymous graveyard; as you have it, it is a very specific place, and those headstones and monuments are really very interesting.
#5: Ah, it's a baguette! I couldn't see that to start with and was confused (should have realized what with it being in Paris, an' all…)
Damon, I agree with you re #2. It is my favorite!
Will, what a great idea!! I definitely should have waited for the pocketbook to be brandished. Now THAT would have been a wonderful capture.
Thanks all for taking the time to comment.
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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I agree that 2, 3 and 4 are keepers. As for the whimsical woman in 3, even if you didn't know your "decisive moment" was in the can (did you need to tell us ;-), it is far and away the best, the more so because she and the Mekong guy on poster behind make an intriguing "twosome". As for 1, yes, isn't the road work a mess! It looks like your photo. I nearly wiped out a bicyclist trying to negotiate that circle yesterday. clap
Virginia, I went back to the photos and comments and discovered how much I like 4 in Père Lachaise. Whereas 2 is a good photo and 3 is fun, 4 has a human dynamic to it - a story if you will - that lifts it from the ordinary.
First the placement of the couple almost slipping off the lower right corner of photo, in contrast to those thoroughly static monuments behind, sets up the dynamic. Even the bench appears tilted to right a couple of degrees. Making this a square image seems imperative.
The couple seem to be negotiating whatever it is he wants while she decides if she wants to accede. Who knows, it could be about splitting a sandwich, or about something FAR, FAR more important. Therein lies the mystery and the fascination of this image. clapclap
Almost took out a bicyclist, huh? Glad you didn't succeed.
Virginia
"A photograph is a secret about a secret. The more it tells you, the less you know." Diane Arbus
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