The upper center window might be a bit too crisp - it would better match the leftside one - but fundamentally, you've achieved a really timeless image (outside, perhaps, of the AIG shirt - I do not know WHAT is up with all those). Love the look and feel of it. And especially how the leftward youngster is walking on air, creating a useful "is that real?" wobble in the viewer's mind.
The upper center window might be a bit too crisp - it would better match the leftside one - but fundamentally, you've achieved a really timeless image (outside, perhaps, of the AIG shirt - I do not know WHAT is up with all those). Love the look and feel of it. And especially how the leftward youngster is walking on air, creating a useful "is that real?" wobble in the viewer's mind.
Yeah, I always noticed that window, but it didn't touch a nerve until you mentioned it. You are right. I'll blur it to match. I wanted to get the pic to look like a ballet performance on stage (my original title was 'Elevation', a ballet term) and so I wanted the wall behind with its drawn-on goal net and graffiti to look like a painted backdrop. I found masking out the figures and ball was not going to be successful, so after tone work and applying some filters I desaturated the wall using Nik Viveza. The result was somewhat successful in separating those three figures away from the background and making of them a little dynamic system, while still sharing the theatricality of the rest.
This was a rather heavy crop, and so I was up against resolution limits very quickly. That showed most in the faces, so I brushed those back in from an earlier version, adjusting opacity and adding grain, to match the overall texture as close as I could, which as you will see, is not quite close enough.
I am seeing the value in taking the same shots at different focal lengths, though of course action shots like this don't oblige.
Comments
What he said
Really great colours too!
Nice timing and I do like your processing on this shot
www.Dogdotsphotography.com
Thanks for your encouragement, Azzaro!
Neil
http://www.behance.net/brosepix
What I said to Azzaro, and glad you like the colors!
Neil
http://www.behance.net/brosepix
Thanks, R! But careful about smiling too wide, wouldn't want cracks to start appearing in your avatar!
Neil
http://www.behance.net/brosepix
Well, there's a saying about living above your means and getting too big... Guess it came around!
Thanks for your comment, Randy!
Neil
http://www.behance.net/brosepix
Thanks for your appreciation, Mary!
Neil
http://www.behance.net/brosepix
Yeah, I always noticed that window, but it didn't touch a nerve until you mentioned it. You are right. I'll blur it to match. I wanted to get the pic to look like a ballet performance on stage (my original title was 'Elevation', a ballet term) and so I wanted the wall behind with its drawn-on goal net and graffiti to look like a painted backdrop. I found masking out the figures and ball was not going to be successful, so after tone work and applying some filters I desaturated the wall using Nik Viveza. The result was somewhat successful in separating those three figures away from the background and making of them a little dynamic system, while still sharing the theatricality of the rest.
This was a rather heavy crop, and so I was up against resolution limits very quickly. That showed most in the faces, so I brushed those back in from an earlier version, adjusting opacity and adding grain, to match the overall texture as close as I could, which as you will see, is not quite close enough.
I am seeing the value in taking the same shots at different focal lengths, though of course action shots like this don't oblige.
Thanks, Thorne, for the points you make.
Neil
http://www.behance.net/brosepix
Edit, but given the limitations of this close crop from 10MP 40D, this is about as far as I can go with it in this direction ; )
Neil
http://www.behance.net/brosepix