Recent shoot with Brad Crum and his band
Recently I was invited to shoot some photos of Brad (a local Elvis impersonator) and his band. The downside of this shoot was that it had to be done between 1 & 1:30 in the afternoon, before one of their rehersals. The sky was clear and sun was very bright, as you will see in this photo. What I would like to know is what is the best way to tone down the hot spots, without making the shadowed areas too dark, and possibly making the people in the shade a bit lighter? This spot and pose was requested by Brad's wife & manager. I'm not too fond of the background, but she wanted a photo with a fall look to it, and this is the one she selected to post on his website.
Thanks in advance for any help/tips and C&C that you guys can provide.
GaryB
Thanks in advance for any help/tips and C&C that you guys can provide.
GaryB
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams
0
Comments
I drag around an AB800 with beauty dish and vagabond for outdoor work...changes everything..even in sunlight.
NAPP Member | Canon Shooter
Weddings/Portraits and anything else that catches my eye.
www.daveswartz.com
Model Mayhem site http://www.modelmayhem.com/686552
Thanks Swartzy for the tips and suggestions! They are much appreciated! I played with the photo further in LightRoom, and NIK Vivesa. Does this look any better? I'm trying to get the skin tones more natural looking, but having a tough time of it. I had scouted out the area before this shoot, and had a spot picked out that was better suited, but they wanted to use the fence for the group shot. That area might have worked if it was shot earlier in the morning or later in the evening.
GaryB
“The single most important component of a camera is the twelve inches behind it!” - Ansel Adams