Thank you flashers (and bouncers)
So, while I haven't had much to contribute, I've been following the post-Neil-workshop-threads with great interest.
Well, SOMETHING must be getting through to me. These are both ON camera, hotshoe flash. B&W because I liked it, but very little post work done except that involved in the conversion - no significant exposure-adjustment work and absolutely zero dodging/burning on either of them.
Problem:
- slight backlight of light leaking through blinds
- brim of hat casting nasty shadow if light was bounced off ceiling
- doorway+dark bookcase to my right making bouncing off wall unsuccessful.
Solution:
Shiny plastic envelope on sofa seat (she was sitting on back of sofa). Point flash head DOWN at it and...
I know that light from underneath is normally a no-no, but on this occasion, it fixed all the lighting problems I was having! So thanks Randy, Andrew, Swartzy and the many others who have patiently explained and re-explained how to work with on-camera flash (and flash+ambient) to get natural-looking, pleasing results. If it's any kind of reward, know that you ARE making a difference!!!!! :thumb
ETA: Yes, I had different apertures on each of the ones above - I don't remember now why I opened up to 1.4 in the 2nd one. Here's a shot taken immediately after the "bad" one (and at the same settings). Light's a litttle hot on her hands, but it does at least illuminate under the brim.....
Well, SOMETHING must be getting through to me. These are both ON camera, hotshoe flash. B&W because I liked it, but very little post work done except that involved in the conversion - no significant exposure-adjustment work and absolutely zero dodging/burning on either of them.
Problem:
- slight backlight of light leaking through blinds
- brim of hat casting nasty shadow if light was bounced off ceiling
- doorway+dark bookcase to my right making bouncing off wall unsuccessful.
Solution:
Shiny plastic envelope on sofa seat (she was sitting on back of sofa). Point flash head DOWN at it and...
I know that light from underneath is normally a no-no, but on this occasion, it fixed all the lighting problems I was having! So thanks Randy, Andrew, Swartzy and the many others who have patiently explained and re-explained how to work with on-camera flash (and flash+ambient) to get natural-looking, pleasing results. If it's any kind of reward, know that you ARE making a difference!!!!! :thumb
ETA: Yes, I had different apertures on each of the ones above - I don't remember now why I opened up to 1.4 in the 2nd one. Here's a shot taken immediately after the "bad" one (and at the same settings). Light's a litttle hot on her hands, but it does at least illuminate under the brim.....
facebook | photo site |
0
Comments
Looks like you opted to allow for some front spill from the flash based on the catchlights (one centered and one at 5 o'clock).
Who is wise? He who learns from everyone.
My SmugMug Site
You know, I"ve been trying to figure that one out since I shot it. I had the camera in vertical orientation,a nd the flash pointed down and to my right - I guess it must have been not 100% down to get those catchlights . In one of the shots, the centered one actually created redeye, even though the head was NOT pointed towards her. The one at 5 o'clock is from the bounce, I'm sure, but the other one... Dunno. I was quite close - could that have been why it caught like that?
Who is wise? He who learns from everyone.
My SmugMug Site
...the thread title....
Diva...I thought surely you were sharing pics from a super wild night on the town.....
Jeff
-Need help with Dgrin?; Wedding Photography Resources
-My Website - Blog - Tips for Senior Portraiture
totally intentional (glad somebody appreciates my warped, post-turkey-coma sense of humour! )
NAPP Member | Canon Shooter
Weddings/Portraits and anything else that catches my eye.
www.daveswartz.com
Model Mayhem site http://www.modelmayhem.com/686552
Kelly
My Photostream
http://www.flickr.com/photos/freezethemomentphotography/
http://www.kfsphotography.smugmug.com
Excellent - we all need a good laugh!
Now, since you were the one who triggered the "aha" moment which led (finally) to my flash+ambient epiphany... how'd I do?!
Thanks, KM. I do enjoy it, and solving these little puzzles is part of the fun. For too many years I knew I could compose a shot, but was so technically clueless that it was alway hit and miss (and unlike you, I didn't seem to have a flawless eye for *light* to carry me along). Thanks to the good folks here at dgrin, I've been able to learn sooooooo much, and just have a ball putting it to use! It's really satisfying when I can come up with a genuine solution for a genuine problem like this one... especially WHILE DOING IT. That's the part I get excited about: figuring this out when i need it instead of 3 days later
I'm a Nikon Girl:tuesday
www.BriShayPhotography.com