Experimenting in the midday sun
These were all shot around 1-2pm in Texas, which means the sun is still pretty high. Mainly, I was getting ready to head out to the corn maze tomorrow with some friends, and wanted to see how my mid-day shooting skills were holding up. I did some of these with the sun behind her, and some in dappled shade. I played with putting a blue gel on the flash in some, and others were just bare fill flash. The flash was all mounted on the camera (and on-axis -- no bracket).
C&C would be greatly appreciated. Thanks.
1. I know the shoulder into the camera here is a killjoy, but I like her smug look.
2.
3. Slight breeze at just the right time.
4.
5.
6.
7.
8.
9. This one was just sort of goofing around at the end (her friend was about to arrive)
10. cropped in tight. No extra sharpening here.
C&C would be greatly appreciated. Thanks.
1. I know the shoulder into the camera here is a killjoy, but I like her smug look.
2.
3. Slight breeze at just the right time.
4.
5.
6.
7.
8.
9. This one was just sort of goofing around at the end (her friend was about to arrive)
10. cropped in tight. No extra sharpening here.
0
Comments
#1 is my favorite but could be cropped tighter.
I also like #3.
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I like her expression in the first photo and I am loving #3 (still trying to grasp that there was a breeze).
What part of Texas?
The ones other than 1 & 3; is it the pose, color, crop? Still trying to figure out this portraiture thing.
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#1, #3 and #9 poses work the best for me. I also agree with cropping #1 a tad tighter.
#1 1/200 f/6.3 ISO200 105mm
#3 1/200 f/7.1 ISO200 105mm
#4 1/200 f/4.0 ISO200 105mm
#9 1/200 f/4.5 ISO100 60mm
Flash is E-TTL and set at -1 to -1/3 EV FEC.
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Does this help #2 at all, or is it just a bad position (seems like the latter):
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On the first, I don't care for your new crop. Try to get the eyes at the upper third of the frame. Your crop has the eyes right down the center. I also don't care for the crop across the chin. Look at this shot as an illustration.
I don't know why, but I just don't care for the pose on the second one.
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My DH is military and we are headed to Fort Hood. We are originally from South Texas (McAllen). It will be nice to be back in TX but I will miss all of my great photography friends here in Virginia.:cry
I will comment as best I can on these. I am still new to this but here goes...
#2 For some reason with this one I get a maternity shot pose feel. It's probably due to the position of her arm.
#4 Not sure if it's the processing but the light on her face seems flat. I, too, am still working on that one with some of my shots. However, the BG is great and so is her expression and pose. It looks natural.
#5 Her hair is blocking too much of her face. In some instances it does work but for some reason I'm not feeling it in this one.
#6 Feels stiff or forced.
#'s 7 & 8 Seems like she is tired...forced expressions.
#'s 9 & 10 Not sure what it is about them that didn't grab my eye. I do love the light on her hair in 9.
I'll go back to look though these again with a more critical eye. Glad at age 10, I know she's not doing a maternity shot..... At least she'll have the pose right in another, say, 20 years....
Mitchelll, I worry about the crop going the other way seems to add too much of the shoulder that is poorly oriented. In the end, I guess the look is good, but the pose is off, and there is limited ways to get that shoulder de-emphasized.
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So part of the answer to your question was that I'm not very skilled at this point of running the numbers properly in my head. I'm still not fully running ISO as a variable. So I didn't want to run HSS, sort of as a matter of principle since it might now work in other cases due to power reduction. So, given HSS was not an option 1/200 was a fixed value. I should have taken the ISO to 100 or the 50 to get from could have gotten in the 4 range. I was playing with an f/4 lens in this case (24-105 f/4L), but do have the 24-70 f/2.8L that I do love for great bokeh.
THe short of it is, that "drop the ISO" wasn't running through my head and hopefully I'm on a path to where it does become the reflex in bright light to get the narrow DOF that I should have had.
Thanks again for all of the help.
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Thanks. Probably not as hard as I'm making it... practice, practice, practice (at least until she says, "Daaaaaaddddd"
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Kelly
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That said, the final crop, imo, improves this shot substantially.
That may well be it.
Thanks.
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