Moving Rocks (DVNP)
kwalsh
Registered Users Posts: 223 Major grins
OK, two more from my recent Death Valley trip. Again, trying to get a slightly different perspective on the more common subjects. A few notes follow. Comments, advice, criticism greatly appreciated!
NOTES:
So these are the famous moving rocks on Racetrack Playa. The standard shot seems to be wide-angle to UWA with rock in foreground and trail moving into the background. I was hoping to do something a bit different.
The first shot was taken literally as the sun was touching the mountains to the west on its way to setting to get the strongest shadow effect. I used my tripod with legs extended but wrapped together as a boom to hold the camera about 6 ft directly above the playa pointed almost straight down, used the articulating LCD pointed back at me to compose and a cable release to trigger the shutter. When I visualized this shot before I left on my trip I envisioned the shadow being essentially black. I made an unexpected discovery though, in the shadow without direct light the surface texture just disappears and becomes a flat pattern creating an interesting result!
The second shot is a bit more standard, I wanted to compress the tracks to emphasize their bends/movement and get an OOF background. It is a bit more like most shots I see of the area, though I suppose the telephoto composition is a bit more off the beaten path. I'm not a huge fan of the bokeh in this one, I'm thinking of adding more/better blur to the background - any thoughts?
Again, like my previous two I didn't see color adding anything here so I did a B&W conversion (I did take some color photos, I promise!).
Thanks for looking!
Ken
NOTES:
So these are the famous moving rocks on Racetrack Playa. The standard shot seems to be wide-angle to UWA with rock in foreground and trail moving into the background. I was hoping to do something a bit different.
The first shot was taken literally as the sun was touching the mountains to the west on its way to setting to get the strongest shadow effect. I used my tripod with legs extended but wrapped together as a boom to hold the camera about 6 ft directly above the playa pointed almost straight down, used the articulating LCD pointed back at me to compose and a cable release to trigger the shutter. When I visualized this shot before I left on my trip I envisioned the shadow being essentially black. I made an unexpected discovery though, in the shadow without direct light the surface texture just disappears and becomes a flat pattern creating an interesting result!
The second shot is a bit more standard, I wanted to compress the tracks to emphasize their bends/movement and get an OOF background. It is a bit more like most shots I see of the area, though I suppose the telephoto composition is a bit more off the beaten path. I'm not a huge fan of the bokeh in this one, I'm thinking of adding more/better blur to the background - any thoughts?
Again, like my previous two I didn't see color adding anything here so I did a B&W conversion (I did take some color photos, I promise!).
Thanks for looking!
Ken
0
Comments
That's a perspective you don't see every day.
The other shot is interesting too. I don't think I've seen such wavy lines before.
Cheers,
-joel
Link to my Smugmug site
www.aaroncowanphotos.com
I like the way you set up your first shot but I also like the rocks in the 2nd photo and the curve of the path they made. The 2nd photo...If it were mine I'd crop off the top part of the photo and just show the ground with the rocks.
www.Dogdotsphotography.com
galleries
The second one; the background of the mountains is distracting and the bokeh is not good. I would crop it and get rid of that huge dark, blurry 1/3 of the photo.
Thanks again!
Ken
Your second one is good in my opinion -- just crop off the top part I really like the curvy lines with the rocks. Its not a dumper by any means.
www.Dogdotsphotography.com
I am enjoying your posts.
Although your drive to be different is good, I think you said something very important in your reply above, "I'm thinking the second one was perhaps more of an attempt to do something a bit different rather than a great capture on its own merits"
I too would enjoy the 2nd one if cropped as I do believe this is somewhat more telling of the most amazing tracks these rocks leave
Keep up the great thoughtful comments and work
Muench Workshops
MW on Facebook
It's wonderful to have a critical community take a look these shots and force me to look at them again through different eyes as well. I hope I'm able to give at least as much back in others topics. Thanks again!
Ken