Darren Troy CRegistered UsersPosts: 1,927Major grins
edited October 6, 2009
You've got an "edge" ( a word that's been floating around quite a bit lately ) that I like. Your watermark, although maybe just for this site, is overpowering to say the least! It's very distracting....to me anyway. I LOVE, LOVE, LOVE the shutter-drag capture! VERY cool shot! You're gonna get bashed over the selective coloring one but in this case....I have to say nice job. I think my favorite would have to be the backlit couple in front of the doorway although I personally would prefer a lot less yellow....maybe not a total B&W conversion but perhaps a more monotone effect. Like I said, you seem to have a really cool style. Keep it up!
You've got an "edge" ( a word that's been floating around quite a bit lately ) that I like. Your watermark, although maybe just for this site, is overpowering to say the least! It's very distracting....to me anyway. I LOVE, LOVE, LOVE the shutter-drag capture! VERY cool shot! You're gonna get bashed over the selective coloring one but in this case....I have to say nice job. I think my favorite would have to be the backlit couple in front of the doorway although I personally would prefer a lot less yellow....maybe not a total B&W conversion but perhaps a more monotone effect. Like I said, you seem to have a really cool style. Keep it up!
Thanks. When i shoot a wedding my clients get three sets of photos. Everything in color, everything in b/w and 100-150 shots done in creative, i.e. the gold overtone and selective color.
i know the selective color is over done in the photography world, but clients still love it and want it.
Really nice work, I like almost all of it, the selective color already discussed and I share your concern with the clients loveing it and me hating it...
The only thing I'd like to say is that shot of the father/daughter down the isle pulls my eye away from them and straight to the awkward ceiling... not sure of the situation and if you were trying to hide something, I like to hide things in the blurryness and would shoot long telephoto for that shot.
These are great. I LOVE LOVE LOVE the sillhouette in the window shot. Fantastic and so romantic. If I were the bride, I'd have a giant framed Giclee of that one.
Comments
Thanks. When i shoot a wedding my clients get three sets of photos. Everything in color, everything in b/w and 100-150 shots done in creative, i.e. the gold overtone and selective color.
i know the selective color is over done in the photography world, but clients still love it and want it.
The only thing I'd like to say is that shot of the father/daughter down the isle pulls my eye away from them and straight to the awkward ceiling... not sure of the situation and if you were trying to hide something, I like to hide things in the blurryness and would shoot long telephoto for that shot.
Nice work.
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I really like the photos!
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